The Golden Idol

Prince Ali hires great white hunter Joe Hawkins to track down the Golden Idol of the Watusi. They are following Bomba who has hidden the Idol. Commissioner Barnes has brought archeologist Karen Marsh who is searching for the Idol. Bomba agrees to sell the Idol to them for the tribe.

It's a Tarzan copy called Bomba, the Jungle Boy series. It's part of the jungle exploitation films and getting late in this franchise. It's strictly B-movie material shot in Hollywood. At least, it's work for a lot of black actors. Bomba has his leopard loin cloth. I have issues with the plot but it somewhat works. The torture is very suggestive and scary. This would probably work as a shorter serial. Even at around 70 minutes, it drags in the second half.

THE GOLDEN IDOL (Allied Artists, 1954), Written, produced and Directed by Ford Beebe, based upon the character created by Roy Rockwood in the "Bomba" Books, marks the tenth installment of the "Bomba the Jungle Boy" adventures series starring Johnny Sheffield, and the second in the series distributed through Allied Artists. It also marks the return of Paul Guilfoyle, who appeared earlier in BOMBA AND THE HIDDEN CITY (Monogram, 1950), as the Emir Hassan. For this installment, Guilfoyle assumes a similar character under a different name, that as Ali-Ben Mamoud. As with THE HIDDEN CITY, his character rivals Bomba and wants to make him suffer as he made him suffer. Flashback sequences foretell what Bomba did to have Mamoud become his enemy, that along with underwater sequences and vine swinging scenes lifted from the earlier installment making those familiar with the series to believe they are watching THE HIDDEN CITY instead of THE GOLDEN IDOL, even when the results similarity different.

The story begins in the village where ivory hunter, Joe Hawkins (Lane Bradford), arrives by jeep to meet with Ali Ben Mamoud (Paul Guilfoyle), who hires the most craftiest hunter in all Africa to help him retrieve the lost idol of Watusi that was stolen from him by Bomba, whom he classifieds as "The Jungle Devil." Flashbacks foretell what took place leading to the taking of the golden idol and hiding it in a safe place only known to Bomba. It is not known until later by Bomba (Johnny Sheffield) revealing to his friends, Deputy Andy Barnes (Leonard Mudie), Eli (Smoki Whitfield) and their archeologist visitor, Karen Marsh (Anne Kimbell), to collect the golden idol for her museum in England, that the villainous Arab had abducted the Golden Idol from the native witch doctor friend of his in Tanganyika where he endured torture from Mamoud for its reward. In the meantime, Hawkins, accompanied by his own safari, schemes in capturing Bomba by befriending and taking him into his confidence. He gets his chance by rescuing Bomba from the claws of a villainous lion. After joining Bomba and his safari, Hawkins reveals his true character by holding Barnes, Eli and Karen hostage until Bomba is forced to reveal where the golden idol is hidden. Bomba, however, has ideas of his own. Supporting cast include Rick Vallin (Abdullah); Roy Glenn (Gomo); James Adamson (Ezekial), Don C. Harvey (Officer Graves) and William Tannen (Sergeant Reed). Bomba's pet chimpanzee, Nakimda, is also on board for both comedy relief and rescue purposes for those in need.

For a change of pace in the series, the female character assisting Bomba isn't a teenage girl accompanied by her father, but an older woman around in her twenties on an assigned mission. Another change in the series is having the close casting credits followed by the THE END title. Standard production with enough jungle chase scenes as a reminder to anyone who has seen THE MOST DANGEROUS GAME (RKO, 1932) about a crazed man hunting man rather than animals as his prey. What a good Bomba adventure this would have been with similar story casting Bomba fighting for survival to keep from being killed by a fast shooting hunter. Paul Guilfoyle makes a fine advisory to Bomba as Professor Moriarty is to English sleuth, Sherlock Holmes. Some good action scenes though low-budget production values prevent this from becoming a top movie edition, but not enough to label this as its worst either.

Available on DVD, THE GOLDEN IDOL, which was formerly presented on commercial television in the 1960s and 70s, followed by Turner Network Television in 1992, can be seen occasionally on Turner Classic Movies where it made its TCM premier March 3, 2012. Next installment: KILLER LEOPARD (1954) (**)

The Golden Idol (1954)

** (out of 4)

Bomba (Johnny Sheffield) is back in action and this time he's trying to bring down the evil Prince Ali Ben Mamoud (Paul Guilfoyle) who is starting trouble in the jungle after trying to steal a valuable golden idol, which is very important to some natives who just happen to worship the piece. THE GOLDEN IDOL was the tenth film in the Monogram series and it's clear that it's far from a masterpiece but in terms of this series it's not too bad. However, that's really not saying too much as there really weren't any good films in this series. This one here at least has a couple fun performances but as with the previous films, way too much time is spent on silly stock footage and boring dialogue sequences that just keep going on and on. On the plus side you once again have Sheffield back in the lead role and it's clear that he was given a lot more effort than this thing deserved. He's quite good in the part but one wishes they had given him a better writer. I also thought Guilfoyle was good in his part and actually made for a very good villain. He played a similar role in a previous film and sure enough was the best thing in that. The rest of the supporting players are serviceable in their parts. Most of the action is the typical gunshots, tribes men running around type of stuff and none of it is overly exciting. At 71-minutes the film does drag in spots but this is the tenth movie so that's to be expected.

This was not the last Bomba movie (two more were made shortly thereafter), but it may be the weakest. The whole series, never terribly well made, was just running out of "spiz" by this time, and it shows.

Playing the villain is Paul Guilfoyle, a longtime Hollywood bad guy (who should not be confused with the current actor of the same name). His character is an evil Arab potentate making trouble in the jungle. Guilfoyle had played a similar role in "Bomba and the Hidden City," but he doesn't reprise that role here. Not exactly. He simply plays a similar character to allow for use of footage from the earlier film.

Those recycled scenes, coupled with familiar stock footage of wild animals, give this movie a particular air of cheapness. Many of the scenes are shot at night, with people dashing around amid the foliage. It's often hard to tell what, if anything, is going on.

And Bomba's jungle seems very small. He keeps coming back to the same places -- the same pond, the same clearing, the same rock formation. Does he really know his way around the primeval forest?

The story is much like those in other Bomba films: Bad guys mistreat the natives, shoot animals and menace a pretty American girl whose work has brought her to the jungle. In this case, the girl is an archaeologist looking for the "Golden Idol of Watusi."

Johnny Sheffield was well past his teens by this point, and his increasing maturity may have doomed the series anyway. At one point in "Golden Idol," someone refers to Bomba as a "jungle man" instead of a "jungle boy." But he still looks young and fit enough to be credible.

It's easy to make fun of Bomba movies, but not really fair. I have to admit that I enjoyed them myself as a boy. Their racial attitudes are outdated, but some far better films of the era were much more insensitive in that regard. All in all, these little jungle adventures are well-meaning, simplistic, good-versus-evil tales. Still, if you want to get acquainted with the character, an early Bomba movie would be a better place to start.

Johnny Sheffield was getting pretty old to play Bomba the Jungle BOY in this episode, the tenth of the long-running Monogram series. It is, like all the others, a well-intentioned, decently produced work of knock-off Tarzan fiction, a bit more overt in its early ecological message than the Tarzan series was.

Some good talent lurks here, with Paul Guilefoyle returning and a nice pan shot of the native village across the river to keep people who care about such things happy. The story -- about some baddies seeking revenge on Bomba for being an annoyance while his friends and he are doing some archeology digging -- is just as slight as any of the others. Still, all the signs of competence are there and if you like the series, you will like this one. I find it harmless.