Filles sans joie

"The Weak and the Wicked" is a film adaptation of the semi-autobiographical novel by Joan Henry about her experiences while in prison. In real life, she was a debutante who spent more than she had and eventually went to jail for passing a bad check. In this film, Jean (Glynis Johns) has a gambling problem and does pass a bad check at the gambling hall...but ultimately she's jailed because the people she defrauded set her up for a petty theft/fraud charge. Once in prison, you see what life is like there as well as what led some of the women to prison as shown in flashbacks.

Choosing Johns to play the lead was a stroke of brilliance. After all, I cannot think of any actress of the day that looked more innocent and sweet than her...so her plight is made worse since she doesn't look like she should be there. I have no idea if the real life Joan Henry looked so innocent.

So is the film any good? Yes, but it's certainly not like some of the broadly written and acted American women in prison films of the 1950s (such as "Caged") or the REALLY over-the-top an crazed film in the genre that came out about 1970 (they were a REALLY sleazy lot). Now as far as it being an exposee, the women in the film actually seemed to be treated pretty well considering they were criminals...so it's not much of an exposee and is quite civilized. Interesting, yes, but not what many likely want to see in a women in prison film! So, even with sexy blonde Diana Dors (sort of the British version of Jayne Mansfield) in the film, it's NOT a sleazy skin flick nor exploitational in any manner. The worst treatment in the film was towards the end when Joan received a stern talking to by the warden!

If you do watch this film, about 3/4 of the way through the picture is a marvelous flashback involving an elderly woman planning on murdering her nasty husband. It was, by far, the best part of the movie and this story, expanded, would have made for a great film itself.

By the way, in one of the flashbacks you see the Baden family. While not listed in the credits or IMDB, the son, Bob, is played by Anthony Newley.

Aka The Weak and the Wicked. Socialite Jean Raymond is sentenced to 12 months for fraud. In flashback, she is revealed to be in gambling debts and refused to pay. The casino threatens unknown retribution and soon, she is framed for her fraud charge. In prison, she meets other prisoners who reveal their lives before prison in other flashbacks.

I find the prison drama rather rambling and non-dramatic. Some of the characters are interesting and the most interesting parts of the movie are a couple of the flashbacks. The structure of the movie may be problematic in maintaining dramatic drive for the central narrative. All in all, there are a few intriguing bits but the overall effect is less than expected.

Although there was probably some serious intent behind the film's premise e.g. the open prison system, social comment on post-war England as class barriers are breaking down which are interspersed throughout, it is the gentle humour that lifts it above the mediocre. Superb cameos from the great Athene Seyler and Sybil Thorndike playing two friends who plot to 'do in' an elderly admirer is made a great deal of by the director. The central story involving Glynis Johns is well told and each of the film's subsequent yarns make for a light but thoroughly enjoyable whole.

I remember seeing this film as a child when it first came out. I disliked it intensely BUT obviously it could not have been as terrible as I thought since I remember it well. I did like both Glynis Johns and Diana Dors. If only these old films were available to us now, I for one would be very happy!!! I remember the cinema where I saw it. It was a 'flea pit' in those days with poor decor and broken seats. The cinema screen was taller than it was wide and the edges were rounded. This was very odd, I thought. I remember that the story dealt with women in prison and followed their misadventures both while 'inside' and after release. I remember being very impressed with Glynis Johns voice and Diana Dors curves. I also remember that the story ended reasonably happy for one but not the other. I was happy when it was over as I had been promised an ice cream for sitting quietly through it!

Glynis Johns is railroaded into prison for insurance fraud, where she initially despairs. However, the knowledge that her young man is waiting for her and the kindly prison warden buck her up. Eventually she is transferred to a 'prison with bars', where she meets, in the words of Anna Russell, all sorts of terribly interesting people, including Diana Dors and Olive Sloan.

It's directed by J. Lee Thompson from a book by Joan Henry, who was one of his wives; it was based on her prison experiences, and she called the Johns character "a bit goody-goody". Indeed she is. Except for one impassioned speech at the end, she's largely a sounding board for others. She's also rather heavy-set and middle-aged looking to add to her anonymity. Miss Dors gets the better role, and does a good job with it. Thompson would work with her later.