Toubib or not toubib

Were this med-school frolic made today, I expect the raunch factor would top out at 10. But this is 1954, and there are still limits, and something quaint called "good taste". As a result, the humor depends more on character and tempting the limits than it does on bedpans and tossing limits aside. The laughs come less from the obvious or outrageous, and more subtly from situations and wit (except for the street chase, which really doesn't come off that well). True, the movie may be no knee-slapper, but neither does it cause indigestion afterwards.

Well, you do have to accept that these 30-somethings are still young enough to be starting med-school, something of a stretch. Nonetheless, Bogarde and Co. come through as a likable crew, and I think I'll get sick on the off-chance that the cute little number Muriel Pavlow will be my nurse. Too bad we don't see more of that gifted and sexy comedienne Kay Kendall. I love the way she snubs Houston after he makes an untoward remark-- what a classy looking gal who died much too young. And, of course, there's the imperious James Robertson Justice looking and sounding like Emperor of the Universe, but really a regular guy when the chips are down.

I like the way the unassuming Sparrow (Bogarde) comes to a sense of confidence and pride after delivering his first baby. It's his first case and now, after all the training and sacrifice, he departs the house, a real doctor. What a fine, versatile actor Bogarde was. Anyway, the movie holds up pretty well, a nice balance of the antic and the affable.

Watching Doctor In The House which was the first in the Doctor Simon Sparrow series that was a standby for Dirk Bogarde it put me in mind of the American film Not As A Stranger which came out the following year. Both films dealt with medical students and their training. While the American film was quite serious and quite good this film overed a lot of the same ground.

Bogarde's Dr. Sparrow is an earnest and serious character who just keeps falling into comic situations that seem to find him. This is a funny film, but Bogarde plays it absolutely serious as he did in the whole series and the comedy just plays off him.

Kenneth More who is his best friend plays it far more laughs. If you see Not As A Stranger note Robert Mitchum as the lead like Bogarde and More is most like Frank Sinatra who was Mitchum's best friend. The parallels are quite striking.

A lot of familiar faces from British cinema are in the cast. James Robertson Justice of the booming voice is the terror of the students. He takes a special interest in Bogarde though like Broderick Crawford did in Mitchum in Not As A Stranger. Robertson Justice would return in the sequels so popular was his character.

Bogarde who always took on quirky and challenging roles throughout his career always came back to Simon Sparrow. I suspect he liked the money and some of his more challenging parts didn't yield well at he box office.

Doctor In The House holds up well as does the rest of the series I've seen so far.

John Davis, the dreaded executive producer at Pinewood was so wary of setting a film in a hospital he made the cast wear sports jackets rather than white coats in the publicity pictures; fortunately it went on to be a big hit, and the rest is history.

Lavishly produced, it provides the pleasure of seeing plenty of familiar faces in Technicolor - not to mention Kenneth More's loud waistcoats - recording in colour a London in which people still carried ration books, a phone call cost thruppence and ten quid constituted a hefty fine.

Serving as the ego to the id of the Carry On's, some of whose regulars put in fleeting appearances (including a very young Shirley Eaton bearing very little resemblance to the svelte young sixties chick she ripened into), James Robinson Justice doesn't dominate the proceedings as he later did; while by bizarre coincidence Ernest Clark - who later took over his function as Professor Loftus in the seventies TV spin-off - is also in it.

The lovely Kay Kendal briefly glides through it as a dinner date with a taste for caviare; while Lisa Gastoni also makes an uncredited but striking appearance - first seen in a green leather coat - in a dubbed role as a tart, bespectacled rival student.

I cannot see how anybody can dislike this delicious film. One liners stay in the mind like the infamous

"What's the bleeding time, son?" and

"Cut it out, man, cut it out"

from the wonderful James Robertson Justice.

Muriel Pavlow is the girlfriend that went on to, well, do not much else but Kenneth More, Donald Sinden and Donald Houston developed and honed their excellent comedy talent.

James Robertson Justice was born to play Sir Lancelot Spratt, an iconic figure who can't fail to bring a smile to your face simply by walking into a room......you just know what is coming next! I grew up with this film and the other Doctor films, and whilst the rest were average to good, this just stands out as the perfect example of British comedy making in the 1950's. The bridge from Ealing to Carry On! The cast is to die for, J R J, Kenneth More (so underrated), Donald Houston, Muriel Pavlow, Kay Kendall and Donald Sinden. The dialogue is superb...what's the bleeding time...ten past ten sir!!! I can't recommend this film high enough, if you ever are feeling a little low or just want to sit and watch something innocent and intelligent that will make you laugh.....Doctor in the House is just what should be ordered!!!!