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Remarions-nous

Titre original : Let's Do It Again
  • 1953
  • Approved
  • 1h 35min
NOTE IMDb
5,8/10
477
MA NOTE
Ray Milland, Aldo Ray, and Jane Wyman in Remarions-nous (1953)
Official Trailer
Lire trailer1:57
1 Video
8 photos
ComédieMusical

Ajouter une intrigue dans votre langueIn this 1953 musical remake of "The Awful Truth", Wyman is married to womanizing composer Milland and sets out to give him some of his own medicine. She has an affair, but her ploy backfires... Tout lireIn this 1953 musical remake of "The Awful Truth", Wyman is married to womanizing composer Milland and sets out to give him some of his own medicine. She has an affair, but her ploy backfires, and the couple get a divorce. Once separated, they try every way to make each other jeal... Tout lireIn this 1953 musical remake of "The Awful Truth", Wyman is married to womanizing composer Milland and sets out to give him some of his own medicine. She has an affair, but her ploy backfires, and the couple get a divorce. Once separated, they try every way to make each other jealous.

  • Réalisation
    • Alexander Hall
  • Scénario
    • Mary Loos
    • Arthur Richman
    • Richard Sale
  • Casting principal
    • Jane Wyman
    • Ray Milland
    • Aldo Ray
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    477
    MA NOTE
    • Réalisation
      • Alexander Hall
    • Scénario
      • Mary Loos
      • Arthur Richman
      • Richard Sale
    • Casting principal
      • Jane Wyman
      • Ray Milland
      • Aldo Ray
    • 26avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Let's Do It Again
    Trailer 1:57
    Let's Do It Again

    Photos7

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Rôles principaux49

    Modifier
    Jane Wyman
    Jane Wyman
    • Constance Stuart
    Ray Milland
    Ray Milland
    • Gary Stuart
    Aldo Ray
    Aldo Ray
    • Frank McGraw
    Leon Ames
    Leon Ames
    • Chet Stuart
    Valerie Bettis
    Valerie Bettis
    • Lilly Adair
    Tom Helmore
    Tom Helmore
    • Courtney Craig
    Karin Booth
    Karin Booth
    • Deborah Randolph
    Mary Treen
    Mary Treen
    • Nelly - the Maid
    Dick Wessel
    Dick Wessel
    • Ajax Moving Man
    • (as Richard Wessel)
    Kathryn Givney
    Kathryn Givney
    • Mrs. Randolph
    Herbert Heyes
    Herbert Heyes
    • Mr. Randolph
    Douglas Evans
    Douglas Evans
    • Black Cat Club Manager
    • (scènes coupées)
    William Newell
    William Newell
    • Cabbie
    • (scènes coupées)
    Paul Bradley
    Paul Bradley
    • Audition Guest
    • (non crédité)
    Ralph Brooks
    Ralph Brooks
    • Audition Guest
    • (non crédité)
    Steve Carruthers
    Steve Carruthers
    • Nightclub Patron
    • (non crédité)
    Walter Clinton
    • Attendant
    • (non crédité)
    James Conaty
    • Nightclub Patron
    • (non crédité)
    • Réalisation
      • Alexander Hall
    • Scénario
      • Mary Loos
      • Arthur Richman
      • Richard Sale
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    5,8477
    1
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    9
    10

    Avis à la une

    fguerras

    Great score, sparkling Wyman, fun-loving Milland

    Hey, people ! Lighten up ! Here are 2 dramatic stars giving more than serviceable performances in admittedly classic roles. But the bonus for me is a whole bunch of songs that I have loved for years. I don't understand how people can't like this tuneful score. I especially love "Takin' A Slow Burn" and "It was Great While It Lasted", but I love the whole score. Can you imagine a full batch of good, original tunes in a movie TODAY ??? Those days are gone forever, so I'll continue to enjoy pleasures like this one. Jane does indeed look gorgeous in her luxurious wardrobe, and that '50s pseudo art-deco apartment is great. Jane's "spastic gall bladder " scene is priceless, and Milland & Helmore in the closet with the hats (no, not THAT closet !) is a delightful bit of business. I'll take this flick any day instead of all these "blowin' up stuff" movies we can't seem to get away from.
    3richardchatten

    Don't Do it Again

    It's an agreeable novelty to see Jane Wyman and the young Aldo Ray dressed up to the nines in Technicolor in this otherwise ghastly fifties version with songs and sledgehammer musical cues of Arthur Richman's 1923 play (updated with jazz and references to uranium). But the initial shot of Ray Milland mugging furiously as he plays the drums at a jazz club doesn't bode well; and Milland looks understandably embarrassed throughout.

