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La Guerre des mondes

Titre original : The War of the Worlds
  • 1953
  • Tous publics
  • 1h 27min
NOTE IMDb
7,0/10
40 k
MA NOTE
POPULARITÉ
3 631
5 672
Gene Barry and Ann Robinson in La Guerre des mondes (1953)
Theatrical Trailer from Paramount
Lire trailer2:19
1 Video
99+ photos
ActionScience-fictionThrillerÉpopée de science-fictionInvasion extraterrestre

Une petite ville de Californie est attaquée par des martiens qui y débutent leur conquête du monde.Une petite ville de Californie est attaquée par des martiens qui y débutent leur conquête du monde.Une petite ville de Californie est attaquée par des martiens qui y débutent leur conquête du monde.

  • Réalisation
    • Byron Haskin
  • Scénario
    • H.G. Wells
    • Barré Lyndon
  • Casting principal
    • Gene Barry
    • Ann Robinson
    • Les Tremayne
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    40 k
    MA NOTE
    POPULARITÉ
    3 631
    5 672
    • Réalisation
      • Byron Haskin
    • Scénario
      • H.G. Wells
      • Barré Lyndon
    • Casting principal
      • Gene Barry
      • Ann Robinson
      • Les Tremayne
    • 308avis d'utilisateurs
    • 83avis des critiques
    • 78Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 5 victoires et 2 nominations au total

    Vidéos1

    The War of the Worlds
    Trailer 2:19
    The War of the Worlds

    Photos150

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 144
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Gene Barry
    Gene Barry
    • Dr. Clayton Forrester
    Ann Robinson
    Ann Robinson
    • Sylvia Van Buren
    Les Tremayne
    Les Tremayne
    • Maj. Gen. Mann
    Robert Cornthwaite
    Robert Cornthwaite
    • Dr. Pryor
    • (as Bob Cornthwaite)
    Sandro Giglio
    Sandro Giglio
    • Dr. Bilderbeck
    Lewis Martin
    Lewis Martin
    • Pastor Dr. Matthew Collins
    Houseley Stevenson Jr.
    • Gen. Mann's Aide
    • (as Housely Stevenson Jr.)
    Paul Frees
    Paul Frees
    • Second Radio Reporter…
    William Phipps
    William Phipps
    • Wash Perry
    • (as Bill Phipps)
    Vernon Rich
    Vernon Rich
    • Col. Ralph Heffner
    Henry Brandon
    Henry Brandon
    • Cop at Crash Site
    Jack Kruschen
    Jack Kruschen
    • Salvatore
    Cedric Hardwicke
    Cedric Hardwicke
    • Commentary
    • (voix)
    • (as Sir Cedric Hardwicke)
    Peter Adams
    Peter Adams
    • Pine Summit Fire Watcher
    • (non crédité)
    Eric Alden
    Eric Alden
    • Man
    • (non crédité)
    Hugh Allen
    • Brigadier General
    • (non crédité)
    Ruth Barnell
    • Mother
    • (non crédité)
    Edgar Barrier
    Edgar Barrier
    • Prof. McPherson
    • (non crédité)
    • Réalisation
      • Byron Haskin
    • Scénario
      • H.G. Wells
      • Barré Lyndon
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs308

    7,040.4K
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    Avis à la une

    dvanwormer23

    Freaked Me Out

    Cheesy, Yes! But...

    Probably the creepiest and most horrifying scenes in Filmdom was when the Martian crept up behind our heroine and clamped its tarsier-like fingers on her shoulder.

    She freaked, but not immediately. She paused. Reacted to that touch. Slowly turned her head around and LOOKED at the offending appendages.

    This entire moment of horror and violation took about four to six seconds.

    Her mind - finally - comprehended it. IT had touched her.

    Then she lost it.

    One of the best screams in film history. Great acting and just overwhelming.

    For that one scene, I love this movie. Creepy as hell!
    BaronBl00d

    A Classic!

    Somewhere out in the American West, a huge meteor-like projectile crashes in the soil. Everyone initially believes it to be nothing more than a meteor, but soon all learn it is really an investigative ship from the planet Mars out to destroy anything and everything in its path. This film directed by Byron Haskin, based on a script by Barre Lyndon, and produced by George Pal is one of the quintessential science fiction films of the 50's, otherwise known as the Golden Age of Science Fiction. Based on the novel of the same name by H. G. Wells, this film keeps the spirit of the book intact while changing some things like the setting. The book takes place primarily in and around London. All of the talents in this film help make The War of the Worlds an innovative, intelligent, and evocative film that tries to get one thinking about alien invaders and their intentions. The earthlings in this film are the good ones...trying to be friendly, yet, treated as nothing more than impediments in the Martians' way. So many scenes in this film are strong: the army fighting the Martian space ship while a man of God tries to make peace with the strangers, the old farmhouse, and the ending as the aliens attack Los Angelos. Acting is strong too as leads Gene Barry - doing a very good job as a scientist who just happens to be nearby - and Ann Robinson convincingly portray what life might be like in a world with such horrific news. But despite a first-rate script, solid direction from Haskin, and good acting, The War of the Worlds owes its greatest debt to producer George Pal. Pal knew how to put films like this together and was a driving force in the film's innovative and unique special effects. Who could forget those bright green Martian ships or that figure of a Martian?
    DrLenera

    Flawed adaptation and a bit dated, but a definite highlight of 50s sci-fi

    H.G.Wells' The War Of The Worlds remains a terrifying novel, and two adaptations of it have justifiably passed into popular culture, the Orson Welles radio production in 1938 which convinced many Americans that creatures from Mars actually WERE invading Earth, and Jeff Wayne's 1978 musical album, which still holds up today. The film Independence Day was basically a semi-remake, and of course we are all probably looking forward to the Steven Spielberg version. Somewhat forgotten amongst all those is this 1953 film version, which is a shame. It has considerable flaws, and deviates form the book considerably. However, it's still very enjoyable.

