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Ajouter une intrigue dans votre langueBiography of bandleader Glenn Miller from his beginnings to his death over the English Channel in December 1944.Biography of bandleader Glenn Miller from his beginnings to his death over the English Channel in December 1944.Biography of bandleader Glenn Miller from his beginnings to his death over the English Channel in December 1944.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 1 victoire et 7 nominations au total
Harry Morgan
- Chummy
- (as Henry Morgan)
Katherine Warren
- Mrs. Burger
- (as Katharine Warren)
Avis à la une
This warm movie deals with Music of the Big Band Era living again thanks to the legendary and popular musician Glenn Miller : James Stewart who looks exactly every inch the trombonist. Concerning his emotive life from his poor starts as a humble trombonist and subsequently bandleader , his intimate love story , marriage to June Allyson, until his early death by a plane crash during WWII .Being one of the best and charming musical biographies ever to come out of the classic Hollywood . See it and hear it as never before !. It was a time that changed the world and one man put it to music.! . Their love made such wonderful music !.
An enjoyable and really attractive biography whose music had all of American tapping its feets. It results to be an agreeable drama with emotion, romance, well shot musical stage and packed to the gills with a clutch of successful tunes. Main and support cast are frankly wonderful . Stewart is terrific and even fakes the trombone playing well under score by Henry Mancini. While June Allyson as his beloved wife is awesome and sympathetic. Along with a nice plethora of secondaries such as : George Tobias, Harry Morgan, Charles Drake, Barton McLane, James Bell, and guest appearances from Louis Armstrong, Ben Pollack and Gene Krupa.
Of course, Glenn's music is the highlight of the movie, including the wonderful hit tunes as "Little Brown Jug" , "Chattanoga Choo Choo" , "In the Mood", "Moonlight Serenade" , "String of Pearls" , "Pennsylvania 6-5000". The picture colorfully photographed by William H Daniels was competently directed by Anthony Mann, delivering convincing portrayals of the characters. Mann was a Western expert as proved in "Bend the River, A Far Country, The Man From Laramie, The Naked Spur, Tin Star Winchester 73" . But Mann also directed other genres as wartime : "Men in War , Strategic Air Command" , Noir Film : "T-Men, Railroad" and Historical : "El Cid, Fall of the Roman Empire" , and Musical : "The Glenn Miller story", among others. Rating : 7.5/10. Notable, better than average.
An enjoyable and really attractive biography whose music had all of American tapping its feets. It results to be an agreeable drama with emotion, romance, well shot musical stage and packed to the gills with a clutch of successful tunes. Main and support cast are frankly wonderful . Stewart is terrific and even fakes the trombone playing well under score by Henry Mancini. While June Allyson as his beloved wife is awesome and sympathetic. Along with a nice plethora of secondaries such as : George Tobias, Harry Morgan, Charles Drake, Barton McLane, James Bell, and guest appearances from Louis Armstrong, Ben Pollack and Gene Krupa.
Of course, Glenn's music is the highlight of the movie, including the wonderful hit tunes as "Little Brown Jug" , "Chattanoga Choo Choo" , "In the Mood", "Moonlight Serenade" , "String of Pearls" , "Pennsylvania 6-5000". The picture colorfully photographed by William H Daniels was competently directed by Anthony Mann, delivering convincing portrayals of the characters. Mann was a Western expert as proved in "Bend the River, A Far Country, The Man From Laramie, The Naked Spur, Tin Star Winchester 73" . But Mann also directed other genres as wartime : "Men in War , Strategic Air Command" , Noir Film : "T-Men, Railroad" and Historical : "El Cid, Fall of the Roman Empire" , and Musical : "The Glenn Miller story", among others. Rating : 7.5/10. Notable, better than average.
"The Glenn Miller Story" appears on cable-TV from time to time. It is an historically accurate piece about a beloved man whose music defined an era.
Miller is portrayed as a gracious and kind man -- an officer and a gentleman. We see Jimmy Stewart's affectionate portrayal of this simple man who spent his short musical career searching for a particular sound. The results got the whole world dancing to his new beat: Swing! The music in this movie will surely get you on your feet!
