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Tournez la clef doucement

Titre original : Turn the Key Softly
  • 1953
  • Tous publics
  • 1h 21min
NOTE IMDb
6,9/10
760
MA NOTE
Tournez la clef doucement (1953)
CriminalitéDrame

Ajouter une intrigue dans votre langueFollows three women through their first day of freedom after they are released from prison.Follows three women through their first day of freedom after they are released from prison.Follows three women through their first day of freedom after they are released from prison.

  • Réalisation
    • Jack Lee
  • Scénario
    • John Brophy
    • Maurice Cowan
    • Jack Lee
  • Casting principal
    • Yvonne Mitchell
    • Terence Morgan
    • Joan Collins
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    760
    MA NOTE
    • Réalisation
      • Jack Lee
    • Scénario
      • John Brophy
      • Maurice Cowan
      • Jack Lee
    • Casting principal
      • Yvonne Mitchell
      • Terence Morgan
      • Joan Collins
    • 31avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos41

    Voir l'affiche
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    + 34
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    Rôles principaux27

    Modifier
    Yvonne Mitchell
    Yvonne Mitchell
    • Monica Marsden
    Terence Morgan
    Terence Morgan
    • David
    Joan Collins
    Joan Collins
    • Stella Jarvis
    Kathleen Harrison
    Kathleen Harrison
    • Granny Quilliam
    Thora Hird
    Thora Hird
    • Mrs. Rowan, landlady
    Dorothy Alison
    Dorothy Alison
    • Joan
    Glyn Houston
    Glyn Houston
    • Bob
    Geoffrey Keen
    Geoffrey Keen
    • Mr. Gregory
    Russell Waters
    • George Jenkins
    Clive Morton
    Clive Morton
    • Walters
    John Adams
    • Tube Train Passenger
    • (non crédité)
    Edward Dentith
    Edward Dentith
    • Police Officer on Fire Brigade Ladder
    • (non crédité)
    Edward Evans
    Edward Evans
    • Commissionaire
    • (non crédité)
    Lyn Evans
    Lyn Evans
    • Butcher
    • (non crédité)
    Hilda Fenemore
    Hilda Fenemore
    • Granny's Daughter
    • (non crédité)
    Otto Friese
    • Subway Passenger
    • (non crédité)
    Robert Gregory
    • Passer-by
    • (non crédité)
    Fred Griffiths
    • Newspaper Seller
    • (non crédité)
    • Réalisation
      • Jack Lee
    • Scénario
      • John Brophy
      • Maurice Cowan
      • Jack Lee
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs31

    6,9760
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    Avis à la une

    7planktonrules

    This one certainly features a unique story!

    "Turn the Key Softly" is an interesting film and well worth your time. It's the story about three women who are released from prison on the same day. It follows each through their first day out and is a very melancholy story...one that will NOT be leaving you happy! There...you've been warned.

    The three ladies (one of which is a very young Joan Collins) all leave prison and the story clearly illustrates that you just can't go back to your old life. In one case, it's because family no longer want anything to do with one of the women. And, in another case, one returns to her crook boyfriend...something which clearly is NOT in her best interests. As for the final one, her story is a bit hard to categorize other than she likes nice things.

    Overall, this is a very good film for three reasons. It's best quality is that it's unique in so many ways...a major plus. It also has some terrific acting as well as brilliant cinematography--particularly late in the film during a chase sequence. Overall, not a lot to complain about apart from the depressing nature of some of the stories.
    6boblipton

    Fine Performances and Visuals; Muddled Script

    Yvonne Mitchell, Joan Collins and Kathleen Harrison are released from prison into the hustle and bustle of London on the same day, with varying degrees of resolution to go straight. They agree to meet for dinner at a posh restaurant -- Miss Mitchell's treat. The movie covers the day and their varying success.

    It's well performed by three actresses: Miss Harrison plays her scrublady from SCROOGE, transported a century and a quarter into the future. jugged on fifteen counts of shoplifting; Miss Mitchell is an well-to-do young woman who loved unwisely but too well and took the fall for her burglar boyfriend; and Joan Collins.... well, she looks like a cheap piece of goods, but she's scheduled to marry a bus driver.

