Les rebelles

This isn't a particularly good or bad Western and the only reason I watched it is because Joel McCrea was a pretty good actor. Aside from his excellent as always performance, the film doesn't have a whole lot to distinguish it one way or the other. It's a definite time-passer, though Yvonne de Carlo and Pedro Armendariz do provide some decent supporting chemistry in this film about stolen Union gold during the US and Mexican Civil wars.

Armendariz plays a rogue Mexican general who sets up his own government along the US and Mexican border. Here is where wanted men and those who are seeking to do illegal stuff congregate. McCrea shows to buy arms for the Confederacy from the slick general and most of the movie concerns how McCrea can both keep the gold hidden AND eventually exchange it for weapons without getting killed or robbed. The film is competently made and interesting, but that's all.

And offered to us by the very professional George Sherman, a "home" director for Universal Studios, a western and adventure specialist for Universal. Yvonne De Carlo shines bright in this movie, as usual and is the exquisite co star of Joel McCrea. The story itself is not that exceptional but remains very worth watching. Action packed with splendid sequences, colorful, brilliant, and helped by an adequate score. An enchanted film for western lovers, and not only die hard fans. All audiences fond of this kind of stuff will be satisfied. The Free Zone element has not that been often used in westerns.

Border River is directed by George Sherman and written by William Sackheim and Louis Stevens. It stars Joel McCrea, Yvonne De Carlo, Pedro Armendariz, Alfonso Bedoya and Howard Petrie. Music is by Joseph Gershenson and cinematography by Irving Glassberg.

During the war between Maximillian and Juarez in 1865, there was a small territory on the Mexican side of the Rio Grande River known as Zona Libre - - - "Free Zone". It was dominated by a man who called himself General Eduardo Calleja and he made it a haven for any man outside of the law. This is the story of Zona Libre.

The above statement that opens the pic is actually a bit of a lie since the film is a story that operates out of Zona Libre. It essentially finds McCrea as a Confederate soldier who has hidden stolen gold bullion in the territory. He then sets about keeping it safe in readiness for the buying of Henry Repeater rifles to aid the Confederacy in keeping the Civil War on going. Naturally there are plenty of folk in Zona Libre interested in finding out where the gold is stashed...

"Never saw a Southern boy yet didn't have a lily sprouting out of his liver"

Utterly frustrating piece of Western genre film making. We have a top draw premise on the page - where a hot bed of a neutral area inhabited by crooks and various Civil War(s) operatives operate - is not brought about for fire cracker ignition. Screenplay is more concerned with putting McCrea's Clete Mattson through the standard formula tropes of protecting gold from others, whilst courting the attention of the local beauty. Even more galling from a wasted opportunity point of view is that this is one of those rare occasions where the film is siding with the Southern protagonist. Any genre fan will tell you that it's nice to have some Civil War balance once in a while...

Annoyance is further enhanced by just how spiffing the tech credits are for this production. Irving Glassberg often came up with quality when asked to be the cinematographer of choice in various Western entries, and so is the case here where he tantalises the eyes as the Utah locales boom in Technicolour. So to with the costuming (Joan Joseff) of De Carlo, who has not only never looked so ravishing in attractiveness prior to 1954, but also with Glassberg's colour lenses her dressage becomes scintillating.

Action only fluctuates, again annoying since Sherman knows how to stage a good action set piece, and when McCrea is your leading man in a Western then you should be making hay while the sun shines. Sadly, great set pieces are in short supply, though McCrea once again proves what a great punch thrower he was. Highlight has to be a sequence where McCrea and his stunt horse land in quicksand (a critical narrative device in fact), the subsequent fight from man and beast to escape is quality - as is McCrea's (a bona fide horseman in real life) response to the equine post the sequence.

In the mix there is Armendariz and Bedoya seemingly in a contest to see who can outdo each other in the over acting stakes, which is actually fun and one of the plus points in the production. Which leaves us with what?. Well as a Western lover I just love many facets of the production on show, so much so I couldn't rate it below average. On the flip side, however, I couldn't remotely recommend it to genre fans in confidence, the proviso being that the writers should have been rounded up and fired upon by the Henry Repeaters in the play. 6/10

this was yet another solid performance by joel mccrea. yvonne de carlo also adds strength to this feature. the film portrays a turbulent time in our history and the the film portrays just how dedicated some membersof the confederacy were in prolonging the war.

As a longtime Joel McCrea fan, I thought I had seen most all, if not all, of his westerns. But I evidently was wrong (for once in my 75 years!!!), as I had never seen this one until it showed up on the Western Channel recently.

As westerns go it was "Ho-um", which was surprising considering the cast: Joel McCrea, Luscious Yvonne De Carlo, and the always hilarious Alfonso Bedoya; who's animated performance steals every scene he is in.

Other reviewers have criticized this film for its sympathetic portrayal of Southern rebels trying to get stolen Yankee gold to the Confederacy, but this is not the first film to do a similar story. Virginia City with Errol Flynn & Randolph Scott, and Great Day in the morning with Robert Stack are two that come to mind. All three of these are fanciful Civil War out west tales about a Confederate scheme at the last minute to smuggle several millions in gold bullion into the South for supplies to keep the war going. And what happens in the end of all of these strains credulity to say the least.

BUT, these are movies, NOT documentaries, and made for entertainment, to sell tickets & popcorn, not to pay homage to the South, and not to be to closely analyzed as there are plenty of ridiculous plot holes and unreal situations.

Since this film was directed by George Sherman I had expected it to have the same quality great action scenes that he had been known for in all his many westerns from the 30's & 40's. Needless to say it fell flat there for the most part.

One area that they tried to be accurate on was the type of handgun every one carried: the Remington 1858 Cap & ball, fairly correct for the period. Except during the final showdown/shootout they more conveniently substituted the Single Action Colt, which was modified to look like the Remington. My guess is that this was more economical as it allowed used of the then popular 5-in-1 blanks used in most Westerns. For the uninitiated, these were blanks that would fit & fire in any revolver of 38-40, 44-40, 45 Colt calibers, and lever actions of 38-40 or 44-40 calibers.

The best part of any western, especially ones shot in color, are the beautiful outdoor location scenes, and here they almost overshadow the weak script.

This could've been a really good western, it's a shame it didn't live up to its potential, but its worth watching if only for the two leads.