    One really needs to think how spectacular and darned frightening it must have seemed to 1953 audiences. Films about aliens visiting Earth had up to than been relatively low key, they would have aliens taking human form, or coming in peace, or just taking over a small town. Here, we had aliens intent on just one thing- the complete destruction and extermination of everything and everyone on Earth. Battles between the Martians and the army, Martian death rays frying huge numbers of people, the destruction of Los Angeles, there had been little like it before, and all this on a moderate budget, which is why the cast is strictly B Movie, although they are adequate to the film's needs.

    Of course to a modern audiences many aspects are dated and may even seem laughable. The sometimes visible wires of the Martian death machines -surely they could have been removed with computer technology for the DVD?. The oft repeated stock shots of the military. The religious element, which would have offended the atheist Welles and even suggests God got rid of the Martians. Some VERY corny dialog.

    Yet the film has some scenes which are still extremely effective. Most notable is a lengthy sequence in which the hero and heroine are trapped in a house by Martians, this remains genuinely scary. The designs of the briefly seen Martians, their death machines-wires notwithstanding- and their 'cameras' still look great. Of course one misses the huge tripods of the novel, and certain other aspects of the novel, such as the red weed. I'm sure Spielberg will deliver on much of this, even if he is adapting a story which will always be more effective when set in Victorian times. However, until than, this version is still worth seeing as one of the most memorable alien pictures of the 50s alongside The Day The Earth Still and Invasion Of The Body Snatchers.
    Sargebri

    Good Adaptation

    Even though this is not a literal translation of the H.G. Welles classic, this is still a good film. I especially loved how it was updated to the 20th century and that all our modern weapons, including the atom bomb, couldn't destroy the Martians. George Pal is definitely one of the most underrated directors of science fiction and this film along his When Worlds Collide and The Time Machine stand out among the great science fiction films of all time.
    moonbus69

    Still a classic after 50 years!

    This film is easily one of the Top Ten of the Sci-Fi genre. Producer George Pal and director Byron Haskin certainly reached a creative plateau back in 1953 that is seldom attained even now in the current age of CGI effects and ear-splitting soundtracks.

    I was lucky to attend the 50th anniversary screening in Hollywood recently, with Gene Barry, Ann Robinson, other actors and production people from the film, and 'Mr. Sci-Fi' Forrest J. Ackerman, all in attendance. To see it on a full size theater screen for the first time, and with these people there, was the thrill of a lifetime, for sure!

    The Martians and their war machines in this movie are still some of the best and most memorable designs in the history of science fiction films. The color cinematography and musical score also hold up very well. And any film that starts off with the beautiful space art paintings of Chesley Bonestell has my vote of approval. Also, Jack Northrup's Flying Wing bomber puts in a splendid cameo appearance.

    Simply the best 'alien invasion' type film ever made - bar none!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells' properties. Pal chose La Machine à explorer le temps (1960).
    • Gaffes
      Modern viewers often complain that the wires used to suspend the Martian war machines are plainly visible throughout the film. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in very saturated colors, but with a slight reduction in overall resolution. This reduction in resolution "fuzzed out" the wires in original prints, making them effectively invisible. Later prints were made in Eastman Color, which uses a photographic process and yields sharper prints, but here had the side effect of making the support and electric wires plainly visible - the models had electrical wires as the side pods of the machines really lit up green and the "cobra heads" lit up as well. It is common practice in the film industry to take into account what details will be visible when a print is projected so as not to waste production time and money on details that will never actually be visible to a viewing audience, especially in the areas of effects and matte paintings. Thus, the filmmakers never thought the wires would be visible and in fact they weren't until the first Eastman Color prints of the film were struck in the late 1960s, and they had become even more visible on modern video releases as there is no dye sublimation resolution loss when making video masters from the original negatives. In the 2018 restoration this was resolved using digital technology.
    • Citations

      [last lines]

      Commentary: [voiceover] The Martians had no resistance to the bacteria in our atmosphere to which we have long since become immune. Once they had breathed our air, germs, which no longer affect us, began to kill them. The end came swiftly. All over the world, their machines began to stop and fall. After all that men could do had failed, the Martians were destroyed and humanity was saved by the littlest things, which God, in His wisdom, had put upon this Earth.

    • Versions alternatives
      For the 2018 restoration Ben Burtt created a new 5.1 surround sound mix with replacements for many of the film's original sound effects, with the jarring result that the sound effects have fidelity far above that of surrounding dialogue in the film. The 2020 Criterion Collection release features this new sound mix as well as the original mono track.
    • Connexions
      Edited from Le choc des mondes (1951)
    • Bandes originales
      Paramount on Parade
      (uncredited)

      Written by Elsie Janis and Jack King

      Played over the opening logo

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    FAQ20

    • How long is The War of the Worlds?Alimenté par Alexa
    • Where (according to the movie) did the Martians first land?

    Détails

    Modifier
    • Date de sortie
      • 23 décembre 1953 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
      • Allemand
      • Italien
      • Hindi
    • Aussi connu sous le nom de
      • La guerra de los mundos
    • Lieux de tournage
      • Corona, Californie, États-Unis(Opening scenes)
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 27min(87 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.37 : 1

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