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L'homme de Berlin

Titre original : The Man Between
  • 1953
  • Tous publics
  • 1h 40min
NOTE IMDb
7,0/10
2,8 k
MA NOTE
L'homme de Berlin (1953)
CriminalitéDrameRomanceThriller

Berlin de l'après-guerre. La sœur d'un officier britannique est enlevée par des agents communistes et emmenée dans le secteur soviétique, où son sauvetage est organisé par un contrebandier a... Tout lireBerlin de l'après-guerre. La sœur d'un officier britannique est enlevée par des agents communistes et emmenée dans le secteur soviétique, où son sauvetage est organisé par un contrebandier allemand.Berlin de l'après-guerre. La sœur d'un officier britannique est enlevée par des agents communistes et emmenée dans le secteur soviétique, où son sauvetage est organisé par un contrebandier allemand.

  • Réalisation
    • Carol Reed
  • Scénario
    • Harry Kurnitz
    • Walter Ebert
    • Eric Linklater
  • Casting principal
    • James Mason
    • Claire Bloom
    • Hildegard Knef
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    2,8 k
    MA NOTE
    • Réalisation
      • Carol Reed
    • Scénario
      • Harry Kurnitz
      • Walter Ebert
      • Eric Linklater
    • Casting principal
      • James Mason
      • Claire Bloom
      • Hildegard Knef
    • 47avis d'utilisateurs
    • 26avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos52

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    Rôles principaux16

    Modifier
    James Mason
    James Mason
    • Ivo
    Claire Bloom
    Claire Bloom
    • Susanne
    Hildegard Knef
    Hildegard Knef
    • Bettina
    • (as Hildegarde Neff)
    Geoffrey Toone
    Geoffrey Toone
    • Martin
    Aribert Wäscher
    • Halendar
    • (as Aribert Waescher)
    Ernst Schröder
    • Kastner
    • (as Ernst Schroeder)
    Dieter Krause
    • Horst
    Hilde Sessak
    Hilde Sessak
    • Lizzi
    Karl John
    Karl John
    • Inspector Kleiber
    Ljuba Welitsch
    • Salome played and sung by
    Walter Bluhm
    • Money Changer
    • (non crédité)
    Eberhard Fechner
    • Minor Role
    • (non crédité)
    Reinhard Kolldehoff
    Reinhard Kolldehoff
    • Eastern German Police Officer commanding the hunt for Ivo Kern and Susanne Mallison
    • (non crédité)
    Frederick Schiller
    • Construction Worker on Generator
    • (non crédité)
    Emile Stemmler
    • Waiter in Restaurant
    • (non crédité)
    Robert Brooks Turner
    • Man in crowd leaving theatre
    • (non crédité)
    • Réalisation
      • Carol Reed
    • Scénario
      • Harry Kurnitz
      • Walter Ebert
      • Eric Linklater
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs47

    7,02.7K
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    Avis à la une

    8georgiain

    Welcome to Reeds world

    Vintage Reed with all the elements from his films of the period. The innocent (Bloom) whose view needs to be muddied. The world weary, complex hero/villain. The confusion and ambiguities veering between love and hate, trust and betrayal, weakness and strength. Humans pulled from their comfortable lives and twisted by circumstance. The worn surroundings of war torn Berlin an extra character in the plot. All this in typical stark angled Reed view, with an atmospheric signature tune used noticeably towards the end, and a scene sequence mirroring the ambiguities of the characters.

    Whilst the film doesn't flow as fluently and seamlessly as The Third Man, Mason and Bloom create eminently watchable if not entirely rounded characters.
    10kitsilanoca-1

    Snow Covered Streets of Post-War Berlin

    This taut film noir when compared to Carol Reed's masterpieces of that genre, Odd Man Out and The Third Man, is a flawed gem, but still that - a gem.

    Filmed in Berlin just eight years after WWII ended, and eight years before the Wall went up, it stars James Mason and Claire Bloom as star-crossed lovers in a city still digging itself out of the rubble made by Allied bombs, and still taking refugees from the east of Europe. The story tells of Susanne Mallison, a young Englishwoman who has arrived in Berlin to visit her older brother Martin, an army physician in the British sector of the city, and his German wife Bettina. It is while Susanne and Bettina are spending a day in the eastern sector, that Bettina finds herself reluctantly introducing Susanne to an old friend, the suave and handsome Ivo Kern. Susanne doesn't like Ivo at first -the audience isn't supposed to either - and she immediately becomes suspicious that he and Bettina are having a clandestine affair. She is curious though about the man, but will she learn the truth about Ivo and his mysterious background?

    Meanwhile off the set of the film there was more going on behind the scenes between the two stars. From the book 'James Mason - A Personal Biography', by Mason's former sister-in-law and life long friend, Diana de Rosso: "I was to observe another side of his character, rarely disclosed, when he came to London to finish filming The Man Between. He was a frequent visitor to our London home and he began to bring with him increasingly, his ethereally lovely co-star Claire Bloom...He showed a marked interest in the young actress. There was a quality about her, a stillness and tranquillity which set her apart from most artists her age, yet she had a pointed wit and a fine intelligence, virtues which appealed to James - and it was quite apparent that he was in danger of losing his heart. In truth I believe his heart was lost...His attachment to Claire was purely romantic. They used to sit on the floor together in our house, hand in hand, plainly adoring each other..."

