Victime du destin

An okay Western based loosely on fact. Viewers tuning in today are likely catching up with Hudson's first starring role, following several years in supporting parts. Now, when I think Western, I've got to admit Hudson doesn't spring first to mind. Nonetheless, whatever he lacks in frontier grit, he makes up for in energetic commitment. I also suspect that he and Adams are the best-looking twosome to appear in any oater, any time any place. In fact, Adams sports the sleekest array of supposed frontier fashion that I've seen.

The story itself is unexceptional and cheaply produced, never getting beyond LA area locations. Indeed, this may be the only Western where the indoors is more compelling to look at than the outdoors. The movie does come up with a bunch of up-and-coming supporting players, like Van Cleef, Weaver, Ansara—too bad they don't get more screen time. Then too, McIntire's unusual dual role, both with Old Testament beards, had me confused until I consulted IMDb. I expect there's a backstory to this duplicate casting.

Producer Alland went from here to producing some of the most entertaining sci-fi of the decade— e.g. It Came from Outer Space (1953), Creature from the Black Lagoon (1954). I'm just sorry he didn't insist here on sticking with the original ending (thanks, reviewer bkoganbing). A happy ending may have pleased audiences of the time, but the original would have been more memorable.

Decent if a bit overdone western competently directed by Walsh. Rock Hudson, right on the cusp of big time stardom with his next film Magnificent Obsession, is solid in the lead. The always reliable Julie Adams, a most underrated talent that Hollywood never figured out how to use properly, is terrific if stuck with the thankless part of the whore with a heart of gold who is redeemed by the love of a man. John Ireland appears in a dual role, he's fine in the one, the trusted uncle and a bit much in the other as Hudson's father although with the purple prose he has to deliver who can blame him for trying to make something out of it by going over the top.

It was made to a formula and revolves around most of the cliches in the Western handbook but it was hard not to enjoy this film.

It is based on the life of the famous Texan John Wesley Hardin. His youth was shaped by the Civil War and by his preacher father. When his father forbids him to practise shooting young Wes reckons its about time to leave home and seek his fortune. Almost immediately he kills a local gunslinger and plunges into the life of a rootin tootin cowboy, gambler and outlaw.

It has a classic opening a dignified man walking out of the prison gates, shaking hands with the warden and sniffing the air of freedom. It has an equally recognisable ending, back at the ranch to see how his wife and family have managed during the long years of incarceration.

The final scenes of the film are lovely, it won't spoil the film to say he learned from his experiences and lived a long and happy life.

There is nothing new in this film. Although it claims to be an autobiography, it is one of countless 1950's Westerns with a theme of a young man seeking adventure and finding redemption. The real strength of the movie is its star Rock Hudson, barrel chested and manly, who shoots, rides, kisses, gambles and drinks as well as any of his contemporaries. One of the baddies is a young Lee Van Cleef who easily steals scenes from his fellow wrong-doers.

It won't change your life, the way "Shane" might have done but it won't hurt you to watch it, and to remember Rock Hudson in the way he should be remembered.

This alleged biopic of famous outlaw John Wesley Hardin may be short on accuracy, but it's long on Hollywood and western myth-making. Once again the great director Raoul Walsh gives us an entertaining, fast-paced, and action-packed tale that pushes all the right buttons, portraying Hardin as a misunderstood young man and a victim of circumstance.

The only real minus is that near the end, it begins to slow down a bit, ending with a so-so climax. The first hour or so makes it definitely worth watching though.

Rock Hudson is quite likable in one of his first starring vehicles and leading lady (number two) Julie Adams is quite stunning. One thing I'll never quite understand is why Adams never became a bigger star.

The Lawless Breed is directed by Raoul Walsh and written by William Alland (story) and Bernard Gordon (screenplay). It stars Rock Hudson, Julie Adams, John McIntire, Mary Castle, Hugh O'Brian and Dennis Weaver. Music is supervised by Joseph Gershenson and cinematography by Irving Glassberg.

Story is based around the life of outlaw John Wesley Hardin (Hudson), itself adapted from his own memoirs. It finds Hardin released from jail and recounts his life outside of the law and his time on the run. It proclaims that Hardin was very much a victim of circumstance, his life spiralling out of control after killing a man in self defence.

OK, forget the proud boast from the makers that this is a true story, this is Hollywood and its best so take in the film as a piece of entertainment only. Where, in truth, it's rather good stuff for the Western fan to gorge on. A tacked on "happy ending" aside, this is mostly interesting narratively speaking, and as a production it is always easy on the eye. Hardin's time on the run throws up a number of scenes to pump the adrenalin, letting some fine stunt work come to the fore in the process. Be it escaping from "Texas Rangers" laid traps, or well constructed horse races (Hardin was a well renowned gambler), Raoul Walsh and his team work real hard to keep this out of B movie territory.

Shot in vivid Technicolor out of Andy Jauregui and Janss Conejo ranches in California (some exteriors also filmed at Vasquez Rocks), film always feels airy, something that's not exactly at one with what should be the claustrophobic feel of an outlaw constantly on the run and looking over his shoulder. There's also a big ask of the audience to accept that Hardin is pretty much indestructible, which is OK once or twice, but more?

However, the film is ultimately about entertainment and forgiving it its irritants is not hard to do. Character interactions always remain of interest, and cast are doing more than decent work. McIntire stands out in a dual role, Hudson is stoic and Adams beguiles with her beauty and sexuality. This is one of the better productions for bringing the radiant Adams to the attention of red blooded lusters. A better pair of legs in Westerns there is not, and in one scene she induces wolf whistles and heart palpitations in equal measure. With prolific Western scorer Gershenson providing easy listening and photographer Glassberg keeping the colours rich, The Lawless Breed rounds out as a better than average viewing experience for the Western buff. 7/10