NOTE IMDb
6,3/10
992
MA NOTE
Ajouter une intrigue dans votre langueA judge's daughter keeps an eye on a playboy who gets 30 days in jail for speeding.A judge's daughter keeps an eye on a playboy who gets 30 days in jail for speeding.A judge's daughter keeps an eye on a playboy who gets 30 days in jail for speeding.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 nomination au total
Nat 'King' Cole
- Nat King Cole
- (as Nat King Cole)
Robert Hyatt
- Dennis
- (as Bobby Hyatt)
Avis à la une
Van's "hippity hop" dance number was done on the MGM back lot, not a sound stage. The movie version has at least 3 cuts, so it wasn't filmed in one long take. Busby Berkeley choreographed the number, with 8,523 hops, on both feet for 3 minutes, TRT. (It's not the same as "Take Me to Broadway" which is danced inside his father's store.
In recent years, the "Jumping Song" performed by Bobby Van has been referenced in commercials and music videos, including one for Goldfrapps song "Happiness", in which a happy man jumps through the streets, shaking hands with people and playing with garbage can lids.
Rick Belrow Livingston (Farley Granger), in love with self-obsessed Broadway star Lisa, (Ann Miller), is sentenced to 30 days in jail for speeding through a small town. Quite by accident, he meets the daughter of the judge, Cindy Kimbell (Jane Powell). He persuades her to let him out for one night, so that he can visit Lisa on the premise he is seeing his "poor sick mother" (Billie Burke) on her birthday. After tracking him down and bringing him back to town, Cindy starts to fall for Livingston, but Dr. Schemmer (S.Z. Sakall) wants her to marry his son (Bobby Van) even though he desperately wants a career on Broadway.
In recent years, the "Jumping Song" performed by Bobby Van has been referenced in commercials and music videos, including one for Goldfrapps song "Happiness", in which a happy man jumps through the streets, shaking hands with people and playing with garbage can lids.
Rick Belrow Livingston (Farley Granger), in love with self-obsessed Broadway star Lisa, (Ann Miller), is sentenced to 30 days in jail for speeding through a small town. Quite by accident, he meets the daughter of the judge, Cindy Kimbell (Jane Powell). He persuades her to let him out for one night, so that he can visit Lisa on the premise he is seeing his "poor sick mother" (Billie Burke) on her birthday. After tracking him down and bringing him back to town, Cindy starts to fall for Livingston, but Dr. Schemmer (S.Z. Sakall) wants her to marry his son (Bobby Van) even though he desperately wants a career on Broadway.
I think this musical is highly underrated. Yes the plot is not particularly original, but how many are original. The plot and acting are not a strong point, but it's a musical. To me this is better than half the Astaire Rogers musicals which I do love. The singing by Nat King Cole and Jane Powell are superb. Plus there are so many wonderful character actors in this like SZ Sakal, Billie Burke and Chill Wills. Their comedy is really great. The dances are by Busby Berkeley and music by Andre Previn. How can you ask for more? It should be remastered and get higher reviews by the critics. I was overwhelmed by the Take me to Broadway number by Bobby Van. This is the best Ann Miller I have seen. She did at least two fabulous tap dancing numbers including a splashy flamenco dance near the end.
The tagline I quote above was prominently featured on the posters outside the Bay Theater in Pacific Palisades, California, where I saw this film in mid-summer of the year of its release. I hadn't yet entered my teens and, up to that point, had only seen "Singin' in the Rain" from among the treasure trove of M-G-M's greatest musicals. So with my admittedly undeveloped critical tastes, this amiable pastiche seemed pretty good. And Busby Berkeley's showstopping inventions - Ann Miller's tap dance among all those disembodied instrumentalists and Bobby Van's seemingly endless pogo dance through the small town of M-G-M's backlot (One can only imagine Berkeley slave-driving Mr. Van to achieve that amazing feat of energy and agility!) - are still moments I can distinctly remember from that first viewing.
Even when M-G-M wasn't adding a Midas touch to one of their musicals, the studio assembled some talented professionals both before and behind the cameras, and this one has its share. And for fans of Nat King Cole, one of the all-time greats, there's even a brief song in a nightclub (the sort of thing that M-G-M could easily excise to spare the sensitivities of white Southerners, as they did with Lena Horne's solos in previous Technicolor memories, although by the mid-Fifties, Mr. Cole's appearance was probably not removed for bookings below the Mason-Dixon line.)
Even when M-G-M wasn't adding a Midas touch to one of their musicals, the studio assembled some talented professionals both before and behind the cameras, and this one has its share. And for fans of Nat King Cole, one of the all-time greats, there's even a brief song in a nightclub (the sort of thing that M-G-M could easily excise to spare the sensitivities of white Southerners, as they did with Lena Horne's solos in previous Technicolor memories, although by the mid-Fifties, Mr. Cole's appearance was probably not removed for bookings below the Mason-Dixon line.)
6mes5
Does anyone know any behind the scenes info about the dance number "Take Me to Broadway" as performed by Bobby Van in this movie? It is comprised of several minutes of hopping. For example, did he do it in one take? Did he have to have special shoes that had major cushioning inside? Whose idea was it to have him perform a dance that consisted only of hopping? As someone who has suffered from shin splints, I think this choreography would make him a prime candidate for that or some other kind of injury as a result of this dance. Did he do special warm-ups? This just struck me as I watching the film on May 21, TCM channel. Some people will think it odd to focus on this, when the major dance number is Ann Miller's, but I just got to thinking . . .
Small Town Girl is cute, fluffy and moderately entertaining. It tells the story of a handsome rich young man (Farley Granger) and the titular daughter of the small town judge who sentences him to 30 days in jail for speeding. Antics ensue.
There is much singing and dancing and Bobby Van has a long scene where he hops through town -- even with two or three cuts, it's still a whole lot of hopping!
What made me sit up and take notice, though, was Nat "King" Cole's number, set in a New York nightclub. It makes the film definitely worth watching, even worth buying.
There is much singing and dancing and Bobby Van has a long scene where he hops through town -- even with two or three cuts, it's still a whole lot of hopping!
What made me sit up and take notice, though, was Nat "King" Cole's number, set in a New York nightclub. It makes the film definitely worth watching, even worth buying.
Le saviez-vous
- GaffesDuring Ludwig's hopping dance through town, when he goes from the Indian statue to the horse, a shadow of the camera crane is visible and moving on the brick wall behind him.
- Citations
Mrs. Livingston: Isn't he here?
Papa Eric Schlemmer: He is and he isn't. Mostly he's in the jail.
- ConnexionsFeatured in Il était une fois Hollywood (1974)
- Bandes originalesThe Lullaby of the Lord
(uncredited)
Music by Nicholas Brodszky
Lyrics by Leo Robin
Performed by Jane Powell & chorus
[Cindy leads the church choir and congregation in song at the regular church service]
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- How long is Small Town Girl?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Señorita inocencia
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 438 000 $US (estimé)
- Durée1 heure 32 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Le joyeux prisonnier (1953) officially released in India in English?
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