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5,8/10
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Ajouter une intrigue dans votre langueAfter a mix-up at a music hall, a henpecked bank clerk who lives a dreary existence in suburban London finds himself onstage with ambiguously foreign magician Mendoza, who hypnotizes him int... Tout lireAfter a mix-up at a music hall, a henpecked bank clerk who lives a dreary existence in suburban London finds himself onstage with ambiguously foreign magician Mendoza, who hypnotizes him into losing all of his inhibitions.After a mix-up at a music hall, a henpecked bank clerk who lives a dreary existence in suburban London finds himself onstage with ambiguously foreign magician Mendoza, who hypnotizes him into losing all of his inhibitions.
- Réalisation
- Scénario
- Casting principal
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If you like classic British comedy's this could be for you
a great cast with George Cole as a mild mannered henpecked man
who get hypnotised which completely changes his character.
Two future Doctor Who actors Jon Pertwee & William Hartnell
appear together on screen with support from Joan Sims.
Just another case of Hollywood pinching an idea from British comedies. Seven years after the release of "Will Any Gentleman," Hollywood come up with "The Nutty Professor". Not an exact remake but the idea is not far removed.
While this film version of a then popular stage show never quite gathers the momentum to be a full success, it's likable and fitfully amusing.
The biggest weakness is how the key plot function of George Cole's character turns from a meek bank clerk to an unstoppable force of nature in an instant. There's no trigger for this to occur so it seems like it only exists when it's convenient for the plot and therefore feels contrived and forced. As a lot of humour and narrative is reliant on this, it's a significant problem for the film.
Still, after a slow start the film becomes increasingly fun. This is mainly due to an excellent cast. Cole is good, but some of the supporting performances are even better. Joan Sims is a delight as Cole's maid and Alan Badel - completely unrecognisable from his usual upper- class persona - is a delight as the hypnotist who begins all of Cole's problems.
Worth a look.
The biggest weakness is how the key plot function of George Cole's character turns from a meek bank clerk to an unstoppable force of nature in an instant. There's no trigger for this to occur so it seems like it only exists when it's convenient for the plot and therefore feels contrived and forced. As a lot of humour and narrative is reliant on this, it's a significant problem for the film.
Still, after a slow start the film becomes increasingly fun. This is mainly due to an excellent cast. Cole is good, but some of the supporting performances are even better. Joan Sims is a delight as Cole's maid and Alan Badel - completely unrecognisable from his usual upper- class persona - is a delight as the hypnotist who begins all of Cole's problems.
Worth a look.
A romping Technicolor farce vaguely indebted to Jeckyll & Hyde adapted by Vernon Sylvaine from his own West End hit of 1950, that basically extends to feature length the section in 'Laughter in Paradise' in which George Cole is forced to publicly make a fool of himself.
A once-in-a-lifetime supporting cast ranges from Alan Badel to Richard Massingham (and two future Doctor Whos); and there are some quite naughty jokes like the provenance of the paper used to replace the banknotes (while what George Cole does to Joan Sims, in her film debut, would get him fired and ostracised today...)!
A once-in-a-lifetime supporting cast ranges from Alan Badel to Richard Massingham (and two future Doctor Whos); and there are some quite naughty jokes like the provenance of the paper used to replace the banknotes (while what George Cole does to Joan Sims, in her film debut, would get him fired and ostracised today...)!
Will Any Gentlemen...? is adapted from the stage play by Vernon Sylvanie. Where the play was apparently joyous in its farcical ideals, this adaptation struggles to convince as a farcical whole. The plot revolves around George Cole's spineless bank clerk, Henry Sterling, who whilst attending a music hall show, falls under Mendoza the hypnotist's spell (Alan Badel looking like Satan!). This brings about a complete character change in Henry, he is now a womanizer and shifty in the extreme, this of course causes much consternation to Henry's wife, who enlists Mendoza to track down Henry and snap him out of this dubious spell.
Some solid laughs come about as the farce rate ups during the final third, but some of the dialogue is terribly twee and the cast in the main struggle to deliver fun lines with any great conviction, with Jon Pertwee as Charley Sterling particularly looking out of place. However, the picture is not a total waste of time, it has a certain charming appeal and at the least it does put a smile on ones face from time to time. Ultimately, though, a better cast and a stronger director could have made this into a British treasure. 5/10
Some solid laughs come about as the farce rate ups during the final third, but some of the dialogue is terribly twee and the cast in the main struggle to deliver fun lines with any great conviction, with Jon Pertwee as Charley Sterling particularly looking out of place. However, the picture is not a total waste of time, it has a certain charming appeal and at the least it does put a smile on ones face from time to time. Ultimately, though, a better cast and a stronger director could have made this into a British treasure. 5/10
Le saviez-vous
- AnecdotesAccording to Alfred Marks, he, Peter Sellers and Spike Milligan all read for the part of the Great Mendoza.
- ConnexionsFeatured in Two Who Could Can Can (2021)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Will Any Gentleman...?
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 24min(84 min)
- Rapport de forme
- 1.37 : 1
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