Une petite ville de Californie est attaquée par des martiens qui y débutent leur conquête du monde.Une petite ville de Californie est attaquée par des martiens qui y débutent leur conquête du monde.Une petite ville de Californie est attaquée par des martiens qui y débutent leur conquête du monde.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 5 victoires et 2 nominations au total
- Dr. Pryor
- (as Bob Cornthwaite)
- Gen. Mann's Aide
- (as Housely Stevenson Jr.)
- Wash Perry
- (as Bill Phipps)
- Commentary
- (voix)
- (as Sir Cedric Hardwicke)
- Pine Summit Fire Watcher
- (non crédité)
- Man
- (non crédité)
- Brigadier General
- (non crédité)
- Mother
- (non crédité)
- Prof. McPherson
- (non crédité)
Avis à la une
I was lucky to attend the 50th anniversary screening in Hollywood recently, with Gene Barry, Ann Robinson, other actors and production people from the film, and 'Mr. Sci-Fi' Forrest J. Ackerman, all in attendance. To see it on a full size theater screen for the first time, and with these people there, was the thrill of a lifetime, for sure!
The Martians and their war machines in this movie are still some of the best and most memorable designs in the history of science fiction films. The color cinematography and musical score also hold up very well. And any film that starts off with the beautiful space art paintings of Chesley Bonestell has my vote of approval. Also, Jack Northrup's Flying Wing bomber puts in a splendid cameo appearance.
Simply the best 'alien invasion' type film ever made - bar none!
'War of the Worlds' deserves its place as both a highly regarded novel and a well-remembered movie. Byron Haskin and George Pal did a great job in visualising the apocalyptic bits of Wells' text, while still making the end result enjoyable and interesting for the viewer.
Recommended for fans of intellectualised science fiction.
It is an iconic sci-fi and a marvel of its era. It is still a compelling narrative today. The special effects are fun. The miniatures are terrific. The design of the aliens are timeless. What is even better is the sound design. The alien sounds and the weapons fire are truly memorable. There is a lot of stock footage used. The wires are very much visible. Nevertheless this is not some cheap B-movie. They use some real action effects and stunts. They have lots of extras and the two leads are acceptable as actors. The battle in L.A. is no small matter. The prevalence of the religious tone is something different from the material and more fitting for the time.
Le saviez-vous
- AnecdotesThe estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells' properties. Pal chose La Machine à explorer le temps (1960).
- GaffesModern viewers often complain that the wires used to suspend the Martian war machines are plainly visible throughout the film. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in very saturated colors, but with a slight reduction in overall resolution. This reduction in resolution "fuzzed out" the wires in original prints, making them effectively invisible. Later prints were made in Eastman Color, which uses a photographic process and yields sharper prints, but here had the side effect of making the support and electric wires plainly visible - the models had electrical wires as the side pods of the machines really lit up green and the "cobra heads" lit up as well. It is common practice in the film industry to take into account what details will be visible when a print is projected so as not to waste production time and money on details that will never actually be visible to a viewing audience, especially in the areas of effects and matte paintings. Thus, the filmmakers never thought the wires would be visible and in fact they weren't until the first Eastman Color prints of the film were struck in the late 1960s, and they had become even more visible on modern video releases as there is no dye sublimation resolution loss when making video masters from the original negatives. In the 2018 restoration this was resolved using digital technology.
- Citations
[last lines]
Commentary: [voiceover] The Martians had no resistance to the bacteria in our atmosphere to which we have long since become immune. Once they had breathed our air, germs, which no longer affect us, began to kill them. The end came swiftly. All over the world, their machines began to stop and fall. After all that men could do had failed, the Martians were destroyed and humanity was saved by the littlest things, which God, in His wisdom, had put upon this Earth.
- Versions alternativesFor the 2018 restoration Ben Burtt created a new 5.1 surround sound mix with replacements for many of the film's original sound effects, with the jarring result that the sound effects have fidelity far above that of surrounding dialogue in the film. The 2020 Criterion Collection release features this new sound mix as well as the original mono track.
- ConnexionsEdited from Le choc des mondes (1951)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La guerra de los mundos
- Lieux de tournage
- Corona, Californie, États-Unis(Opening scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $US (estimé)
- Durée
- 1h 27min(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1