The driving force in Glenn Miller's life was his love for his wife, Helen, amicably played by June Allyson.
A "must-see", movie classic. Be sure to bring a hanky!
Miller is portrayed as a gracious and kind man -- an officer and a gentleman. We see Jimmy Stewart's affectionate portrayal of this simple man who spent his short musical career searching for a particular sound. The results got the whole world dancing to his new beat: Swing! The music in this movie will surely get you on your feet!
The driving force in Glenn Miller's life was his love for his wife, Helen, amicably played by June Allyson.
A "must-see", movie classic. Be sure to bring a hanky!
It is said that Miller could never remember precisely the moment he decided to emphasize his new reed section sound... But it was during this disheartening interim, that he realized the unique sound, produced by the clarinet holding the melodic line while the tenor sax plays the same note, and supported harmonically by three other saxophones - just might be the individual and easily recognizable style that would set his band apart from all the rest...
Photographed in color, Anthony Mann's 'The Glenn Miller Story' is purely a time trip to those years, when Glenn Miller's band ruled the record charts and anchored the airwaves... The film, beautifully captured Miller's spirit and follows his life story with reasonable fidelity... It is one of the most charming and touching musical biography...
Appearing in glasses and winning grin, Stewart kisses Allyson, holding her face lightly with his fingers, the same way he detains his trombone slide... Stewart applied his natural musical expertise, playing on the trombone... Miller's style was there. The original sound was there. The real music was there. The mix was there...
The film traces Miller's romance and marriage to his college sweetheart, Helen Burger, and his progress from a free-lance trombonist and arranger to band leader...
The pop music styles of '20s sweet and jazz bands were getting ready for the Big Band or Swing era of the '30s... About this time, Miller began writing charts that would one day to be his band's stock in fame, the clarinet "lead" sound over the saxophones... Miller's imagination, strong will, and determination kept his aspirations alive.. His music, a careful mixture of swing, jazz, and improvisation, flowed like spring with matchless string of hit records ( "Moonlight Serenade," "String of Pearls," "Pennsylvania 6-5000", "Little Brown Jug," "In the Mood," & "Chattanooga Choo Choo," among others...
The constant impact of radio broadcasts, and the drawing power at dance pavilions built and sustained the momentum of Miller's popularity...
June Allyson, who regularly played the little, lip-quivering waiting wife, again she is the petite and husky-voiced woman who, once married, is supportive and inspirational.. She finances Glenn what he needs to start his own band... Her scenes with Stewart have such a natural, easy-going on the screen, that we get completely drawn into their lives... Also featuring in the film are such legendary figures as Frances Langford, Gene Krupa, and Louis Armstrong...
With its unique jazz sound, 'The Glenn Miller Story' is a competent musical heart warmer with a well-cast star and successful reproduction of the Miller sound...
Photographed in color, Anthony Mann's 'The Glenn Miller Story' is purely a time trip to those years, when Glenn Miller's band ruled the record charts and anchored the airwaves... The film, beautifully captured Miller's spirit and follows his life story with reasonable fidelity... It is one of the most charming and touching musical biography...
Appearing in glasses and winning grin, Stewart kisses Allyson, holding her face lightly with his fingers, the same way he detains his trombone slide... Stewart applied his natural musical expertise, playing on the trombone... Miller's style was there. The original sound was there. The real music was there. The mix was there...
The film traces Miller's romance and marriage to his college sweetheart, Helen Burger, and his progress from a free-lance trombonist and arranger to band leader...
The pop music styles of '20s sweet and jazz bands were getting ready for the Big Band or Swing era of the '30s... About this time, Miller began writing charts that would one day to be his band's stock in fame, the clarinet "lead" sound over the saxophones... Miller's imagination, strong will, and determination kept his aspirations alive.. His music, a careful mixture of swing, jazz, and improvisation, flowed like spring with matchless string of hit records ( "Moonlight Serenade," "String of Pearls," "Pennsylvania 6-5000", "Little Brown Jug," "In the Mood," & "Chattanooga Choo Choo," among others...
