La lance brisée

Saw Broken Lance last nite on Encore Western. It's my second viewing. I really enjoyed Spencer Tracy and Kathy Jurado. Tracy is worth the price of admission and Jurado's sad eyes never fail to draw me in. To those who say it's a play on Joseph & his Brothers, I'm sorry I don't agree. Beyond the superficial similarities, Jacob's sons wouldn't have dreamed of disobeying him, let alone harming him the way the Deveraux boys (Widmark, Holliman, O'Brian) do.

The film has what I believe to be the best film courtroom sequences ever, i.e. the cross-examination of Matt Deveraux.

Definitely worth seeing.

Spencer Tracy stars in this fine western of a tough cattle baron who is not above taking the law into his own hands to deal with rustlers and trespassers. The film also dwells on the internal strife within the family as three of the rancher's adult sons quarrel over the old man's mistreatment of them and resent his marriage to an Indian woman. The story is told in flashback and begins with the release from prison of Robert Wagner, Tracy's son from the union with his younger wife. The film is a quest for revenge by Wagner who blames his half brothers for Tracy's death while he was behind bars, with Richard Widmark being the leader and instigator against Wagner. Jean Peters appears as Wagner's love interest and Katy Jurado is Tracy's Comanche princess. Tracy's destruction of mining property gets him into big trouble and it is Wagner who takes the blame for Tracy and goes to prison instead of his father, which is the final break between the four brothers. The film was shot in CinemaScope and captures the beautiful expanses of the old west.

Edward Dmytryk was a skilled director. He showed plenty of memorable titles as in "Murder My Sweet" "The Caine Mutiny," "Warlock", "Raintree County"... where he showed narrative skill, a most correct direction of actors and impressive staging.

The one that concerns us: "Broken Lance" is, for our taste, one of his best films. Told from a long flashback that begins after Joe Devereaux returns to his old home after spending three years in prison, the narrative focuses on the eventful life of the landlord Matthew Devereaux (a superb and brilliant Spencer Tracy) and his difficult relationship with his children and unhappy with the environment that surrounds it. Matt is a man who loves nature and respects animals. It is also a just and loving husband with his Indian wife (Katy Jurado's always accurate Oscar nominee for this role), loves much the son she had with her (Joe), but the children of his former wife, now deceased, is intolerant and demanding. Their conflict develops into a crescendo that prevents us from a storm that seems inevitable.

Dmytryk will recreate every nuance of arrogance and the film emerges as a psychological portrait of great importance. Matt is contrasting as day. Defend the Indians and some even work for him. Your home is an earthly paradise and think, clearly, a man of privilege.But as in all light is usually a shade to Matthew is impossible to get along with their children and this makes the paradise into an inferno.

The river that crosses his land is a symbol of the flow of life: sometimes calm... sometimes with rocks impeding the flow. Sometimes of course... and sometimes murky. Remake of "House of Strangers" by Joseph L. Mankiewicz, the story of "Broken Lance" refers to "King Lear" by William Shakespeare and even "The Brothers Karamazov" by Fyodor Dostoevsky. Materials, all of these, essential in the cultural baggage of any human being.

"Broken Lance" can also be made in any list of classic western movies.

BROKEN LANCE is a run of the mill Western elevated by Spencer Tracy's unfailingly high acting standards. Screenplay is OK, with an ending that requires much suspension of disbelief, and with a vested anti-racism message which, back in 1954, must have been unusual and even necessary.

Film critic Leonard Maltin sees it as Shakespeare's King Lear in the male version and in the West. He may have a point, though one could argue that the parable of the prodigal son also comes to mind, except that that son is of mixed race (Wagner) who is returning from doing time, and brother Widmark resents him to the point of short-changing him in terms of inheritance.

Widmark begins well enough but gradually goes wide of the mark, and by the end his character is overblown with self-pity, hatred, greed, envy, and many other sins, to the point of trying to shoot his half-brother (the whole sequence is pathetic and lets the film down badly). Needless to say, by comparison Wagner comes across as an angel, not least because he has done three years in jail by taking the blame for a misdeed by his father, Tracy, thereby sparing the latter that time behind bars.

That situation in effect gives Wagner the plum part in the movie but, sadly, apart from the moment when he throws a wad of money into a spitoon, he misses the opportunity. I would have loved to see Marlon Brando in that part.

Katy Jurado, playing Tracy's second wife and the daughter of an Indian chief, is Wagner's mother. Her weak acting is particularly exposed when she comes face to face with Tracy.

The other two brothers hardly have a thing to say, and sound dumb when they open their mouths. Jean Peters is beautiful, which is a plus, but her role is rather limited. The actor who plays her father is convincing, but his part is too short to be noteworthy.

Photography and settings are first class, and give this movie a kind of GONE WITH THE WIND look at times. I have now seen this film some five times, and to me it ends with Tracy's death. The remaining 20+ minutes are painful to watch without him, especially the thoroughly unbelievable sequence where Widmark tries to do Wagner.

Pride, resentment, jealousy, and prejudice boil over in this complex grown-up western, featuring hard boiled performances by Spencer Tracy, as a tightly-wound cattle baron, and Richard Widmark as his hate-filled eldest son. Contrasting them are Robert Wagner and Katy Jurado as Tracy's virtuous (and favorite) youngest son and loyal Indian wife.

Right on target from start to finish, Broken Lance manages to squeeze three hours worth of epic drama into a lean ninety-six minutes. There's enough material here to have made a TV-miniseries.

As good as it was, in the end there were still a few unanswered questions. Did Wagner regain his birthright? How did he deal with his other two brothers and the governor? The film should have been fifteen minutes longer!