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Martin Luther

  • 1953
  • Approved
  • 1h 45min
NOTE IMDb
6,8/10
731
MA NOTE
Martin Luther (1953)
BiographieDrameL'histoireDocudrame

Ajouter une intrigue dans votre langueBiopic of German priest Martin Luther (Niall MacGinnis), covering his life between 1505 and 1530 A.D., and the birth of the Protestant Reformation movement.Biopic of German priest Martin Luther (Niall MacGinnis), covering his life between 1505 and 1530 A.D., and the birth of the Protestant Reformation movement.Biopic of German priest Martin Luther (Niall MacGinnis), covering his life between 1505 and 1530 A.D., and the birth of the Protestant Reformation movement.

  • Réalisation
    • Irving Pichel
  • Scénario
    • Allan Sloane
    • Lothar Wolff
    • Theodore G. Tappert
  • Casting principal
    • Niall MacGinnis
    • John Ruddock
    • Pierre Lefevre
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    731
    MA NOTE
    • Réalisation
      • Irving Pichel
    • Scénario
      • Allan Sloane
      • Lothar Wolff
      • Theodore G. Tappert
    • Casting principal
      • Niall MacGinnis
      • John Ruddock
      • Pierre Lefevre
    • 64avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 1 victoire et 4 nominations au total

    Photos12

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    Rôles principaux26

    Modifier
    Niall MacGinnis
    Niall MacGinnis
    • Martin Luther
    John Ruddock
    • Vicar von Staupitz
    Pierre Lefevre
    • Spalatin
    Guy Verney
    Guy Verney
    • Melanchthon
    Alastair Hunter
    Alastair Hunter
    • Carlstadt
    • (as Allastair Hunter)
    David Horne
    David Horne
    • Duke Frederick
    Fred Johnson
    Fred Johnson
    • Prior
    Philip Leaver
    Philip Leaver
    • Pope Leo X
    Heinz Piper
    Heinz Piper
    • Dr. Eck
    Leonard White
    • Emissary
    Egon Strohm
    • Cardinal Alexander
    Annette Carell
    Annette Carell
    • Katherine von Bora
    • (as Annette Carrell)
    Alexander Gauge
    Alexander Gauge
    • Tetzel
    Henry Oscar
    Henry Oscar
    • Zeremonienmeister
    Irving Pichel
    Irving Pichel
    • Chancellor Brueck
    Ronald Adam
    Ronald Adam
    • John, Duke of Saxony
    Joss Ambler
    Joss Ambler
    • Bishop
    William Abney
    • Erzbischof von Mainz
    • Réalisation
      • Irving Pichel
    • Scénario
      • Allan Sloane
      • Lothar Wolff
      • Theodore G. Tappert
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs64

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    theowinthrop

    The Great Heretic

    In 1517 a young monk nailed a long paper to the door of Wittenberg's Cathedral containing 95 thesis - they were 95 different questions that the current Roman Catholic Church failed to settle in it's accounting of the Christian faith. When Martin Luther did his act he started more than a personal dilemma of the might of the Church (and much of the state) against one lone monk, but he also shook that mighty Church and created the greatest schism it faced in five hundred years (the last one being the split with the Eastern/Greek Orthodox Church about 1050 A.D.). Luther never envisioned his questions would lead to the Protestant Reformation, but once it got beyond the initial query of the 95 thesis - when he was faced with either knuckling under or facing death by burning as a heretic - Luther proved himself the man to continue leading his reformation.

    He was not a flawless figure. He was self-centered, and resented rival "heretics" (Zwingly, John of Munster, Calvin), and he would become really vicious towards the Jews for failing to follow his leadership into "true Christianity". In fact his diatribes against the Jews would become the true foundation of modern German anti-Semitism. But he remains the founder of Protestantism.

    His flaws do not appear in this film, which was made by the Lutheran Church.

