Tarzan et la Diablesse

Lyra (Monique van Vooren) is the She-Devil. With Vargo (Raymond Burr) and Fidel (Tom Conway), the ivory poachers kidnap native men to be their slave transporters. Tarzan (Lex Barker) and Jane (Joyce Mackenzie) have to fight the cruel invaders.

Monique van Vooren may not be the best actress. She is beautiful and her non-specific European accent adds to her villainy. Burr and Conway are good heavies. Lex Barker has the look but not much in terms of charisma. In this one, Jane has a larger role. The story is too messy. Most of the animal action is from stock footage although the elephant stampede still impresses. Even stock footage can be fun. I'm in a good mood and I'll give this a passing grade.

Tarzan looks like a real hero of the '90's here, not only stopping illegal ivory poaching but upholding human rights by foiling some latter-day slave trading. This time it's one of those curiously light-skinned tribes that inhabit Central Africa in some of his movies.

The film's title is something of a misnomer. The nominal she-devil here is Monique van Vooren, who sponsors the poachers, but she's a pussycat compared to Raymond Burr, full into his "heavy" role. This was the last time around as Tarzan for Lex Barker, no reason to shed any tears, though admittedly the character isn't one you can do a whole lot with. Joyce Mackenzie was the fourth actress in a row to give a single performance as Jane, and she does an OK job. There are some nice scenes of domestic bliss with the happy couple in this movie. All in all this is just another Tarzan flick, not so great, a little better than most. But you always knew what you were getting with these movies.

TARZAN AND THE SHE-DEVIL (RKO Radio, 1953), directed by Kurt Neumann, stars Lex Barker making his fifth and final screen appearance as Edgar Rice Burrough's lord of the jungle. As the writers of the series attempt new ideas with their screenplays, and gearing to another direction from its previous efforts, for the first time since TARZAN ESCAPES (MGM, 1936) starring Johnny Weissmuller, does the fearless Tarzan allow himself to become the victim, losing his savage fight to overpower the villains, who, in this production, are strong enough to gather more attention than to the main characters. While the title reads like a horror movie, giving indication of Tarzan matches wits with Dracula's daughter, the woman in question is a princess compared to the male hunters she supervises, particularly one enacted by Raymond Burr only a few years before changing his frequent bad guy image to prosecuting attorney in TVs long running series, "Perry Mason" (1957-1966).

The story begins with routine everyday life as Tarzan (Lex Barker), his companion, Jane (Joyce McKenzie), and pet Cheta, find peace and tranquility in their jungle habitat until ivory poachers, Lyra (Monique Van Vooren), Fidel (Tom Conway), Vargo (Raymond Burr), Maka (Robert Bice), and others enter the scene. They want Tarzan to round up a large heard of elephants for them. Naturally, Tarzan refuses, so Lyra, leader of the expedition, attempts to persuade the lawman of the jungle by having Jane kidnapped. As the hunters carry out her plan, a struggle ensues, starting off a fire that burns down the tree-house. As Jane makes her escape, she is injured, left in a semi-conscious state, roaming about the jungle to face the dangers of the wild, including a crocodile and deadly snake before she is taken in and cared for by a native tribe. As for Tarzan, he returns to find his home burned and Jane gone. Believing Jane has perished in the fire, he becomes despaired. Not caring what happens now, he allows himself to be captured by Lyra's men, chained like a slave, held prisoner in a cottage, submitted to whippings (with limited scars of his torso), and when all else fails, extreme measures are used by having his arms tied above his head onto a wooden-like door frame structure. The angry Vargo tells Tarzan that if he doesn't do what they want, he'll hang there "until he rots." At this point the nearly unconscious Tarzan continues to be the prisoner, making no attempt whatsoever to save himself.

The problem with the Lex Barker's "Tarzan" series is the lack of consistency from one film to another. After succeeding Johnny Weissmuller as Tarzan, Barker never played opposite the same Jane twice. He inherited Brenda Joyce in his initial role in TARZAN'S MAGIC FOUNTAIN (1949), followed by Vanessa Brown, Virginia Huston, Dorothy Hart and finally Joyce McKenzie. Second problem is having the much younger Barker, who looks very educated, to not be more articulate. In fact, in his last as Tarzan, he has fewer lines than ever before. Those familiar with the Barker/Tarzan series might ask themselves, "whatever became of their adopted son, Joey?" introduced by Tommy Carlton in TARZAN'S SAVAGE FURY (1952). Characters simply come and go, and while Cheta remains, Tarzan and Jane are once more childless. A few years later, Tarzan would go it alone, with Jane written out of the stories, forever absent with no explanation.

