Quand la poudre parle

I had never heard of Director Nathan Juran until I saw LAW AND ORDER, and I doubt I'll remember him for any significant amount of time. He doesn't do a bad job of this B pic... simply not good enough: photography is weak, script predictable and tame, and what really saves it is the presence of the late former President Ronald Reagan and incredibly beautiful Dorothy Malone.

In the end, this is another retelling of the Wyatt Earp and bros story, with different names and against differently named foes.

Some good fighting sequences involving RR, too.

Too many critics sneer at Ronald Reagan's career in films. THey obviously didn't see this film. Law and Order is a solid western made in the era when westerns were made well. The script is tight, with plenty of action, but not weighted down with too much gratuitous violence that marks most of Eastwood's films. Reagan's performance as Frame Johnson is natural and believable. His skill in the saddle is displayed several times. He comes across tough and determined, yet has scruples. THe supporting cast boasts such veterans as Russell Johnson (who appears in many sci-fi films of the fifties) and Preston Foster and Dorothy Malone. Nathan Juran directed many films and television programs and was good at maximizing the low budget that Universal gave him for this effort. Another good western starring Reagan is Last Outpost (1951). Law and Order is definitely worth seeing - If Reagan had made more films of this caliber, he might not have gone into politics.

It would be easy to poke fun at a Western that features the red-white-and blue tie President Reagan and the Gilligan's Island Professor, Russell Johnson, but both men turn in believable and thought-provoking performances.

The Johnson brothers (Reagan, Johnson, and Alex Nicol) move to a town, appropriately named "Contention" (love that name!), as retired lawmen tired of shooting it out with bad guys and hoping for a peaceful existence. As is customary in Westerns, evil runs the town, and guess who eventually has to wield a 6-gun to clean things up. The positive ethics of supporting law and order with a non-violent approach serves Reagan surprisingly well; he plays the role with earnest conviction. Johnson, as his brazen and impulsive younger brother, is a polar opposite and good balance to study the nature of both men. When the latter involves himself with the sister of the head honcho bad guy, the stage is set for good and evil to encounter one another in classic Western tradition.

A better than average horse opera with a well presented message. Good for Saturday afternoon viewing.

Ronald Reagan quits his job as sheriff of Tombstone (No, he's not Wyatt Earp.) and heads for greener pastures in an attempt to start a new calmer life for himself and his brothers, only to find out that his new home is run with an iron hand, both figuratively and literally, by old foe Preston Foster and his sniveling sons.

A solid studio B-western, this looks like a million bucks in gorgeous Technicolor and has a script that really knows what buttons to push.

One of Reagan's better roles, he strikes all the right notes and is definitely well cast.

This is also a great showcase for up and coming future stars Russell Johnson (the professor on Gilligan's Island) and an almost unrecognizable Dennis Weaver, who really makes the best out of his role as one of Foster's sadistic sons.

The final fist-fight between Reagan and Foster is well staged, exciting, and immensely satisfying.

Universal western a solid adaptation of William Burnett's novel "Saint Johnson"--also a follow-up to (or rehashing of) 1932's "Law and Order". Ronald Reagan is very good as the marshal of Tombstone in the 1880s, tired of being a "hired killer", who quits his job for a rancher's life on the outskirts of Cottonwood; unfortunately, he finds the townsfolk there much tougher than the people of Tombstone, including a scurrilous family who has tangled with the marshal before. It's never made clear how the marshal managed to get on the bad side of the Tombstone residents (they seem to want a no-nonsense approach to the law--and they've got it with Reagan--so what is their beef?). Dorothy Malone is wasted in a frivolous role as Ronnie's girl (she always seems to be saying, "I'll be here when you come back"), while the (blonde) actors playing Reagan's brothers are poor choices--they don't look or act anything like him. Still, there's a few evil, grinning sonsofbitches in the lineup who give the narrative dramatic flavor, and Reagan has a terrific scene early on protecting a prisoner from a lynch mob. Most of "Law and Order" (terrible title!) is strictly rote from a western formula, but the Red Rock Canyon locations are good and the finale very satisfying. **1/2 from ****