Le petit garçon perdu

I will be one of the first to admit that Bing Crosby made a lot of schmaltzy films. Yet, oddly, they worked! Here is yet another one of his films filled with treacle that you can't help but like! Somehow, he was able to make this work again and again--even if he was 50 and way too old for this part.

The film begins shortly before WWII. Bing is visiting France and falls in love with a woman and marries her. They choose to remain in the country--which is a mistake, as the Nazis soon take over and he and his wife are separated. He is evacuated from Dunkirk and she begins working for the French underground. Unfortunately, she is captured and executed--but what has happened to their young son? Most of the film consists of Bing looking for the boy after the war. The path leads to a young orphan who MAY be his kid--but it's never at all certain. What's next? See the film.

The film has many heartwarming moments and also some decent acting. Not a brilliant film but quite satisfying.

This movie is one of Bing Crosby's best. I liked it better than "The Country Girl." In this dramatic role he is very believable as a father looking for a son he thought was gone. The storyline is a serious one and Crosby plays his part with compassion and urgency. The little boy in the movie is great and enjoyable to watch. I have been looking for this movie for many years and have friends who have also been looking for this movie on VHS or DVD. When I first saw "Little Boy Lost" I couldn't understand why I hadn't seen it before the 80's. The story takes place after WWII and perhaps there wasn't a market for this type of movie. I saw it on AMC and then it disappeared. It is heartwarming and the setting in Paris makes it very believable as I'm sure that the situation portrayed in the movie happened to a lot of GI's. I highly recommend this movie if it ever comes out on DVD. I can't wait to see it again.

This is one of those movies that I'll probably enjoy the second time around even better than the first. It's so suspenseful, I wasn't able to relax the first time I saw it! It does have an incredibly slow and boring start, so bear with it until it gets good. Bing Crosby takes us through a flashback to his pre-war marriage to Nicole Maurey. In my opinion, there was no reason to have that entire section included in the film. As long as he tells us he was married and she died, she doesn't have to prance around the screen in an indecipherable accent singing French lullabies.

But, on to the good part of the movie. Bing Crosby is on a mission to find his son, who was smuggled out of Nazi-occupied France without documentation. Since there was no DNA testing back in 1953, when he gets a clue that his son might be in a particular orphanage, there's no way to tell for sure. Instead, Bing tries to jog the boy's memory or look for some sort of similarity that would convince him, one way or another, of the boy's parentage. These scenes, with Bing and Christian Fourcade, are tender, funny, sweet, tense, and loving. Although not initially endearing, Christian quickly worms his way into your heart, and you find yourself wondering whether he is or isn't Bing's child-and wondering whether or not it matters.

Gabrielle Dourziat, the Mother Superior in charge of the orphanage, adds another layer to this film. Not only is her character written extremely well, but her contained, hopeful, stern performance is exactly what the film calls for. She tells Bing that many parents make the same mistake when they come to her orphanage trying to find their children. They repeatedly choose the most alert, intelligent, friendly looking child with their same coloring. "Parental instinct is very often masked as conceit." In later scenes with Bing, she reveals more of the plot and her character in such a wonderful way it'll give you chills.

Trust me, I know how annoying the beginning is. Either fast-forward or hang in there until Bing gets to the orphanage. This movie is worth it.

I absolutely have to agree with Tophoca. Crosby was generally a lazy actor who got by mostly on charm alone but here he has outdone himself for some reason or other. I would especially point to the scene where he learned how the young woman died.

As a movie, not the greatest but definitely 4 handkerchiefs out of 4.

I was taken to the movies at 9 years old (1955) and saw my first drama. The story was based on a book I think as my parents were in WW2 and they had to see it. I have not seen the movie since, but the story held me spellbound..