Le voleur de minuit

Cattle rustler outwits a lynch mob and takes refuge with his Ma and kid brother; he reacquaints himself with a former sweetheart--but after he's involved in a bank robbery, the girl gets herself deputized and vows to bring him in "dead or alive". Mediocre western rides a familiar trail, the only hook for an audience (today, and most likely in 1953 as well) being the casting of the leads. Fred MacMurray is a terrific failed bad guy, his look of incredulousness suiting his hulking frame, while Barbara Stanwyck acquits herself well in cowgirl duds and handles both horse and rifle exceptionally well. Not a barn-burner by any means, and saddled with a stodgy direction from Roy Rowland, but an interesting b-item for admirers of the stars. ** from ****

Fred McMurray left Barbra Stanwyck five years ago, always promising to return. But, while Babs drifts into an engagement with Fred's brother, Fred has been stealing cattle by moonlight (and barely misses getting lynched for his efforts). Will Babs find true love with THE MOONLIGHTER when he returns to town, or will the production code force Fred to pay some awful penalty before she gets the chance?

Barbara Stanwyck and Fred McMurray made four movies together. Three of them are classics. This justifiably obscure western is the one that isn't. This is true, even though screenwriter Niven Busch was responsible for the great Stanwyck western -- The Furies. What goes wrong here is a mediocre and very disjointed plot that always seems to be darting off in a new, random direction, just when the old plot elements are developing some tension. There's nothing wrong with the acting. Fred and Babs play their roles well. It's just that the movie itself gives the two stars less scenes together than you would think, and cheats Babs of screen time to develop her character in the later portion of the film. Finally the film suffers from a tacked on ending that is five parts production code nonsense and five parts 3-D outdoor spectacular climax.

A western disappointment. All parties involved have done better work.

Wes Anderson (Fred MacMurray) plays a "moonlighter," which is a person who rustles cattle by moonlight, that is arrested and awaiting trial when a lynch mob after his head storms the jail. The mob doesn't know which prisoner is the moonlighter, so they wind up hanging the wrong man while Wes escapes. He returns later to seek revenge on the members of the lynch mob. He's injured in the process which leads to his reuniting with his ex-girlfriend (Barbara Stanwyck), who is now engaged to Wes' younger brother.

Disappointing 3D western that features the two leads from Double Indemnity but doesn't deserve to even be discussed in the same breath as that classic. It starts out well enough with an exciting opening twenty minutes or so but it all goes downhill after that and becomes a predictable and boring melodrama. The stars are better than this material. No clue why it was in 3D as there's nothing particularly impressive about any of the visuals.

The Moonlighter (1953)

** 1/2 (out of 4)

A rather bizarre Western starts off with a huge bang but then slowly dies into melodrama. Fred MacMurray plays a man believed dead but he shows back up at his mother's house swearing vengeance on what's happened to him. He then realizes that his former love (Barbara Stanwyck) is now seeing his younger brother (William Ching), which sets off a love triangle. THE MOONLIGHTER is an incredibly disappointing film when you consider the cast and especially after how well it got started. I'm not going to spoil the first fifteen-minutes because it delivers a few key plot points that are best if you don't know them going in. I will say that the entire sequence contains some terrific drama, great action and even a couple good laughs. The entire sequence is build around them wanting to lynch a cattle robber but there are many complications that come from this and it really leads to a terrific sequence. Sadly, after this, the film turns into a silly soap opera and the love story between MacMurray and Stanwyck is never believable. The two of them are always good together and their past films prove that but there's very little fire here between the two. I think a lot of this is due to the silly screenplay, which just goes crazy in the second half of the film and even the director makes some silly mistakes including using a score meant for a comedy during a couple critical killing scenes. The ending is without question one of the worst in film history and how characters just flop is downright silly. Even the big action climax at the end doesn't work as the director brings no suspense to it. The actors are fine and that includes Ward Bond as a bad guy but the film is just a mess. Originally this was shown in 3D but outside of the opening credits I didn't see a single thing fly to the screen so this movie's reputation of being one of the worst 3D movies is probably true.

Wes Anderson (Fred MacMurray) has been moonlighting as a cattle rustler. A crowd has gathered to see him hang. Sheriff Daws insists on saving him for the trial. Rancher Alex Prince's men arrive looking to break into the jail to lynch the man. Wes escapes when the wrong man gets lynched. That man is buried as Wes while Wes seeks revenge upon Alex Prince's men. Wes' ex Rela (Barbara Stanwyck) arrives set to marry his straight-laced younger brother Tom.

Apparently, this was shown in 3D. I don't know how that's done when it's in black and white. It must have been like one of those old toy 3d Viewfinders. Technical aside, this has MacMurray playing against type as a hardened cowboy. Also I don't get much heat with the MacMurray and Stanwyck reunion. Sticking Tom in the middle does not make it a fun love triangle. It's not the best western and I don't know how well the 3d worked. It seems fine otherwise.