    It's based on a novel and the screenplay is, I fear, somewhat muddled, with the random nature of events leading to random outcomes. The actresses give excellent performances, and director Jack Lee, in cooperation with cinematographer Geoffrey Unsworth, sets up the final fifteen minutes in a striking manner. He clearly had a fine eye for the streets of the city, having worked for the GPO as assistant director to LONDON CAN TAKE IT! His abilities helming a fiction movie were shakier, but given the performances and visuals, this one is worth a look.
    9thursdaysrecords

    Empathetic look into first day of freedom from prison for 3 women

    Everybody deserves another chance. Newly released from prison, three women face the challenges of reformed life on the "outside". Each have their own plans for moving on with life. The youngest (played by a stunningly beautiful Joan Collins in her first leading film role) is determined to marry a sincere young man with whom she had kept in correspondence. The second one appears to have been innocently convicted due to a shifty boyfriend who left her to take the wrap for the crime he had committed. The third is a sweet little old lady who routinely got convicted of shop lifting. - The film follows all three women through their first day of freedom. Young Joan Collins is excited when her fiancé suggests a very near wedding date. The innocent one finds employment, and the old lady goes back to her modest boarding house where her beloved little dog "Johnnie" was waiting for her return. - Of course there are complication, lots of drama, and a heart breaking ending. The grim realities of early 1950s life in London make for a believable backdrop to the individual character studies. Life was tough, and for single women even tougher. Adding a prison record only adds to the challenge. - I was very much entertained by this film. A simple story told with warmth and empathy. Be sure to have your Kleenex box handy, it's a mushy one!
    6splendidchap

    Superior 50s B Movie

    Ideal for a winter's Sunday afternoon. Well scripted, directed, and photographed, with some interesting location shots of 1950s London.
    10khunkrumark

    Sadly overlooked mini masterpiece.

    An overlooked masterpiece of direction, editing and photography... and Maurice Cowan's screenplay is a cracker, too. The writer went on to find bigger success scripting some Norman Wisdom gems soon after this movie was made. Throw in some of the finest British acting talents of the day and you can't go wrong.

    The title of the movie becomes apparent towards the end and it's a treat to discover.

    Three very different women are released from prison at the same time (eight o clock, precisely) and the movie follows the subsequent day and evening as they get used to their freedom.

    Monica (Yvonne Mitchell) has 'done' a year for something she didn't do yet she still carries a torch for the no-good spiv who put her inside. She gets a second chance at a new life and the film is largely focused on her story and whether or not she'll let her head rule her heart this time around.

    Stella (Joan Collins) faces a similar choice between good and evil but in her case, her devoted man is good and her previous lifestyle is bad. Who will win this tug of war? (Joan Collins looks beautiful and sexy! She was just 20 when this movie came out and this is one of her first credited parts.)

    Granny (Kathleen Harrison) is perhaps the most tragic character. She's a good-natured shoplifter who has lost her daughter's love and is kept going by her own affection for her dog, Johnny. (Kathleen Harrison may not be a name you recognize but you'll almost certainly know her face. Probably most famous as Mrs Thursday in the mid-sixties. She lived to the ripe old age of 103!)

    There is a lot to marvel at, even if the story doesn't do it for you. London in the fifties is shown off with extraordinary clarity and with plenty of subtle reminders of how London used to be. The sign in the butcher's shop reads 'You can re-register here!' and the Brylcreem ads dotted the scorched, red brick walls. Piccadilly Circus and London's West End are a treasure to see in the post-war capital.

    All the peripheral characters are a joy to watch and we shouldn't overlook the parts they play in bringing this movie to life. Thora Hird, Geoffrey Keen, Dorothy Alison... and many, many more!

    The three stories blend perfectly together with dollops of tragedy, drama and ultimately hope. There's so much going on in every scene that the usherettes will be sweeping up the peanut shells, Capstan butts and discarded Walls ice cream tubs before you've had a chance to get seated comfortably!

    Now showing on YouTube!

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      The Coach & Horses pub, seen in the final scene, became famous later on as the bohemian meeting place for the personnel of the satirical magazine, 'Private Eye'; its infamously rude landlord, Norman Balon, appeared in the magazine. Richard Ingrams, who edited "Private Eye" for 23 years, often said, with relish, that the pub served "the worst food in London" - which is why it was used.
    • Gaffes
      Granny Quilliam buys a quantity of meat from the butcher although meat rationing was still in force at the time the film was released and didn't end until July 1954.
    • Connexions
      Featured in The Secret History of Our Streets: Portland Road (2012)
    • Bandes originales
      Plaisir d'Amour
      (uncredited)

      Music by Jean-Paul-Égide Martini

      Arranged by Mischa Spoliansky

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    FAQ13

    • How long is Turn the Key Softly?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 août 1953 (Suède)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Turn the Key Softly
    • Lieux de tournage
      • Portland Road, Notting Hill, Londres, Angleterre, Royaume-Uni
    • Société de production
      • Maurice Cowan Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 21min(81 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.33 : 1

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