    One's hopes are momentarily restored when an uncharacteristically glamorous Jane Wyman makes her first appearance poured into a sparkly Jean Louis gown with Gavin Elster on her arm; but are promptly dashed (and remain dashed) when she first bursts into song, excruciatingly followed a few minutes later by Milland!

    And there's still over an hour to go; with just Valerie Bettis' exotic dancing worth staying awake for...
    Chris Clazie

    Undemanding entertainment

    Recently seeing this movie for the first time I was pleased to find that it is a very pleasant,frothy technicolored entertainment.Jane Wyman,whom I remember mainly from TV,is a very capable comedienne,and a very good singer.She is obviously enjoying herself,and looks very good too,in a dazzling Jean Louis wardrobe.Ray Milland plays her ex-husband in a Cary Grant type performance,and warbles a song or two.Aldo Ray is the new beau and also shows what a versatile actor he was.All in all,an undemanding Technicolor treat that is typical of it's period.Worth catching.8/10
    5pkhaddock-1

    It is okay for a remake but doesn't hold a candle to the original

    Jane Wyman is beautiful and her wardrobe wonderful. Ray Milland seems out of place in this comedy - and I don't know who provides his singing voice. From the opening scene if you are a Cary Grant fan you will recognize it as the plot of "The Awful Truth", and the awful truth is - except for being in color and Ms. Wyman's clothes this remake falls sadly short of the chemistry and snap of the original. Aldo Ray played his best role in Pat and Mike and the casting director should have considered his accent before trying to make him out to be a back-woods boy. When music and dance are added to a plot to try to beef it up in some way it should serve as a red flag for viewer to beware.
    7JLRMovieReviews

    Wyman and Milland in Modest Musical

    Jane Wyman and Ray Milland star in this breezy musical comedy remake of the Cary Grant and Irene Dunne film, The Awful Truth. When Ray Milland tells his wife, he's going out of town, he's really playing the drums in dives all around town and jamming all night. But when he comes home early one morning (supposedly from Chicago) he finds her not there to greet him. She took the opportunity to teach him a lesson by going out and staying all night with a guy who has plans of his own. When she tells him the car broke down and they stayed at the Shady Nook motel in Feathersville, he doesn't buy it and suspects dilly-dallying. When the argument ensued and the trust was doubted, a divorce was settled on to end the marriage. Doesn't sound like a comedy, does it? Well, there are some songs, too, and Jane really puts on a show, while doing it. Even if her voice was dubbed, she was pretty convincing. I admit it's no classic like the original, but I enjoyed it and had some good belly laughs with its silliness towards the end. It seems a bit uneven with meandering here and there, but ultimately I think you will like its modest attempt of updating The Awful Truth with music.

    Histoire

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    Le saviez-vous

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    • Anecdotes
      Courtney asks Constance to take over a role in his show because Lucy Warriner couldn't do it. Lucy Warriner was the name of the Constance character in the original story and movie, Cette sacrée vérité (1937) that Remarions-nous (1953) is a musical remake of.
    • Connexions
      Remake of Cette sacrée vérité (1937)
    • Bandes originales
      The Call of the Wild
      (uncredited)

      Music by Lester Lee

      Lyrics by Ned Washington

      Sung by Valerie Bettis

      Later sung by Jane Wyman

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    FAQ13

    • How long is Let's Do It Again?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 6 novembre 1953 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Amor a medianoche
    • Société de production
      • Columbia Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 35min(95 min)

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