    However the film is a pretty faithful account of his conflict with the organized Church, and how it led to the creation of Protestantism (and, in particular, Lutheranism). It gave Niall MacGinnis the best straight dramatic lead role in his career (the closest second is his Karswell, the villain in NIGHT OF THE DEMON). MacGinnis always was a superior supporting actor in small parts, so it is worth noting that when he was given an important part like Luther he did the part well.
    7adiyaaldebekova

    Beautiful and educational, but biased

    The film is the accurate representation of culture being adapted to the modern audience, and this is why it is a must watch for people of all ages. It provides background and historical insights into one of the most pivoting points in the history of religion. However, instead of being a commentated documentary, it is a biographical film about the life of one of the most influential and controversial figures in the history of Christianity. It accurately tells the story of Martin Luther - from the big events like the posting of his Ninety-Five Theses, to simple get-togethers with his ex-colleagues from school. It has a very classical, narrow story line without any plot-twists that are so popular in the cinema culture of today. It tells the story as it is, without over-complicating it; and I find this rather nifty, because Martin Luther's philosophy also focuses on the simplicity of religion. However, in my opinion the largest thing that the film accomplishes is not the historical account of things, but rather the depiction of the atmosphere and the "vibe" of the time period. First of all, it shows the great value that was put on religion during the early sixteenth century. This can accurately demonstrate how people's psyche worked at the time period, and allows for a theoretical explanation of their behaviors. It explains the familial and spiritual values of the common people, but it also explains the serious decisions made by political leaders that were influenced by religion. The film successfully shows how religion used to be at the epicenter of everything, and how everything was filtered through a different prism. If today one's religious views and position only affect that person, and the community that he is part of; before, a different opinion in regards to religion would mean a large conflict, because religion lied at the basis of everything, and when it was challenged - a lot was being put at risk. Furthermore, it depicts the manners of people of the time and helps the viewer have a better understanding of the social structure; which to my surprise was less conservative than I had expected. However, not being a historian, I cannot state whether or not the film does and accurate job of depicting the culture of the time period. Secondly, the film does a great job of opening up Martin Luther as a character - Instead of being an abstract figure in the heads of people, he becomes a real person who went through law school, a monastic lifestyle and rebellious, religious activism. The viewer is showed how real people can have an impact on the world. However, despite being very inspiring, I was a little bit disappointed in the lack of depth in Martin Luther's character. I had expected to be presented to his "realness," but instead I was introduced to a pretty much perfect human being. When there is an obvious protagonist in the film, a character who is too perfect for the world, the film becomes a little bit boring. In modern day cinema, this phenomenon occurs rarely, because producers have figured out the audience prefers real and relatable to perfect and unreachable. However, this practice did not yet come into action when the film was shot, and so we, as the audience, do not get too much depth to the character. The film, in my opinion, is very biased - it presents Martin Luther as the good guy and the founder of Protestantism, and it presents Protestantism as the dominant religion; This is not necessarily true, because Luther was one of the many activists who had this approach to religion. The film is more theological than analytical and objective; but despite being so one-sided, it actually provides a better insight into the Protestant culture and philosophy. However, all this aside, the film is done very masterfully. Despite being rather old and black and white, it has amazing cinematics. The scenery is not beautiful and authentic, but it is actually the real-life places in which the events of the film were taking place in. The camera movements are very professional and modern - from the following shot, to close-ups. The non- diegetic and diegetic sounds create a great atmosphere and are of a surprisingly high quality. However, one thing that I did not enjoy was the abundant use of voice-over, as it is a rather cheap trick that often goes against the "show don't tell" policy. The costumes were also fantastic. I personally am not sure whether or not they are historically accurate, but they did create an aesthetic and a very unique atmosphere to the film. I particularly enjoyed the final scene when people came together to sing the hymn - not only did it show us the full grandness of the church and the power that the unity of people with common belief create; but it also shows great diversity. I had chills when I was watching this. It highlights the themes of togetherness and unity; and it brings everyone together. Finally, I want to say that I really enjoyed the acting in this film. I always noticed how movies that are aimed at portraying a different time period often have trouble with casting, as it is incredibly difficult to play something that you have never experienced for yourself, and make it seem real. Once again I would like to mention that I have no way of knowing whether or not the film is culturally accurate, but it certainly does seem so - from the actors' accents and manner of speech to their gait, everything seemed so organic, that at times I was forgetting that the film was shot in the fifties and not when the events were happening. Overall, I think the movie is a must watch as it provides a valuable insight into the cultural and historical background, as well as into the theology of Protestantism. However, it must be viewed with caution, as it leaves many things out and is also very biased.
    inshalla

