Ajouter une intrigue dans votre langueFrame Johnson already cleaned up Tombstone and hopes to settle down near Cottonwood. But a marshal's work is never done.Frame Johnson already cleaned up Tombstone and hopes to settle down near Cottonwood. But a marshal's work is never done.Frame Johnson already cleaned up Tombstone and hopes to settle down near Cottonwood. But a marshal's work is never done.
- Réalisation
- Scénario
- Casting principal
John Albright
- Townsman
- (non crédité)
Carl Andre
- Townsman
- (non crédité)
Sam Bagley
- Townsman
- (non crédité)
Gregg Barton
- Wingett
- (non crédité)
John Barton
- Townsman
- (non crédité)
Wag Blesing
- Townsman
- (non crédité)
Avis à la une
I am a western fanatic with over 200 top western titles in my personal collection, many of which are in my IMDb database. This film made in 1953 is very enjoyable to watch. If you are a fan of Westerns you will absolutely want to watch this film. Law and Order reminds me of the Stewart-Mann Westerns of the same era with the same attention to detail and plot development.Juran like Anthony Mann brings out the best in his actors. Ronald Reagan is tough and believable, the color adds to the excellent filming, and the acting is quite good. Dorthy Malone is very beautiful and charming. Apart from a bit of predictability this film combines, action, horse riding, gun fights, and a beautiful girl into a good enjoyable film.
DB
DB
Ronald Reagan quits his job as sheriff of Tombstone (No, he's not Wyatt Earp.) and heads for greener pastures in an attempt to start a new calmer life for himself and his brothers, only to find out that his new home is run with an iron hand, both figuratively and literally, by old foe Preston Foster and his sniveling sons.
A solid studio B-western, this looks like a million bucks in gorgeous Technicolor and has a script that really knows what buttons to push.
One of Reagan's better roles, he strikes all the right notes and is definitely well cast.
This is also a great showcase for up and coming future stars Russell Johnson (the professor on Gilligan's Island) and an almost unrecognizable Dennis Weaver, who really makes the best out of his role as one of Foster's sadistic sons.
The final fist-fight between Reagan and Foster is well staged, exciting, and immensely satisfying.
A solid studio B-western, this looks like a million bucks in gorgeous Technicolor and has a script that really knows what buttons to push.
One of Reagan's better roles, he strikes all the right notes and is definitely well cast.
This is also a great showcase for up and coming future stars Russell Johnson (the professor on Gilligan's Island) and an almost unrecognizable Dennis Weaver, who really makes the best out of his role as one of Foster's sadistic sons.
The final fist-fight between Reagan and Foster is well staged, exciting, and immensely satisfying.
Even with technicolor and location shooting, the remake of the classic western Law and Order with Walter Huston pales in comparison. Ronald Reagan just isn't Walter Huston, he doesn't create the singleminded purpose of Huston's Frame Johnson. Reagan's forte is affability, it doesn't translate well here.
Frame Johnson and his two brothers, played by Alex Nicol and Russell Johnson, leave Tombstone where Johnson is marshal because Johnson is tired of it. They go to Contention, but the problems of lawlessness are rampant there. Corrupt sheriff Barry Kelley and town boss Preston Foster pretty much run things their way. The decent citizens call on Reagan and the brothers to help out. Brother Alex Nicol does and is killed. You can figure the rest out.
The film does have the always lovely presence of Dorothy Malone, three years away from her Oscar in Written on the Wind. Dorothy was first noticed as the bookstore proprietess who catches Humphrey Bogart's eye in The Big Sleep. She did mostly westerns after that, usually as the nice girl in gingham that the hero gets. Good thing someone saw she had more going for her than that. Here she's a reluctant saloon owner, her old man left her the place and she runs it to earn a living. Girl's gotta do, what a girl's gotta do.
And of course you would have to be blind and ignorant of any kind of western history not to notice the obvious parallels between this film and any and all films with Wyatt Earp as the central character.
