Ajouter une intrigue dans votre langueThe son of the legendary Count of Monte Cristo is framed for a murder he didn't commit by one of his father's bitterest enemies, a man who is determined to get his hands on the family's weal... Tout lireThe son of the legendary Count of Monte Cristo is framed for a murder he didn't commit by one of his father's bitterest enemies, a man who is determined to get his hands on the family's wealth.The son of the legendary Count of Monte Cristo is framed for a murder he didn't commit by one of his father's bitterest enemies, a man who is determined to get his hands on the family's wealth.
- Réalisation
- Scénario
- Casting principal
- Suzette
- (as Renee de Marco)
- Butler
- (non crédité)
- Physician
- (non crédité)
- Jailer
- (non crédité)
- Servant in Swordfight
- (non crédité)
- Sailor on Beach
- (non crédité)
- Servant in Swordfight
- (non crédité)
- Innkeeper
- (non crédité)
- Sir Norman Blandish
- (non crédité)
Avis à la une
Danglars (O'Herlihy), continues to harbor resentment toward the Monte Cristo
family. He hatches an elaborate plot to destroy Dantes and seize the Monte
Cristo fortune. Reminiscent of the plot to eliminate his father, Dantes is framed for a murder he did not commit. The French court system is used as a weapon
to destroy Dantes who is the only impediment to Danglars's attempt to acquire the great fortune.
"Sword Of Venus" is a rather tepid production. Robert Clarke is only adequate in the role of the heroic Dantes. The romance between his character and the
beautiful Claire (McLeod) seems rather contrived and unconvincing. Dan
O'Herlihy does not deliver a particularly inspired performance as the villainous Danglars. Perhaps most annoying is that in what many would consider to be a
swashbuckler, the fight scenes are laughably amateurish. On the bright side, William Schallert's effort is (as usual) noteworthy. He plays the inebriated, corrupt lawyer Valmont who helps execute the plot. The general production
values (sets, costumes, etc.) are decent. Despite being inspired by the writings of Alexandre Dumas, no credit is given.
Overall, the film is a lackluster attempt at a period adventure. It is probably best suited for genre completists.
It's directed with some ability by Harold Daniels, but alas, it's from a script by Aubrey Wisberg and Jack Pollexfen, whose specialty lay in writing horrible sequels to swashbuckling masterpieces, like Daughter of Doctor Jekyll and Lady in the Iron Mask.
At this point in my reviews, I usually include some well known names, but the most interesting among the cast and crew is production designer Theobold Holsopple. That seems to be his real name, from which I conclude that his parents hated him from birth.
"Sword of Venus " is the story of the heir of a dying father Edmond Dantès with a heart condition ; the sword of Venus is represented by a reluctant femme fatale who will be the baddies' bait ; but the song remains the same ,as though history repeated itself : Dantès son is falsely accused of murder, sent to the guillotine (but winds up in a quarry where convicts do hard labor ) ,escapes and revenge is a dish best eaten cold .
The story is action-packed , with enough plot holes to fill the Albert Hall , and too hurried for comfort.
Le saviez-vous
- Citations
[first lines]
Duchess De Villefort: What a charming spot for an assassination. Tell me, is there any place in Paris unknown to the son of the Count of Monte Cristo, Robert?
Robert Dantes: I can't think of any I've missed, but it was your wish to go slumming, Lily
Duchess De Villefort: Is this really the wickedest place in Paris?
Robert Dantes: It come close enough. Why? Do you wish to turn back?
Duchess De Villefort: And spend a dull evenng with my husband?
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Heimkehr nach Monte Christo
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 13min(73 min)
- Couleur
- Rapport de forme
- 1.37 : 1