While the proposed title, TARZAN MEETS THE VAMPIRE, is a misnomer, TARZAN AND THE SHE-DEVIL is even more misleading. As for the scenario, which finds Tarzan enslaved, it's at times unpleasant, especially witnessing an action hero who never loses to become weakened while submitted to torture. At any rate, TARZAN AND THE SHE-DEVIL which runs at 76 minutes, does have its moments of interest, but not enough for excitement purposes. It may not the best nor the worst in the series, but its action relies mostly on suspense, whether or not Tarzan will be able to regain his strength, free himself from his captivity and do what's traditionally expected of him other than his ape calls.

TARZAN AND THE SHE-DEVIL, which has never been distributed on video cassette or DVD, did become one of a whole series of Tarzan adventures from 1934 to 1968 to be presented on American Movie Classics cable channel (1997-2001). In spite of the weakness in the scenario, which might have been the reason for Lex Barker to surrender his loincloth, Tarzan, like Ian Fleming's James Bond, due to its popularity, would continue to hit the theater screens for many years to come, performed each decade by different actors. Next chapter: TARZAN HIDDEN JUNGLE (RKO, 1955) starring Gordon Scott. (**1/2)

The hunter Vargo (Raymond Burr) comes to Dagar, joining forces with the trader Lyra (Monique Van Dooren) and announcing he wants to obtain a big haul of ivory. To round up the elephants needed, Vargo captures the men of Lacopo tribe to force them work for him. The Lacopo women flee to Tarzan and appeal for help. Tarzan goes and breaks into Vargo's compound and frees the Lacopo men.

Vargo then decides he wants to enlist Tarzan to herd the elephants. When Tarzan refuses, Vargo and his men set out to capture Jane. In doing so, they set the treehut on fire. With Jane presumed killed in the fire, Tarzan is made a prisoner until he agrees to cooperate.

Worst Tarzan? No way! That title goes to the Bo Derek one or Christopher Lambert one- Tarzan and the She-Devil is a standard Tarzan with an old trope of evil ivory poachers, but such a nasty business is quite relevant today. And talking about nasty - Raymond Burr adds some edge as the main heavy, bringing an earthy sense of danger to the proceedings. Monique Van Dooren plays the She-Devil, but she just a supporting character and isn't as evil as Vargo, and brings Jane to Tarzan when he learns from Fidel that Vargo intends to double cross them. Nice to see Tom Conway as Fidel, who is a little nervous about this operation and Vargo.

It's a slightly sluggishly-paced, but it's decent enough with a good finale where Vargo gets a crushing reception. There's a nice shot of a big cat and a python wrestling. Cheetah is amusing as ever with his antics, though he shows a caring side to Tarzan while he's heartbroken over Jane- he think she's dead but she isn't.

For the fifth and final Tarzan film starring Lex Barker it was not only back to the RKO back lot, but back to the old days when the natives that Tarzan was helping were not even black. In fact Tarzan spends most of the time in chains because he's broken hearted because he thinks the villains have killed Jane.

Jane is played here by Joyce McKenzie and the trio of villains are Tom Conway, Raymond Burr, and Monique Van Vooren, the last being the she-devil in the title. No black magic does she use, simply some feminine wiles and an appeal to Tarzan that since Jane is dead, he can best help by making sure that her two male conspirators don't go too hard on the natives they've enslaved, especially Raymond Burr who is on a power kick.

The trio is after ivory and they've captured a whole tribe of to do their heavy work as ivory hunting legal or not requires a lot of help.

But as we know from many a Tarzan film in the past, the elephants are among his best jungle friends and they help out a lot in rescuing Jane and the natives and Tarzan later in typical elephant fashion. Of course the elephants are also acting on their own rational self interest since they have no desire to wind up piano keys.

RKO did the first film with Gordon Scott as Tarzan and then bid adieu to the Tarzan franchise. With Scott the series began to get a bit more realistic in the plots and also reflected the new Africa emerging in the Sixties. Tarzan And The She-Devil is a piece of high camp, but that's about the only way it can be enjoyed.