La lance brisée

Tracy is a believable cowboy, nicely balanced for handling a bull whip, riding dangerously the hills...

Tracy plays a despot, absolute ruler cattle baron "making the wrong move with the wrong people," using his force to restrain the pollution of his cattle's stream: "The river is on my land. You are on my land. You close this operation down."

His first three sons (Widmark, O'Brien and Holliman) were unanimously disappointing to him... He considered them cattle thieves, treating them harshly, without mercy... Only the fourth son and the youngest one (Robert Wagner) by his present wife, a Comanche woman played by the clever, quick-witted Katy Jurado has his affection and care... The other sons looks only forward to his demise so they may take control over his cattle empire...

Tracy — irritated and frustrated as a father — expends excessive reasons that arouses the sensation of hate provoking avaricious rebellion, and nearly destroys his younger kid Joe...

It was interesting to follow Dmytryk's study of racial prejudice against the Indian wife of a domineering white father... Interesting to compare the rough resilience of Tracy with his character—isolated by mortal danger in "Bad Day at Black Rock," a character enlightened with real feelings specially in guessing the conclusion... Somehow this is missing in Dmytryk's "Broken Lance" where the autocratic father seems so artificial, an unfavorable comment that can be aimed against the movie itself...

Widmark offers a fine performance as the unlikable eldest son, while Robert Wagner and Jean Peters manage the romantic interlude...

The screenplay, based on 1949s "Home of Strangers" wins an Oscar and the fiery-eyed Mexican star Katy Jurado was nominated for best supporting actress...

Filmed in CinemaScope and Technicolor and with great sceneries of the state of Arizona, "Broken Lance" remains a first-rate adult Western...

BROKEN LANCE is a run of the mill Western elevated by Spencer Tracy's unfailingly high acting standards. Screenplay is OK, with an ending that requires much suspension of disbelief, and with a vested anti-racism message which, back in 1954, must have been unusual and even necessary.

Film critic Leonard Maltin sees it as Shakespeare's King Lear in the male version and in the West. He may have a point, though one could argue that the parable of the prodigal son also comes to mind, except that that son is of mixed race (Wagner) who is returning from doing time, and brother Widmark resents him to the point of short-changing him in terms of inheritance.

Widmark begins well enough but gradually goes wide of the mark, and by the end his character is overblown with self-pity, hatred, greed, envy, and many other sins, to the point of trying to shoot his half-brother (the whole sequence is pathetic and lets the film down badly). Needless to say, by comparison Wagner comes across as an angel, not least because he has done three years in jail by taking the blame for a misdeed by his father, Tracy, thereby sparing the latter that time behind bars.

That situation in effect gives Wagner the plum part in the movie but, sadly, apart from the moment when he throws a wad of money into a spitoon, he misses the opportunity. I would have loved to see Marlon Brando in that part.

Katy Jurado, playing Tracy's second wife and the daughter of an Indian chief, is Wagner's mother. Her weak acting is particularly exposed when she comes face to face with Tracy.

The other two brothers hardly have a thing to say, and sound dumb when they open their mouths. Jean Peters is beautiful, which is a plus, but her role is rather limited. The actor who plays her father is convincing, but his part is too short to be noteworthy.

Photography and settings are first class, and give this movie a kind of GONE WITH THE WIND look at times. I have now seen this film some five times, and to me it ends with Tracy's death. The remaining 20+ minutes are painful to watch without him, especially the thoroughly unbelievable sequence where Widmark tries to do Wagner.

This movie has a great cast with Spencer Tracy as the father and owner of a large ranch and and his sons played by Robert Wagner, Richard Widmark, and Hugh O'Brian as his sons. Tracy has been in charge a long time and has a lot of power that got E.G. Marshall elected governor. But everything starts going downhill when two of his sons are caught stealing cattle and Tracy kicks them out. The sons don't think they are being paid enough and Richard Widmark is the first one to turn on his father when he goes on trial for destroying a rival's property. Robert Wagner is the only one to stand up for his father and he winds up going to jail. Katy Jurado plays Tracy's wife and also was in High Noon and One-Eyed Jacks.

Spencer Tracy stars in this fine western of a tough cattle baron who is not above taking the law into his own hands to deal with rustlers and trespassers. The film also dwells on the internal strife within the family as three of the rancher's adult sons quarrel over the old man's mistreatment of them and resent his marriage to an Indian woman. The story is told in flashback and begins with the release from prison of Robert Wagner, Tracy's son from the union with his younger wife. The film is a quest for revenge by Wagner who blames his half brothers for Tracy's death while he was behind bars, with Richard Widmark being the leader and instigator against Wagner. Jean Peters appears as Wagner's love interest and Katy Jurado is Tracy's Comanche princess. Tracy's destruction of mining property gets him into big trouble and it is Wagner who takes the blame for Tracy and goes to prison instead of his father, which is the final break between the four brothers. The film was shot in CinemaScope and captures the beautiful expanses of the old west.

Pride, resentment, jealousy, and prejudice boil over in this complex grown-up western, featuring hard boiled performances by Spencer Tracy, as a tightly-wound cattle baron, and Richard Widmark as his hate-filled eldest son. Contrasting them are Robert Wagner and Katy Jurado as Tracy's virtuous (and favorite) youngest son and loyal Indian wife.

Right on target from start to finish, Broken Lance manages to squeeze three hours worth of epic drama into a lean ninety-six minutes. There's enough material here to have made a TV-miniseries.

As good as it was, in the end there were still a few unanswered questions. Did Wagner regain his birthright? How did he deal with his other two brothers and the governor? The film should have been fifteen minutes longer!