Remarions-nous

Let's Do It Again is the third rendition of the play The Awful Truth about an about to be divorced couple who really belong together, but have to wait until the end of the film to find out. Ray Milland and Jane Wyman are the couple repeating the roles that Cary Grant and Irene Dunne had back in 1937 in The Awful Truth.

This started as an Arthur Richman play back in 1922 which ran 144 performances on Broadway with Ina Claire in the lead. So Let's Do It Again has a distinguished pedigree. This version had a musical score attached to it by Lester Lee and Ned Washington, none of the songs you will remember.

Jane Wyman who could sing and dance proves she can again in this film, it's the main reason to see the film. Ray Milland starts off well, as the film opens you see him jamming on the drums at a club while Wyman thinks he's in Chicago. He fakes that pretty good, but when he's called on to sing, it's not his finest hour on the big screen. The main ballad in the film is sung by Dick Haymes on record to Wyman.

She has two suitors for her on the rebound, Tom Helmore and Aldo Ray. Ray is not terribly comfortable in the Ralph Bellamy part, Bellamy played his role in 1937 film. Helmore is a cad, as he many times is on screen.

The distinguished pedigree of Let's Do It Again does not guarantee a top quality product. Overall the film is all right, but there's nothing new that's really good here.

Jane Wyman and Ray Milland star in this breezy musical comedy remake of the Cary Grant and Irene Dunne film, The Awful Truth. When Ray Milland tells his wife, he's going out of town, he's really playing the drums in dives all around town and jamming all night. But when he comes home early one morning (supposedly from Chicago) he finds her not there to greet him. She took the opportunity to teach him a lesson by going out and staying all night with a guy who has plans of his own. When she tells him the car broke down and they stayed at the Shady Nook motel in Feathersville, he doesn't buy it and suspects dilly-dallying. When the argument ensued and the trust was doubted, a divorce was settled on to end the marriage. Doesn't sound like a comedy, does it? Well, there are some songs, too, and Jane really puts on a show, while doing it. Even if her voice was dubbed, she was pretty convincing. I admit it's no classic like the original, but I enjoyed it and had some good belly laughs with its silliness towards the end. It seems a bit uneven with meandering here and there, but ultimately I think you will like its modest attempt of updating The Awful Truth with music.

Jane Wyman is beautiful and her wardrobe wonderful. Ray Milland seems out of place in this comedy - and I don't know who provides his singing voice. From the opening scene if you are a Cary Grant fan you will recognize it as the plot of "The Awful Truth", and the awful truth is - except for being in color and Ms. Wyman's clothes this remake falls sadly short of the chemistry and snap of the original. Aldo Ray played his best role in Pat and Mike and the casting director should have considered his accent before trying to make him out to be a back-woods boy. When music and dance are added to a plot to try to beef it up in some way it should serve as a red flag for viewer to beware.

Hey, people ! Lighten up ! Here are 2 dramatic stars giving more than serviceable performances in admittedly classic roles. But the bonus for me is a whole bunch of songs that I have loved for years. I don't understand how people can't like this tuneful score. I especially love "Takin' A Slow Burn" and "It was Great While It Lasted", but I love the whole score. Can you imagine a full batch of good, original tunes in a movie TODAY ??? Those days are gone forever, so I'll continue to enjoy pleasures like this one. Jane does indeed look gorgeous in her luxurious wardrobe, and that '50s pseudo art-deco apartment is great. Jane's "spastic gall bladder " scene is priceless, and Milland & Helmore in the closet with the hats (no, not THAT closet !) is a delightful bit of business. I'll take this flick any day instead of all these "blowin' up stuff" movies we can't seem to get away from.

Once I realized that Ray Milland was doing a poor imitation of Cary Grant's mugging in the original screwball comedy, "The Awful Truth," I knew why the film failed to sparkle as a comedy. Added to the comedy are some musical interludes that fall as flat as the dialog. The whole film leaves you feeling that it's a silly waste of time.

And in the central role of a woman determined to win her hubby back, Jane Wyman is dressed to kill but looks more like an uptight woman too prudish to display herself in such a lavish wardrobe. Only when she lets loose pretending to be Milland's hyperactive sister and demonstrates some of her flair for musical comedy does her performance come to life. Otherwise, you keep expecting those tears to flow.

The story may have worked in the '30s when screwball comedy was supreme and was handled with comic dexterity by a sparkling cast. But here it gets a flat reception from an uncomfortable looking Ray Milland, a miscast Wyman and an equally out-of-his-element Aldo Ray.

Summing up: A bad remake of a popular screwball comedy, it falls far short of the mark in every department--writing, acting, direction. Only Tom Helmore (the scheming husband of "Vertigo") manages to look and act as urbane and distinguished as the part demands with the proper comic flair.