La piste des éléphants

Agreeable romance/adventure film in which a British gorgeous woman marries a wealthy colonial owner and go to live in his huge plantation but it happens to be on the path where elephants roam. This romantic adventure movie in soap opera style was lavishly produced by Paramount Pictures with all-star-cast , glimmer cinematography and luxurious scenarios . As the young bride named Ruth Wiley (Elizabeth Taylor) of a rich planter (Peter Finch) finds herself the only white woman at Elephant Walk tea plantation, British Ceylon . In the plantation Dick Carver (Dana Andrews), works as a right-hand man and she finds certain protection , thanks to Dick the tough foreman , then a mutual attraction emerges each other , soon makes him indispensable . The jungle , of course, is endangered by some kind of wild life and some dangerous elephants , for this reason she finds herself in a strange atmosphere . Furthermore , a cholera epidemic outbursts , followed by elephants destroying the plantation . There takes places a searing story of sudden love and sudden death in the hot green hell of the Ceylon jungle , being threatened by the hovering , ominous appearance of the hostile elephants . One man and several elephants claimed the land , two men claimed the woman who lived there .

This exciting film has emotion , romance , intrigue , exotic landscapes , colonial settings and results to be pretty entertaining . Ceylon's balmy jungles provide the backstage for a triangular torrid love between Elizabeth Taylor , Peter Finch and Dana Andrews , in this post-prime William Dieterle effort . Intelligent and engaging script which uses intriguing situations to give us an acceptable movie in a high sense and intimate sensitivity and that kept me entertained for the almost 100 minutes of duration . ¨Elephant walk¨ is an enjoyable adventure movie , a menace melodrama with a wide view of a huge tropical bungalow , exotic scenarios with rage excessively colorful , big bull elephants , an amazing mansion , a love story , drama and many other things . The movie is very persuasively made , usually rise to a crescendo of emotion and had at the time a remarkable success. Entertaining romance/adventure is visually striking with a spectacular final . I liked everyone in the excellent cast, and the male and female actors , especially Elizabeth Taylor , were all very attractive . The hit of the show is undoubtedly for the fetching and attractive Elizabeth Taylor who gives one of her best screen acting . Elizabeth wears lush gowns splendidly designed by expert costume designer Edith Head . Although Vivien Leigh was originally cast, but her mental illness begun affecting things during filming, and so she was replaced by Elizabeth Taylor ; many long shots and shots from behind are still of Leigh . Furthermore, a thrilling as well as breathtaking climax at the mansion in which the protagonist are besieged by a herd of elephants . This picture bears remarkable resemblance to ¨Escape to Burma¨ (1954) by Allan Dwan that contains a similar jungle scenario (Sri Lanka) , elephants and known actors as Barbara Stanwyck , Robert Ryan and David Farrar . It also has several points in common with ¨The naked jungle¨ by Byron Haskin regarding a woman , Eleanor Parker , who marries a planter , Charlton Heston , living in jungle until a final tragedy takes place . ¨Elephant walk¨ packs a colorful cinematography print in Technicolor 1.37:1 and composed for Widescreen presentation, by Loyal Griggs considered to be one of the best cameramen of the 40s and 50s . Sensitive as well as evocative musical score by the classic Franz Waxman .

This adventure yarn from the golden age of Hollywood was well directed by William Dieterle as a classic example of drama/romance/adventure of the fifties . Dieterle is a German director who was in Hollywood by 1930s and directing dramas (Scarlet down, Fog over Frisco, Fashions) , costumer (Hunchback of Notre Dame,Kismet,Omar Khayyan) and biopics (Life of Emile Zola, Dr Ehrlich, Juarez, Madame Curie, Reuter) that were a revelation at the box-office. Rating : 6,5/10 , better than average . Well worth watching . The picture will appeal to Elizabeth Taylor fans .

The scintillating Elizabeth Taylor stars in this lesser-known classic as a young girl from London who falls in love with a tea plantation owner from British Ceylon (current day Sri Lanka). Upon arrival she instantly feels out of place and is forced to adapt to the new culture as well as be in constant awareness of the angry elephant herd. William Dieterle, who also directed The Life Of Emile Zola and Portrait Of Jennie , does a masterful job of bringing a somewhat dark, and almost eerie, undertone to this romance and the setting is one of the most beautiful I've seen with the black and white themed mansion and the gorgeous island scenery.