The constant impact of radio broadcasts, and the drawing power at dance pavilions built and sustained the momentum of Miller's popularity...
June Allyson, who regularly played the little, lip-quivering waiting wife, again she is the petite and husky-voiced woman who, once married, is supportive and inspirational.. She finances Glenn what he needs to start his own band... Her scenes with Stewart have such a natural, easy-going on the screen, that we get completely drawn into their lives... Also featuring in the film are such legendary figures as Frances Langford, Gene Krupa, and Louis Armstrong...
With its unique jazz sound, 'The Glenn Miller Story' is a competent musical heart warmer with a well-cast star and successful reproduction of the Miller sound...
Not their best collaboration, my personal favourite is 'Winchester 73', but of the ones personally seen (not all but most) 'The Glenn Miller Story' is up there among their better ones. While there's more to see of their collaborations, none of the ones seen are less than good.
Biopics are very difficult to get right, especially ones of famous people in entertainment (i.e. film) and music (composing, singing, playing instruments). For example often coming to life when in action (whether acting, singing, composing or playing), but some suffer from the biographical elements not faring as good, with a tendency to play fast and loose with the facts. There are some great ones, some good ones, some uneven ones and some hugely problematic ones.
Luckily, 'The Glenn Miller Story' is one of the near-great ones. On a musical front it is nothing short of exceptional, no complaints there, but it was thoroughly enjoyable as a biopic too regardless of it not being a true account and very scratch surface because of not suffering from pacing or tone problems. Stewart is note-perfect in a role that plays to his strengths, despite him portraying a big band icon Stewart not only plays Miller with utter conviction but the performance also epitomises everything that Stewart himself is about and what made him such a great actor.
'The Glenn Miller Story', when it comes to Mann is very much removed from his darker and more psychological westerns that also star Stewart (the films that he's perhaps chiefly famous for), but there is not once a sense that he is beyond his comfort zone in an atypical genre for him, far from it. To me, actually, even with a lighter touch (much needed), without it ever feeling too much, it is one of Mann's stronger overall directorial efforts when it comes to his collaborations with Stewart.
As said to be expected, the music is exceptionally bewitching, with all the hits included and it was so wonderful to hear so many classics in one film. This said, 'The Glenn Miller Story' does have much more than a great performance and music. As well as June Allyson personifying charm and spunk, the supporting cast are just as good, with a superb Harry Morgan and cracking appearances from Louis Armstrong, Gene Krupa, The Modernaires and Frances Langford. The chemistry between Stewart and Allyson is irresistible, and 'The Glenn Miller Story' is handsomely mounted and beautifully filmed with lavish use of colour.
Script-wise, 'The Glenn Miller Story' a vast majority of the time succeeds, with a nice and well balanced dose of humour that makes one feel good and tender sentiment, while the story's warm heart and bags of charm more than makes up for any misgivings of it being inaccurate and only scratching the surface. Really liked the characters and felt myself caring for them.
My only complaints really are the rather too sudden ending that should have been more sombre and the central relationship being portrayed somewhat too perfectly and sugar coated, which does despite the irresistible chemistry mean that parts do fall into saccharine-overboard camp occasionally.
In conclusion, a near-great film and it is easy to see why of all Stewart and Mann's collaborations 'The Glenn Miller Story' is generally one of the more fondly remembered ones. 8/10 Bethany Cox
Biopics are very difficult to get right, especially ones of famous people in entertainment (i.e. film) and music (composing, singing, playing instruments). For example often coming to life when in action (whether acting, singing, composing or playing), but some suffer from the biographical elements not faring as good, with a tendency to play fast and loose with the facts. There are some great ones, some good ones, some uneven ones and some hugely problematic ones.
Luckily, 'The Glenn Miller Story' is one of the near-great ones. On a musical front it is nothing short of exceptional, no complaints there, but it was thoroughly enjoyable as a biopic too regardless of it not being a true account and very scratch surface because of not suffering from pacing or tone problems. Stewart is note-perfect in a role that plays to his strengths, despite him portraying a big band icon Stewart not only plays Miller with utter conviction but the performance also epitomises everything that Stewart himself is about and what made him such a great actor.