    Extremely well done, important story

    McGinnis' performance is stellar; he was very much like I imagined the real Martin Luther to be; unmovable in his personal beliefs, but compassionate to individuals; enthusiastic about bettering mankind, but merciless about his own weaknesses. The on-location shooting for this movie is wonderful, and the black-and-white cinematography concentrates attention on the actors facial expressions. Supporting actors were very well selected for their characters. Period costumes, activities and dialogue were well-researched and very-well done. The copy of the movie I saw was not restored...so to get the most out of it, you need to give it your full concentration, but you'll be well rewarded. It portrays one of the most pivotal individuals in history, and does it well. As with all the best movies, you wish it didn't have to end...
    9Wolfi-10

    School learning brought to life

    Of course, Martin Luther is treated in considerable depth at German high schools, but the resulting knowledge consists of a somewhat puzzling series of events and dates. This film shows the atmosphere of the times, the mindset of the people, and particularly Luther's own mental anguish about the condition of the Christian church at that time, and his thoughts and feelings as the driving force of a major religious and political upheaval. Very illuminating is the seriousness with which personal beliefs are taken, not only by the "little people", but by their worldly leaders as well, in contrast to the callousness of the church leaders around the pope. It is also interesting how Luther benefited from the relatively fair and tolerant attitudes and practices of the 16th century, which were completely wiped out a hundred years later.

    The acting in the movie is excellent, as are the scenery and costumes, shown in stark black and white photography. The producers spared no expense to present the wide range of political and religious figures with whom Luther interacted. The dialogs are poignant and always clearly understandable over any background music. Unfortunately, my CD exhibits a rather poor video quality, considering that it is based on a post-WW2 b/w movie. Still, the film is fascinating to watch from beginning to end and, if shown in high school, would successfully replace a week of dry learning.
    7richardchatten

    "A simple layman armed with scripture is greater than the mightiest pope without it"

    Before he could be formally blacklisted Irving Pichel fled to Europe where he channelled his feelings about the UAAC into this forthright account of an obvious historical precedent.

    With the camera in the able hands of Oscar-nominated Joseph Brun, Niall MacGuinness gives a performance of evangelical zeal in what was probably his only leading role in a film.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      This movie was never released in Québec, Canada. At the time, Québec's movie censorship board (made up entirely of French-speaking Catholics) refused to approve this movie to be shown in Québec's movie theaters. Therefore, it could only be shown in the basements of Québec's Protestant churches.
    • Citations

      Dr. Eck: Martin Luther! Do you think you are the only one who knows the truth?

      Martin Luther: I will tell you what I think. I have the right to believe freely. To be a slave to no man's authority. To confess what appears to me to be true whether it is proved or disapproved, whether it is spoken by Catholic or by heritic.

      Dr. Eck: Then you deny the authority of the pope!

      Martin Luther: In matters of faith, I think that neither council, nor pope, nor any man has power over my conscience. And where they disagree with scripture, I deny pope and council and all. A simple layman armed with scripture is greater than the mightiest pope without it.

      Dr. Eck: Heresy, Doctor Luther! Heresy!

      Martin Luther: Heresy? So be it. It is still the truth!

    • Connexions
      Featured in Wormwood: Chapter 2: A Terrible Mistake (2017)

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    FAQ19

    • How long is Martin Luther?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 octobre 1954 (Suède)
    • Pays d’origine
      • Allemagne de l'Ouest
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Filmen om Martin Luther
    • Lieux de tournage
      • Wittenberg, Saxony-Anhalt, Allemagne
    • Sociétés de production
      • RD-DR Productions
      • The Lutheran Church in America
      • Luther Filmgesellshaft
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 500 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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