Lili
- 1953
- Tous publics
- 1h 21min
NOTE IMDb
7,2/10
4,2 k
MA NOTE
Ajouter une intrigue dans votre langueAn orphaned young woman becomes part of a puppet act and forms a relationship with the anti-social puppeteer.An orphaned young woman becomes part of a puppet act and forms a relationship with the anti-social puppeteer.An orphaned young woman becomes part of a puppet act and forms a relationship with the anti-social puppeteer.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 7 victoires et 9 nominations au total
Jean-Pierre Aumont
- Marc
- (as Jean Pierre Aumont)
Jane Adrian
- Nautch Dancer
- (non crédité)
Nick Borgani
- Carnival Patron
- (non crédité)
Gene Conklin
- Whistler in Ballet Sequence
- (non crédité)
Paul Cristo
- Carnival Patron
- (non crédité)
George Davis
- Workman
- (non crédité)
Jeannine Ducasse
- French Girl
- (non crédité)
Bess Flowers
- Carnival Patron
- (non crédité)
Richard Grayson
- Flirting Vendor
- (non crédité)
Avis à la une
10eadoe
Of all the popular overblown, oversexed "coming of age" movies (mostly about male coming of age - starting with "The Summer of '42"), none has the honesty and truth of "Lili". Why? Because coming of age has less to do with sex (as most men think) than it has to do with an awareness of evil. The most telling line in the film is spoken by Paul's partner, who chides Paul for slapping Lili and says, "She is realizing that there is cruelty in the world, and she is learning to protect herself from it." Like Eve in the Garden of Eden, Lili's loss of innocence comes with her knowledge of evil, not her loss of virginity.
And unlike other coming of age movies that have the young actors tossing around "cute" sexual comments that don't ring true for a callow young person (because they were obviously scripted by a jaded 50-year-old male), "Lili" rings true with every note (as Paul says, "She's like a little bell that gives off a pure sound every time you strike it."). Her naivety is far more true to form -- when she is warned by one of the puppets that the lecherous puppet Renaldo "is a wolf", the innocent Lili replies, "I thought he was a fox." This is exactly the way a kid would really respond -- not "getting" the sexual reference and thinking that the comment was about the species of the animal.
I understand Audrey Hepburn beat out Leslie Caron for the Oscar that year with her amateurish performance in "Roman Holiday" -- what a travesty that was, since Audrey's performance had none of the depth and exquisite vulnerability of Leslie's performance in "Lili".
And unlike other coming of age movies that have the young actors tossing around "cute" sexual comments that don't ring true for a callow young person (because they were obviously scripted by a jaded 50-year-old male), "Lili" rings true with every note (as Paul says, "She's like a little bell that gives off a pure sound every time you strike it."). Her naivety is far more true to form -- when she is warned by one of the puppets that the lecherous puppet Renaldo "is a wolf", the innocent Lili replies, "I thought he was a fox." This is exactly the way a kid would really respond -- not "getting" the sexual reference and thinking that the comment was about the species of the animal.
I understand Audrey Hepburn beat out Leslie Caron for the Oscar that year with her amateurish performance in "Roman Holiday" -- what a travesty that was, since Audrey's performance had none of the depth and exquisite vulnerability of Leslie's performance in "Lili".
this is quite an old movie, as you know. my mother wasn't even born when it came out. yet i enjoy it greatly. it is a true love story, and unlike movies of today's age, it depicts that love with elegance and style. it is not only about love, but about the "blossoming" of Lili, of how she grows into womanhood and learns the ways of the world, as well as her own world. personally, i find it all to be quite symbolic, with Lili as the symbol of good and innocence. it also has some interesting humor in it (the puppets are well characterized and amazingly personalized). i think you will fall in love with the well-rounded main characters just as i did. i hope people will not be turned off by the age of the movie (it is over 50 years old now) because i find newer love stories to be far too sexual that leaves nothing to the imagination. this movie is VERY imaginative and beautiful in its storytelling. of course, kids could watch it and enjoy it to some extent, but the language is slightly elevated and the meaning is quite deep. watching this movie as an older person truly made the difference. i hope you enjoy it.
10WWalrus
"Lili", based on Paul Gallico's "Love For Seven Dolls", is one of the most delightful films ever. Leslie Caron deserved her Academy Award nomination as "Lili". The ballet sequence at the end of the film in which each puppet turn into Paul, the puppeteer, making Lili realize she loves him is magical. "Lili" was the basis for a big, lavish Broadway musical "Carnival" that lost the basic beautiful simplicity of the original. This film is a classic and deserves to be. The puppets are magnificent.
10billy-7
First of all, to correct a comment made by at least one person here, the movie came before the stage musical "Carnival." Second, the movie is far superior to the stage musical. True, it's short. So? True, there's just one song. But the one song, "Hi-Lili Hi-Lo," is better than anything in "Carnival." So much for comparisons. The movie absolutely defines movie magic. It creates an unforgettable world with an unforgettable heroine played with genius by the great Leslie Caron in a performance nominated for an Oscar and deserving of a win (she was beaten by the charming but less-inspired Audrey Hepburn). Anyone who passes up the chance to see "Lili" is denying themselves one of the prime treats in all of cinema. I've seen it countless times and never fail to laugh and cry. But where is the DVD??? Give, already!
Last night, driving with a friend, she popped a CD into the player in her car and Jimmy Durante's voice sang a song I had not heard in about 35 years - "Hi-Lili Hi-Lo." The emotion of this movie that I saw as a young child, perhaps six years old, came rushing back to me.
I don't remember a lot of things from when I was six but I do remember being entranced and a bit haunted by the movie Lili. I was easily able to relate to Lili's encounter with the puppets that became her confidants and friends when the adult world became too hard to handle. The initial charm of the magician character that, as all too often became the case for people in my young life, turned to emotional unavailability. The course by which Lili's fear of the puppeteer gets dissolved through understanding. And most of all the hauntingly beautiful song and dance sequence.
I don't remember much of the plot but I am very much looking forward to seeing this movie again. If it was available on DVD I would immediately buy it for my own children.
I don't remember a lot of things from when I was six but I do remember being entranced and a bit haunted by the movie Lili. I was easily able to relate to Lili's encounter with the puppets that became her confidants and friends when the adult world became too hard to handle. The initial charm of the magician character that, as all too often became the case for people in my young life, turned to emotional unavailability. The course by which Lili's fear of the puppeteer gets dissolved through understanding. And most of all the hauntingly beautiful song and dance sequence.
I don't remember much of the plot but I am very much looking forward to seeing this movie again. If it was available on DVD I would immediately buy it for my own children.
Le saviez-vous
- AnecdotesThis film was based on The Saturday Evening Post's Paul Gallico's short story "The Man Who Hated People", published in the 28 October 1950 edition, which was inspired by the children's puppet show Kukla, Fran and Ollie (1947). Due to the success of the film, Gallico expanded the story into a novella.
- GaffesWhen Marc plays a magic trick with his cigarette at the notions store, he actually burns Lili's hand, right before playing the trick. Lili jerks her hand apart, but she keeps on watching Marc as if nothing has happened.
- Citations
Lili Daurier: We don't learn. We just get older, and we know.
- ConnexionsEdited into Off to See the Wizard: Lili: Part 1 (1967)
- Bandes originalesHi-Lili, Hi-Lo
Music by Bronislau Kaper
Lyrics by Helen Deutsch
Performed by Leslie Caron and Mel Ferrer
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- How long is Lili?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 353 000 $US (estimé)
- Durée1 heure 21 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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