'The Glenn Miller Story', when it comes to Mann is very much removed from his darker and more psychological westerns that also star Stewart (the films that he's perhaps chiefly famous for), but there is not once a sense that he is beyond his comfort zone in an atypical genre for him, far from it. To me, actually, even with a lighter touch (much needed), without it ever feeling too much, it is one of Mann's stronger overall directorial efforts when it comes to his collaborations with Stewart.
As said to be expected, the music is exceptionally bewitching, with all the hits included and it was so wonderful to hear so many classics in one film. This said, 'The Glenn Miller Story' does have much more than a great performance and music. As well as June Allyson personifying charm and spunk, the supporting cast are just as good, with a superb Harry Morgan and cracking appearances from Louis Armstrong, Gene Krupa, The Modernaires and Frances Langford. The chemistry between Stewart and Allyson is irresistible, and 'The Glenn Miller Story' is handsomely mounted and beautifully filmed with lavish use of colour.
Script-wise, 'The Glenn Miller Story' a vast majority of the time succeeds, with a nice and well balanced dose of humour that makes one feel good and tender sentiment, while the story's warm heart and bags of charm more than makes up for any misgivings of it being inaccurate and only scratching the surface. Really liked the characters and felt myself caring for them.
My only complaints really are the rather too sudden ending that should have been more sombre and the central relationship being portrayed somewhat too perfectly and sugar coated, which does despite the irresistible chemistry mean that parts do fall into saccharine-overboard camp occasionally.
In conclusion, a near-great film and it is easy to see why of all Stewart and Mann's collaborations 'The Glenn Miller Story' is generally one of the more fondly remembered ones. 8/10 Bethany Cox
Were Jimmy Stewart and June Allyson made for the movie,or what?!
Great movie,lovely music!One of those movies that make you feel good all over,with a beautiful blend if wit,emotion and the Blues!What is even more impressive is the use of African American actors,considering the movie was made in 1954.The Jimmy and June combination evokes the chemistry of a Kate and Spencer movie.A true classic in every way,I'd watch it again in a heartbeat!
Great movie,lovely music!One of those movies that make you feel good all over,with a beautiful blend if wit,emotion and the Blues!What is even more impressive is the use of African American actors,considering the movie was made in 1954.The Jimmy and June combination evokes the chemistry of a Kate and Spencer movie.A true classic in every way,I'd watch it again in a heartbeat!
Le saviez-vous
- AnecdotesJames Stewart took trombone lessons in order to actually play during scenes where Glenn Miller is seen performing with his orchestra. However, while learning from his tutor, Stewart's attempts at practicing the instrument made such horrible noises that the teacher reportedly went home in a rage every night to his family. It was decided that Stewart would accurately mime the motions of playing (especially apparent during the performance of String of Pearls) while his trombone tutor Joe Yukl did the actual playing.
- GaffesMiller's famed swing instrumental of "Little Brown Jug" is depicted in the closing scene as a "special arrangement" Glenn created for a Christmas 1944 radio broadcast by Miller's AAF Band from Paris. In fact, it was one of the real Miller Band's first bona fide hits in 1939, arranged by the recently hired Bill Finegan, who became, along with arranger Jerry Gray, two of the key behind-the-scenes craftsmen that helped mold Miller's civilian band into the enduring commercial and artistic powerhouse it became.
- Citations
[repeated line]
Helen Burger: Honestly!
- Versions alternativesMost current prints in circulation are the slightly shortened 113-minute 1959 re-release version.
- ConnexionsFeatured in AFI Life Achievement Award: A Tribute to James Stewart (1980)
- Bandes originalesBasin Street Blues
(uncredited)
Written by Spencer Williams
Performed by Louis Armstrong and Gene Krupa
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Détails
Box-office
- Montant brut mondial
- 994 $US
- Durée
- 1h 55min(115 min)
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