L'aigle solitaire

This is based on true facts, but since the Modocs were never in Arizona, i found the scenery comical. If you do a search for, 'Canby's Cross', it takes you to the north end of California, about 12 miles south of the Oregon border. In the 'Lava Beds National Monument.'

Canby's Cross is a monument erected on the site of the killings, to honor the men lost. On the cross, is inscribed, "Gen Canby USA was murdered here by the Modocs April 11, 1873"

The real Canby was shot in the face. In the movie, it appeared they kept that detail, as you see him clutch his face after the second shot.

It's 1872. Johnny MacKay (Alan Ladd) is the best Indian fighter in Oregon. He arrives at the White House to talk to President Grant. He is appointed peace commissioner to convince renegade Modoc Indian Captain Jack (Charles Bronson) to lead his people back to the reservation.

The history may be real but it's told from one side of the conflict. This is an old fashion western in more than one way. It definitely has the scenery. Most white folks starting with MacKay are simply trying to keep the peace. The Indians are the trouble makers along with some white settlers. It's an early role for Bronson and he does some fine red-face acting. Alan Ladd is doing very blend acting. It's probably deliberate to give this character the persona of a peace giver. It may be propaganda but it works for the audience of its day. The American government only wants to help the red savage and some just refuse to be civilized.

Catch the two great bookend sequences. They may be the most memorable part of this nicely produced Western purportedly based on fact. That opening sequence with McKay (Ladd) walking in unchallenged to meet President Grant is based on the historical fact that presidents have only been removed from the public in later times. Citizens back then could essentially walk in and talk to the president without a dozen pre-screens.

Also, for this Bronson fan, that jail cell ending may well be the high point of his acting career. He shows more unforced good humor and naturalness there than any scene I've seen him in. In fact, he easily steals the movie from the rest of the cast, positioning himself as a real Hollywood comer.

This is an A-production from Warner Bros. For example, scope out the well stocked cavalry troop. No corner-cutting there. Then too, lavish use is made of Sedona's familiar red rock locations adding real scenic value. Also, there's a much larger than usual supporting cast of familiar faces, even down to bit parts. Producers Daves and Ladd (uncredited) do a bang-up job assembling the many components.

Surprisingly, for plot developments, the Indians actually get to win a battle and rejoice on- screen. However, the film's impact is damaged by being over-long, probably to accommodate a romantic interest to broaden audience appeal. Then too, Ladd, the actor, appears not nearly as interested in the film as Ladd, the co-producer. Frankly, he looks glum throughout the nearly two-hour running time, and I don't think it's from under-playing the part. Plus having him over-power the muscular, extremely fit looking Bronson is quite a stretch.

Despite these several drawbacks, it's still a good scenic, action flick, the first of director Daves' series of superior Westerns.

This western is one of Alan Ladd's best films and he is the peace commissioner turned Indian fighter who finally brings peace in the far west. The film is based on factual events as Modoc boss Captain Jack ignores repeated overtures for peace and leaves the cavalry no choice but to resort to arms to stop the killing and outrages. Ladd and Charles Bronson, the Indian leader, make fine adversaries and the movie has lots of action and beautiful scenery. A great cast of western favorites are in the film and Ladd even has a moment or two to clinch with with pretty Audrey Dalton. Marisa Pavan is an Indian maiden who also has a yen for Ladd. Delmer Daves directed this film, which is another in a succession of excellent Daves westerns. Victor Young's fine music accompanies the film.

While the plot of DRUM BEAT is based on a true incident during frontier days on the plains, nothing about the film suggests that it's any more than a standard Cavalry vs. Indians western seen hundreds of times since the movies were born.

However, credit director Delmer Daves for finding some gorgeous locations for his story and casting Charles Bronson and Anthony Caruso as Indians who look marvelously authentic in their make-up. Not so fortunate are Marisa Pavan and Audrey Dalton in the weak female roles that could have been played by any young ingénue on the Warner lot.

Alan Ladd is the Indian expert hired by President Grant to make peaceful overtures to the Modocs, headed by Bronson. Elisha Cook, Jr. is interesting as a corrupt Indian trader and most of the supporting roles get good results, especially in the action scenes, all of which are well-staged by director Daves. Especially good is a climactic fight between Ladd and Bronson as they tumble down a rushing stream and fall over the rocky terrain. Ladd seems to be doing most of his stunts in this action-packed scene.

But otherwise, he delivers a rather stoic performance, showing barely any expression even in his brief love scenes with Audrey Dalton. Hard to tell if he was bored or just impatient with the routine script.

All in all, worth watching for the action scenes and the handsome landscapes filmed in beautiful WideScreen Technicolor.