Le robot qui tue

There's a saboteur afoot at a secret government facility in the desert; a professor from the Office of Scientific Investigation and a female agent seek answers to the malfunctions which have resulted in the deaths of top scientists. Producer Ivan Tors, who also gets an original story credit, loved mixing science-fiction with science-fact, but perhaps gets too carried away here with his love of teaching science (the tour of the facility's many laboratories constitutes nearly half the film's running-time). While the exhibitions and scientific theories are certainly interesting, the technical jargon becomes monotonous. Nicely-produced on a low budget, and with some suspense near the finale, but--as a thriller in the sci-fi genre--it lacks a good old-fashioned charge of excitement. ** from ****

I was perhaps seven or eight years old when I saw "Gog" in the 1950s. The story was only somewhat comprehensible to me; although I understood that the laboratory was some type of research facility, it was unclear to me why things were going haywire. The jet flying overhead was a mystery: where did it come from, who was in it, and what was it doing?

The scientific devices were fun to watch, especially the "ray" weapon. Being unable to grasp the concept of sabotage, I didn't appreciate why the device was not operating as designed. But what had the biggest effect on me was the action of the robots. Their running amok in the lab scared me to death. Maybe I picked up on the terror of the lab's occupants.

The combination of confusion and fear made watching the movie (on TV) unpleasant but fascinating. It would be fun to see "Gog" now, knowing what I do about the plot, the actors, and the Cold War era in which it was made.

Saw this film when I was about 10 years old. I loved Sci-Fi movies so naturally saw this one. But something was different. There was some unusually tense undercurrent in the story. Actually scared me. Years later I realized the nervous tension was due to the underlying theme of the 'cold war'. The Cold War was very real back in the 50's and as a kid you would hear, now and then, things that would scare the pants off of you. What came first? The chicken or the egg? Was this a sci-fi flick that used the cold war tension or was it overwhelmed by the omnipresent tensions of said war? Don't know but it scare the heck out of me back then.

Yes, I saw this as a kid during the Saturday Matinee era. Have seen it a few times on TV, and recorded a copy. I also enjoyed the early "Doctor Who" broadcasts. I wonder if the Doctor Who set designers were influenced by Gog and Magog when they conceived the Daleks? Think about it: Both robots were mobile via treads/rollers (no artificial legs); both robots have a similar body shape; both have a single, grasping arm, and both have a flamethrower-type arm. Coincidence?

In my opinion this is one of the best films made by Ivan Tors. Tors created "Science Fiction Theater" for TV and made several SciFi films (like The Magnetic Monster) before this genre was really popular. He brought real science to the screen in plots that may seem dated today but afterall, it was 1954. In GOG, Tors brings in then brand new inventions such as jets, computers, robots, high frequency sound, cryogenics, sunlight as a weapon, electronic surveillance, atomic power and even man-made satellites (which would not become reality for 3 more years). To an audience unfamiliar with such things, it was exiting and scary. Especially scary when you were made to think such super weapons were under the control of a foreign power. The Korean War had just ended and the USSR was making aggressive comments about atomic war with us. This movie gave me nightmares for quite awhile.

-BullMoose