Frame Johnson and his two brothers, played by Alex Nicol and Russell Johnson, leave Tombstone where Johnson is marshal because Johnson is tired of it. They go to Contention, but the problems of lawlessness are rampant there. Corrupt sheriff Barry Kelley and town boss Preston Foster pretty much run things their way. The decent citizens call on Reagan and the brothers to help out. Brother Alex Nicol does and is killed. You can figure the rest out.
The film does have the always lovely presence of Dorothy Malone, three years away from her Oscar in Written on the Wind. Dorothy was first noticed as the bookstore proprietess who catches Humphrey Bogart's eye in The Big Sleep. She did mostly westerns after that, usually as the nice girl in gingham that the hero gets. Good thing someone saw she had more going for her than that. Here she's a reluctant saloon owner, her old man left her the place and she runs it to earn a living. Girl's gotta do, what a girl's gotta do.
And of course you would have to be blind and ignorant of any kind of western history not to notice the obvious parallels between this film and any and all films with Wyatt Earp as the central character.
It would be easy to poke fun at a Western that features the red-white-and blue tie President Reagan and the Gilligan's Island Professor, Russell Johnson, but both men turn in believable and thought-provoking performances.
The Johnson brothers (Reagan, Johnson, and Alex Nicol) move to a town, appropriately named "Contention" (love that name!), as retired lawmen tired of shooting it out with bad guys and hoping for a peaceful existence. As is customary in Westerns, evil runs the town, and guess who eventually has to wield a 6-gun to clean things up. The positive ethics of supporting law and order with a non-violent approach serves Reagan surprisingly well; he plays the role with earnest conviction. Johnson, as his brazen and impulsive younger brother, is a polar opposite and good balance to study the nature of both men. When the latter involves himself with the sister of the head honcho bad guy, the stage is set for good and evil to encounter one another in classic Western tradition.
A better than average horse opera with a well presented message. Good for Saturday afternoon viewing.
The Johnson brothers (Reagan, Johnson, and Alex Nicol) move to a town, appropriately named "Contention" (love that name!), as retired lawmen tired of shooting it out with bad guys and hoping for a peaceful existence. As is customary in Westerns, evil runs the town, and guess who eventually has to wield a 6-gun to clean things up. The positive ethics of supporting law and order with a non-violent approach serves Reagan surprisingly well; he plays the role with earnest conviction. Johnson, as his brazen and impulsive younger brother, is a polar opposite and good balance to study the nature of both men. When the latter involves himself with the sister of the head honcho bad guy, the stage is set for good and evil to encounter one another in classic Western tradition.
A better than average horse opera with a well presented message. Good for Saturday afternoon viewing.
Yes this is a classic Western tale of 'good guys' vs 'bad guys' which Hollywood loves to recycle. Ronald Reagan (Frame Johnson) gives a fine performance as a Cincinnatus type sheriff who is called upon to quell a lawless town. The supporting cast includes the crooked and bought town sheriff (Barry Elder) and the all-powerful town leader (Preston Foster). Dorothy Malone (Jeannie) and Ruth Hampton (Maria Durling) provide the suffering women-in-waiting roles very well. Russell Johnson (Jimmy Johnson) comes off well as the hot-headed, quick to action younger brother of Reagan. The movie has plenty of color, great location shots, fight scenes and tough talking bad guys. Dennis Weaver (Frank Durling) and Jack Kelley (Jed) make the most of their screen time. This movie stands on its own and I recommend it for anyone wanting so see Reagan give a fine performance.
Le saviez-vous
- AnecdotesFrame Johnson mentions wanting to live to be an old man. With the exception of Wally Cassell, who lived to age 103, Ronald Reagan lived to an older age (93) than the rest of the male actors.
- GaffesDuring the climatic fight between Frame Johnson (Ronald Reagan) and Kurt Durling (Preston Foster), Durling punches Johnson and then vaults over a hitching post to continue the fight. When he vaults over the hitching post, Durling grips the post firmly with his supposedly useless "wooden hand" and uses it to boost himself over the post.
- ConnexionsFeatured in Capitalism: A Love Story (2009)
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- How long is Law and Order?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Entre el amor y el deber
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 000 000 $US
- Durée1 heure 20 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Quand la poudre parle (1953) officially released in India in English?
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