Although not nearly as ludicrous, this could be seen as Paramount's companion piece to its 'Naked Jungle' from the same year and instead of hordes of killer ants we have herds of marauding pachyderms. The presence of William Dieterle in the director's chair is a definite plus.

Distinct echoes here of 'Rebecca' with Peter Finch and Elizabeth Taylor as Maxim and Mrs. De Winter and Abraham Sofaer as Mrs. Danvers. Ironic indeed that Mr. Finch was Laurence Olivier's protegé as Olivier was prevented by prior commitments from appearing in this. Miss Taylor was replacing the indisposed Vivien Leigh whose interest in Mr. Finch was more than purely professional.

The film itself boasts the customarily splendid Paramount production values, is beautifully shot by Loyal Griggs with a suitably dramatic score by Franz Waxman. Mr. Finch glowers magnificently, Miss Taylor at twenty-two is in the full bloom of her beauty and the always excellent Dana Andrews has a thankless role as 'the other man'. Following his 'greylisting' William Dieterle was to find worthwhile directorial assignments increasingly elusive but he does his very best here with the material at his disposal.

People see films in surprisingly different ways and an earlier reviewer has suggested that the stampeding elephants represent 'resistance to British colonialism.' Yes, well.....

... with Abraham Sofaer as a kinder gentler Mrs. Danvers.

John Wiley (Peter Finch), a Ceylon (Sri Lanka today) planter, is in London. While there he meets and marries a bookstore clerk, Ruth (Elizabeth Taylor) and brings her back to his estate - "Elephant Walk". But once home John begins to change. He seems haunted by the specter of his father, Tom Wiley, a harsh man who built Elephant Walk - named such because it is literally in the path of the historic elephant path to water. John drinks heavily, broods, and parties all night with a bunch of fellow planters, barking at Ruth if she complains. The supervisor of all the servants - Appuhamy - gets up every morning and talks to the grave of John's father, Tom, mentioning that he does not like Ruth, and that her ways are cold and distant. Appuhamy should know because he is cold and distant to Ruth, who only wants to take her place as running the household, but between Appuhamy, her distant husband, and the ghost of her father-in-law she is pretty much ganged up on. So let's also throw in that this movie is somewhat like "Giant " too in that regard.

But a ray of sunshine is the presence of an Elephant Walk foreman, Dick Carver (Dana Andrews) who falls in love with Ruth at first sight. Ruth wants her marriage to work, but between a foreman with bedroom eyes, a very haunted and brooding husband, epidemics and elephants, her path is a hard one. How will this work out? I'd say in a visually spectacular way for the time, yet utterly predictable.

Paramount certainly put energy into designing Liz' fashions. While they were at it they should have maybe put more money into shooting on location. There are shots that are clearly on location in Ceylon. But then they will intersperse those shots with those that are obviously on some Hollywood lot with back projection of the countryside. When Liz and Dana Andrews take a horseback ride through the plantation, the cheesiness of the back projection ventures into Ed Wood territory.

There is an interesting backstory to the making of this film. Apparently Vivien Leigh was originally supposed to have the part of Ruth, but illness prevented it. At age 40 she would have looked almost as odd as the fresh young bride as Liz would have looked in1939 as Scarlet O'Hara given she was seven at the time.

In spite of good performances by the entire cast, the sum of the thing is rather hokey and overwrought. Still, since all but the "tent pole" studio era films made by Paramount are hard to find, I'd say give it a look if it ever comes your way.

My parents took me to this movie when I was nine years old. I have never forgotten it. I had never before seen anything as beautiful as Elizabeth Taylor. (She was twenty-two when she made Elephant Walk) Remember, I'm nine, so the feelings aren't sexual, I just couldn't see anything else on the screen. I just wanted to sit at her feet like a puppy and stare up at her. She has begun to show her age, (She's almost seventy-four) but I still believe her to be one of the most beautiful and breathtaking women to ever have lived.

I have seen the movie several times since, and it is a sappy melodrama. What saves it is, of course, Miss Taylor's beauty, magnificent scenery, the very impressive elephant stampede, and a well-made point on human arrogance in the face of nature.

All in all, a well-spent couple of hours watching the movie channel or a rented video.