Marin du roi

Excellent British naval war movie with Jeffrey Hunter. There are few movies of this type --as this is centered on sea action. I think of the movie "Pursuit of the Graf Spree" when watching this movie. This movie takes awhile to get going but is worth the wait.

Whichever of its titles you choose to like (I first saw this film as 'Sailor Of The King'), this is a fine adventure story.

The theme is inborn filial devotion to king, country (or Commonwealth), democracy, duty, and decency: inborn since the main character (played stirringly by Jeffrey Hunter as the ordinary bloke, Brown, who rises to the challenge of extraordinary circumstances) doesn't know who his father is, and the plot development tantalizes us with the nearness of the dispelling of Brown's ignorance.

I have heard that C.S. Forester wrote the novel as an adventure story for boys. No matter, the film builds slowly to a taut, exciting climax that viewers of all ages can thrill to.

Jeffrey Hunter was wonderfully handsome, and he could act; it would be lovely if such talent could also be found in today's (2003's) non-nutritional, unsatisfying crop of young male leads. Wendy Hiller's acting is always superb, and though she has a small part in 'Sailor of the King' she plays it with all her crackling, yet understated verve; Hiller's expressive, soulful eyes should have inspired the composition of a long, gorgeous symphony. Michael Rennie, another handsome and talented - and underappreciated - actor, gives a good effort too.

Though the plot is fictional, it doesn't matter a whit. 'Sailor Of The King' is a splendid adventure film, the likes of which "they just don't make anymore." This is the sort of film you can watch every six months, just for the pure joy of its congealing plot and the anxiety in its inspiring denouement. Pity 'Sailor Of The King' has not made it onto DVD.

Jeffrey Hunter is very good in this splendid account of a British seaman who pits himself single-handedly in a desperate battle against a huge German warship.

Slow-moving at first, the action builds inexorably into a grand and (at least for me) very satisfactory climax. Who cares about realism when you can have this much fun?

Michael Rennie (one of my favorite actors) is well-cast in his role, and Bernard Lee (you might know him as James Bond's chief) is also very good.

If you see this movie and enjoy it, you might also be interested in Peter O'Toole's "Murphy's War", which is quite similar in many respects.

I rate this good old movie 7.5 out of 10.

I remember this film as being one of my Dad's favorite films as my brother's and I were growing up in the 1950s. I had described this movie to many people since then and no one else seemed to know what I was talking about. Then, in about 1990, the cable network, American Movie Classics (AMC) ran the film a couple of times and the film disappeared once more.

Everything about this film is just right. The storyline, music, acting and suspense are what makes a film a memorable experience. When I think of all the junk films that get picked up by AMC, Fox Movie Classics (FMC) and Turner Classic Movies (TCM), I have to wonder who is selecting the films these channels broadcast. They must have someone there who doesn't like Black & White Films. There were a handful of films made in the 10 years that followed WWII that are simply "Must Have" movies that people would like to add to their collections that the studios are either clueless about or they know nothing about the "Gold in their Vaults".

Consider how long it took to get Battleground released on DVD. Then think about Sailor of The King (Jeffrey Hunter), The Gallant Hours (James Cagney), Decision Before Dawn (Oskar Werner), 36 Hours (James Garner), and ask yourself if Hollywood is capable of making anything like these films again. You won't like the answer.

Come on Fox, get these films out.

I watched this film with no previous knowledge of its content or style and I was delighted to discover that it was a curiously interesting work. Very well acted by Jeffrey Hunter. A man who was often wasted in Hollywood. Surprised me the interplay Hunter has with Bernard Lee. It is quite mature and they play very well and with great sensitivity the part of father and son figures as the only survivors of a ship sinking. This was greatly helped by a very finely crafted dialogue. Instead, Michel Rennie and Wendy Hiller are quite stilted and their characters appear to be badly drawn and unidimensional. Today I saw this film with TWO endings. After the first ending a card appears on the screen telling the audience that this is an experiment. They'll show a second, different,ending and will distribute cards in he lobby of the cinema (I saw it on TV!) for a vote of which one was the favourite. Great!