L'homme au million

Two elderly brothers, wealthy English gentlemen, establish a wager. They entrust a million-pound banknote to a penniless American, to see if he can live for a month purely on the good will which the note will engender, without ever having to cash it.

Gregory Peck plays Henry Adams, the innocent American, in this stodgy romantic comedy, based on a Mark Twain story. His love interest Portia Lansdowne is played by Jane Griffiths. The film is really just one gag, strung out for 90 minutes - a pauper has no friends, whereas a millionaire is surrounded by sycophancy and limitless credit. Markets deal in confidence, rather than cash.

The film is unarguably well-made. The performances are sharp, the incidental music comments neatly on the action and the 'look' is sumptuous. And yet there is something flat about Ronald Neame's direction, and the laughs are rather thin on the ground.

Verdict - Ostensibly a good idea, but not enough to support a full-length film.

As others have noted this is a one-joke comedy with the joke scarcely strong enough to carry the 90 mins. The movie is at its worst w hen it strains too hard to be funny with much pulling of flabbergasted faces and one ludicrous scene when the `note', obviously on a string, blows away and Peck dementedly chases it through the busy streets of Victorian London.

Gregory as the American Everyman excused from the English Class System looks and sounds fine if a little smug in a few scenes where possession of the eponymous note gives him the upper hand.

The big cast of British character actors including always enjoyable Joyce Grenfell as a dotty duchess in a slight variation on her usual jolly-hockey sticks character makes this fable on capitalism just about worth a look. Special mention also to A.E. Mathews striking just the right note as an antediluvian peer.

I found curious the billing of Ronald Squire and Wilfred Hyde-White, playing the brothers behind the scheme. They have exactly equal time at the beginning and end of the story but Squire is listed second with Hyde-White fifteenth! I'm sure Wilfred of My Fair Lady fame is the one remembered today.

Please note alternative title `Man with a Million'

Oliver and Roderick Montpellier, two English brothers, make a bet that any man given a one million pound note, can live off the fat of the land just by showing off the good fortune of having it in his possession. Then, if by the end of a month, if he can show the intact bill, he will indeed be a man worthy of whatever fortunes might befall on him because of the sheer luck of proving the brothers right.

The lucky recipient of the note is one Henry Adams, an American in London who is just a poor man with no money, or prospects of a job in the near future. He tests his good fortune when he decides to dine at a modest restaurant. As the bill comes, he shows his one million pound note, which of course, the owner can't possibly change. The meal is free.

Henry Adams then discovers how he can go through his present situation relying on the fact that he is a millionaire, without really being one. He is given a set of smart clothes, a suite at one of the best hotels in town, and an introduction to high society, something that is not always available to Americans, even rich ones, as Henry appears to be.

This delightful comedy of 1954 was a total surprise. The film, made in England at the famous Pinewood studios, was directed by Ronald Neame. Based on a Mark Twain story, which we haven't read, it counts on the great work of Gregory Peck, a man that was one of the most charismatic performers during his years in the cinema. Mr. Peck is the whole movie; it's unimaginable to think of any other actor playing Henry Adams.

The supporting cast shows familiar faces of consummate English players who contribute to create the Edwardian atmosphere. Ronald Squire and Wilfrid Hyde-White are the Montpellier brothers, whose bet trigger the action. Reginald Beckwith is the mute valet who sticks by Henry through thick and thin. Jane Griffiths plays Portia, the woman that conquers Henry Adams heart. Also in the cast we saw Hugh Griffith, in a non-credited role. Joyce Grenfell, another delightful character actress, has some brilliant moments as the Duchess of Cromarty.

An enjoyable movie. Catch if it ever plays on your classic movie channel. You won't be disappointed!

I almost gave this film a 7--it was very close. This film is based closely on the Mark Twain story of the same name.

The film begins with Gregory Peck--alone and penniless in London. He doesn't even have the money for a meal or a place to stay. It's so bad that when a little kid throws a partially eaten pear on the ground that he's tempted to pick it up and eat it...when out of the blue, two gentlemen call to him from the balcony above. He is escorted up and they treat him kindly. After inquiring about his circumstances, they assure him that they'll make him a loan and not to worry. They hand him an envelope and instruct him to go buy himself dinner.

A cursory look in the envelope shows that there is indeed money inside, but when it comes time to pay the bill, he discovers that it's a million pound note (a fictional amount, by the way) and the people in the restaurant cannot possibly make change. However, they don't seem the least bit interested in his paying and immediately extend him any credit he wants. The note along with the money, by the way, tells him that he's to have the money at no interest and he's expected to return it in one month.

Later, when he goes to buy a decent set of clothes, they treat him like a bum--until they see the million pound note--at which case, once again, he's given unlimited credit and they dote on him. The same thing then happens when he goes to stay at a fancy nearby hotel. Word soon spreads all over London and now suddenly EVERYBODY wants to be his friend and extend him credit.

There's a lot more that occurs in the film--particularly in regard to how the Brits view social class and wealth as well as the whole idea of being a celebrity for celebrity's sake. It's all rather droll and mildly amusing, though not as wonderful as it could have been. I am having a hard time putting my finger on why, as Gregory Peck was terrific. Perhaps it's the way everything comes together perfectly in the end--regardless, it's a very good film but one that left me feeling a tad...well...flat.

Based on Mark Twain's novel, 'The Millionaire Pound Note' takes an interesting satirical look at the hypocrisy stemming from class distinction in the 50s England. England is a country where class and wealth are given extreme significance, especially among the rich. The film shows the hypocrisy that existed among these people, how the rich are quick to change face when in an instant they find out that you're a man of wealth and how within the next moment they revert back to their condescending selves when all wealth is lost. Interestingly, 'The Millionaire' also briefly looks at how the English perceived Americans in that era. Rich Americans were welcomed as outsiders and the poor were quickly shunned away. The fact that he's an outsider either makes him more appealing or the complete opposite. The story sticks to the main theme by emphasizing on the hypocrisy of the upper class society but at the same time it also creates a balance that prevents the movie from being a mockery of the British society. The movie drags at some point but the love story appears at the right time and there is plenty of comedy to keep one entertained. A charming Gregory Peck totally nails the part and the luminous Jane Griffiths is a treat. Reginald Beckwith, as Peck's sidekick Rock is amusing. The ending is a little predictable but the director does an overall good job by rounding it up and presenting his points.