    But as with Ivo and Susanne, it was the same with James and Claire. Mason did not divorce his estranged wife Pamela Kellino, and de Rosso was surprised that he didn't, but she has some theories. When he finally did get his divorce a few years later, Claire had moved on to other things in her career and private life. Still, when they met again several years later, it was clear that Mason still was very fond of her and she likewise.

    When I first saw this film I questioned whether Mason's German accent was very good, but when I lent it to a pair of friends who are German, they said that he did a good job. As for the German supporting cast, it is the best, especially the lovely Hildegard Neff, and the hauntingly beautiful musical score catches the bleak feeling of the city during a cold winter. They are also reasons I list this as one of my favourite film noir productions.
    9simon_sparrow

    Impeccably acted and atmospheric post-war drama

    James Mason gives a tour-de-force performance as a tired clerk who knows not who to trust. Hildegrade Knef is magnificent in a complex supporting role. Carol Reed has directed some great movies and this is among his best. The ending sequence is so poignant, it always brings tears to the eyes.
    8ronricho

    Delightful surprise

    I wasn't sure if I'd like this film or not. Its British and it stars James Mason and Claire Bloom. So far so good, but its a "spy" drama which I sometimes find tedious. What a surprise! Beautifully filmed amid the bombed out rubble of post war Berlin, Mason and Bloom really shine here. This was an amazing pairing of two excellent actors. Mr Mason, as always, gives an first rate performance. What a pleasure to see him on ice skates. Bloom is lovely as the Englishwoman visiting her brother in Germany and drawn into a tense cat and mouse game where no one can be fully trusted.

    Definitely a must see for Mason fans but I think good for anyone who enjoys top-notch drama well acted and directed.
    8claudio_carvalho

    Wonderful Classic

    In the Post-World War II, the British Susanne Mallison (Claire Bloom) travels to Berlin to visit her older brother Martin Mallison (Geoffrey Toone), a military that has married the German Bettina Mallison (Hildegarde Neff). The naive Susanne snoops on Bettina and suspects that she is hiding a secret from her brother.

    When Susanne meets Bettina with her friend Ivo Kern (James Mason), he offers to show Berlin to her and they date. But Ivo meets the strange Halendar (Aribert Waescher) from the East Germany and Susanne takes a cab and return to her home alone. Then she dates Ivo again and he meets Olaf Kastner (Ernst Schroeder), who is a friend of Martin and Bettina. But soon Susanne, who has fallen in love with Ivo, learns that he was a former attorney married to Bettina in East Germany but with a criminal past during the war. Now he is blackmailed by Halendar to kidnap Kastner and bring him back to the other side of the border. The plan fails and Halender asks his men to abduct Bettina to get Kastner. However, Susanne is kidnapped by mistake and is imprisoned in the basement of a house in East Berlin. Now Ivo plots a plan to rescue Susanne from Halender and help her to cross the border. Will they succeed in their intent?

    "The Man Between" is another wonderful classic by Carol Reed with suspense and romance in the post-war Berlin totally destroyed, in the same environment of Rossellini's "Germania Anno Zero" or Billy Wilder's "A Foreign Affair". James Mason has another top-notch performance in the role of Ivo Kern, a cynical man that changes his behavior when he meets the naive and charming character performed by Claire Bloom. Their chemistry is fantastic and Hildegarde Neff is a very beautiful woman. My vote is eight.

    Title (Brazil): "O Outro Homem" ("The Other Man")

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      James Mason commenting on "The Man Between" in 1974: "This film became very big on television in the U.S. In the cinema one demands of a thriller that the narrative thread be ever taut. The American televiewer makes no such demands since continuity is destined to be shattered by commercial interruption. Thus it often happens that what has been hitherto regarded as a failure in the cinemas will be a hit on the Late Late Show and vice versa."
    • Gaffes
      In East Berlin, there are many political posters with the name "Walter Ulbrich," but the East German Communist leader's name was actually spelled "Ulbricht."
    • Citations

      Ivo Kern: The Germans always had to learn languages - the army never knew where it would be going next. We still learn English in our schools. It might be rather a waste. Who knows?

    • Crédits fous
      Opening credits prologue: BERLIN
    • Connexions
      Referenced in Le Baiser du tueur (1955)
    • Bandes originales
      The Man Between Theme
      (uncredited)

      Music by John Addison

      Arranged for piano by Bernie Fenton

    Meilleurs choix

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    FAQ13

    • How long is The Man Between?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 décembre 1953 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langues
      • Anglais
      • Allemand
      • Russe
    • Aussi connu sous le nom de
      • The Man Between
    • Lieux de tournage
      • Berlin, Allemagne
    • Sociétés de production
      • London Film Productions
      • British Lion Film Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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