Phantom from Space

Looked at solely from a technical and directorial perspective, "Phantom from Space" is a far better film than you'd expect. The acting is consistently competent, and the director keeps things moving briskly, without the longueurs that afflict most low-budget films. Scenes often use multiple camera setups, virtually unheard-of in films shot in a couple of days.

I have to take exception to the reviewer who complained about the cheapness of the special effects. They are exceptionally good, done by Howard Anderson, at that time one of Hollywood's leading opticals/effects houses. They wouldn't be out of place in a bigger-budget film (eg, "Abbott and Costello Meet the Invisible Man").

Don't get me wrong. This is not a particularly good movie, its principal problem being the lack of a compelling story. Had it had one, it might have become a classic.

United Artists sure had a mess on their hands when they distributed Phantom From Space in 1953. The story is of an alien spacecraft that seems to have crash landed somewhere near Santa Monica, and the humanoid alien that runs around. The alien gets involved with murdering a couple humans, and also causes an explosion. It is later learned the alien most likely killed because it was being attacked by the humans. A manhunt for the alien is then organized. The alien is cornered but escapes by taking off his helmet and radioactive suit, which makes him invisible to humans. The suit and helmet are taken to a lab (We know it's a lab because of the roughly made "lab" sign that can be seen.) It is guessed the alien will come to the lab for it's helmet, which it needs for breathing most of the time. The alien shows up and soon the crime investigators, the scientists, and a dog are running here, there, and everywhere looking for either the alien or the woman who has encountered the alien. There is so much running around in the lab building that it becomes humorous; like a Three Stooges comedy. It is also humorous during all this running to see people slipping on the slippery floor in the building's hall. These shots of people slipping slightly were either unnoticed while being filmed, or the director didn't want to do another take. Much of Phantom From Space screams "amateur." Some of the sci-fi elements in this movie are interesting (the invisible alien being viewed under ultra-violet light, the description of foreign gasses the alien breathes in its helmet) while other sci-fi elements do not seem likely. The movie seems more like a cops and criminal story than a science fiction thriller. Even the music sounds like a crime-drama score most of the time. There are several things in the movie which may cause unintended laughter; including the monotone narrator who begins the movie, and again speaks during other parts of the movie. Unintended laughter may also be brought about by some of the situations and dialogue in this movie, and by the acting. For the most part the acting is bad. Some actors display wooden acting. Other actors seem extremely amateur. The special effects are mostly bad when compared to other low-budget films from this era, and they may also lead to unintended snickers. Only near the end do the special effects seem better when the alien is seen under ultra-violet lighting. All the running around and silly situations make the movie seem more like a feature for children. The movie can be entertaining only if viewed with a juvenile frame of mind. Phantom From Space is a bad film, but may actually be a fun reminder of comic books and science fiction serials.

W. Lee Wilder's science fiction debut was 1953's "Phantom from Space," elder brother of comedy specialist Billy Wilder ("Some Like It Hot"), 'Willie' was described by his younger sibling as 'dull,' and truth be told it sadly comes across on the screen. Though he helmed two decent vehicles for Lon Chaney (1950's "Once a Thief" and 1955's "Manfish") his genre outings can only boast of a general lethargy encapsulated in this early sci-fi entry. With a title like "Phantom from Space" the audience is treated to 72 minutes of dimwitted on screen stereotypes trying to catch on to what we already know, that there is an alien human on the loose, his two (unintended) murders and one explosion discussed rather than shown, depicted by a no name cast that at least boasts some faces familiar to seasoned viewers. When they're not seated in Wilder's own cramped office or chasing around Griffith Observatory, they venture only so far as Griffith Park again (but not Bronson Caverns). To avoid costly special effects the invader is conveniently invisible without his spacesuit and diving helmet, in fact nothing is learned about who he is or where he came from, and the poor sap expires without even an acknowledgement of his purpose on Earth. Boredom kicks off early with stock footage and lazy narration, though there is a female lead of sorts, at least Noreen Nash's pretty scientist possesses more aptitude than the military morons on display. Among the cast members can be spotted Michael Mark (Ludwig, father of Little Maria in "Frankenstein"), who saw bigger parts this decade in items like "Attack of the Puppet People" and "The Wasp Woman," James Seay from Wilder's upcoming "Killers from Space," and Peter Lorre's underworld nemesis in "The Face Behind Mask," Rudolph Anders going on to play Boris Karloff's closest confidante in "Frankenstein-1970." W. Lee Wilder did several more titles for his newly formed Planet Filmways company, many of which were scripted by his son Myles - "Killers from Space," "The Snow Creature," "Fright," "The Man Without a Body," "Spy in the Sky!" and "Bluebeards Ten Honeymoons."

A low budget sci-fi that has been undeservedly overlooked, for it achieves (within its B Grade limitations) a good deal of suspense and has a plot which veers unexpectedly into some non-formulaic territory.

'Phantom From Space' is a more thoughtful, interesting and likeable exploitation of 1950s UFO hysteria than many of its better known contemporaries.

Phantom from Space is a rare little treat for classic monster movie/sci-fi fans. The first half is incredibly dull with not a single monster sighting for about 25 minutes! Instead of thrills, the beginning offers a set-up of the boring police/news reporter/government agent business that seems to permeate many old moster flicks. BUT, once you get to the good stuff it really holds up well. It's always fascinating to watch the old invisibilty tricks harking back to Universal's Invisible Man. And check out that cool space suit! The ending tops all, thought, with a really cool effect that finally lets the viewer see the man behind the mask. Alpha Video has a release of this film on DVD with spectacular, color cover art, a quite nice print of the film, and a budget savvy price of around $5-$6 bucks! Definitely worth the price of admission for classic monster fans!