Le triomphe de Buffalo Bill

This really is not that bad of a early 1950 western but since most know the history of the pony express plus Bill Hickok it does not add up to the expectation. It is more-or-less a fantasy of the writers as they makes up nearly the entire script. It does not take long into the film before Cody jumps on a stagecoach, that is as fancy as any five star hotel that you would see today, and takes a smooth ride into Indian territory. This is just the beginning of things that do not add up for the period of time the film is suppose to represent.

As stated, this is not a bad western but with the information provided by the preview, the movie is a far reaching story that is hard to believe- it turned negative fast. The movie felt so out of character that even Charlton Heston could not overcome the staged events.

If you did not read the previews, or the title, then this is a nice early western film. But the details provided with the script made the movie rather sad.

Directed by Jerry Hopper and starring Charlton Heston, Forrest Tucker and Rhonda Fleming, Pony Express is adapted from a story written by Frank Gruber. It revolves around the birth of the Pony Express and how it linked California to the rest of the United States, thus preventing it from becoming a separate republic. Buffalo Bill Cody (Heston) and Wild Bill Hickok (Tucker) are the principal characters in the formation of the St Joseph-Sacramento speed run that has long since passed into folklore. Very much a fictionalised account of the "Express" and its principals, this tale deals in an attempt to form a separatist movement from the Union and the trials and tribulations that Cody & Hickok go thru in order to successfully launch the "Express". Cue Indian attacks, with the Indians being armed by corrupt business men, and sinister plotting by the seemingly affable Hastings siblings (Michael Moore & Fleming).

A loose remake of the 1924/25 silent film of the same name, Hopper's movie suffers from being overlong and for spending too much time with the Hastings sub-plot. It's only when we get to the last quarter that the film gathers apace, until then we are left with only Heston's gusto and Fleming's sexuality to hold our attention. Director Hopper struggles to craft any energy from the number of dialogue driven set-ups, and even a Mano-Mano fight to the death between Cody and Yellow Hand (Pat Hogan) is undeniably flat. Thank god then for Heston giving it brio. A few years away from career defining roles, he seems to be enjoying himself and puts ebullient life into the film when it starts to sag. Fleming too is a highpoint. When not asked to lead off awful films like Bullwhip, Fleming was a more than capable actress, helped enormously by her sexiness and ability to own her scenes. She raises temperatures here considerably with one particular scene as both Jan Sterling (as Tomboy Denny) and herself each take a bath.

Thankfully the finale doesn't follow suit with what has gone before it, with Hopper gaining a little redemption with this action quarter. The momentum is built up as we approach the first "Express" run, a gunfight is well staged and the shots of the horses bolting along the plains are a joy; in particular one shot as man and beast speed off under a blood red sky (well done cinematographer Ray Rennahan). Then it's the inevitable showdown where Heston flexes his gun toting muscles and a surprise development earns the picture an extra plaudit. So a real mixed bag for sure then. Well worth a watch for Heston purists and Fleming lusters. And indeed for Western fans who are versed in the lower grade genre entries so prominent in the 1950s. But it clearly doesn't fulfil its potential and the snippets of good only further make one feel a touch annoyed once the end credit booms out from the screen. 5.5/10

Charles Marquis Warren is one of the worst western scriptwriters.Responsible(also for directing it) for the very mediocre -and a bit racist- "Arrowshead"-which featured Heston as well,he wrote an even more dreadful story here.Will Cody must be turning in his grave! The story is incoherent,every sequence seems to be the beginning of the film,there's the de rigueur (check "Arrowshead") Heston/Indian fight,and Jan Sterling's part is so thin it's a wonder she can do something with it(This actress found her best role in Wilder's masterpiece "the big carnival").Only the last sequences of the mail might redeem that,but the "writer" wanted a "moving" ending so he spoils everything .

You'll always be better off with Cecil B.De Mille's "the plainsman"(1936)with Gary Cooper ,Jean Arthur and James Ellison,as far as Buffalo Bill is concerned.Hickock 's character is also featured,and on top of that ,Calamity Jane in the flesh.

Rhonda Fleming and Jan Sterling seem an unlikely pair but here they are cast in this mythical Western. I say mythical not as a compliment, but it must have got audiences in to see Charlton Heston as Buffalo Bill and Forrest Tucker as Wild Bill Hickok. Both are adequate in the roles but the great ( yes, great and underrated actress ) Jan Sterling does her very best to save this mediocre film. Not as conventionally beautiful as Fleming she takes the actor honours here while Rhonda Fleming lets her. Fleming was utterly wasted in most films, but it is Jan Sterling who overcomes the waste of her talent by sheer force of presence. She has short hair and dresses like a man, and does not succumb to a dress until the approaching end. Surviving in an awful pink dress she looks ridiculous, but like a really committed actor she ignores the change. She could do anything. The cameo role in ' The High and the Mighty ' is an example of standing out above the rest, including Claire Trevor. Watch it and do not care about the plot as it is barely worth describing. But there are lots of Buffalos, lots of ' bad ' Native Americans and of course phallic gunplay between Heston and Tucker. All that was needed in 1953 for the adolescent mind.

I'll be brief here. This is what we called "inspired by real events" in the film production world, which I spent 29 years. The only thing in this movie that is NOT fiction, is the event, the creation of the Pony Express, and a couple of names, Buffalo Bill Cody and Wild Bill Hickok. In reality, Cody was 14, not Heston's age of 29. And Hickok was 15, not Forrest Tucker's 34. And their colorful names had not yet been established. Two fictional characters in the film are the Hastings siblings who opposed the Pony Express when in reality, the B. F. Hastings building was the western terminus in Sacramento, California. And while there were indeed issues with bandits and Indians, the Pony Express ended after only 18 months because it wasn't financially feasible and the telegraph was finally completed to the west coast. Still, if you like westerns, it worth watching at least once just to watch Heston, Tucker. Jan Sterling and Ronda Fleming.