Embrasse-moi, chérie

And it's apparent in the number of items thrown at the screen in this Technicolor musical based on the stage hit, from MGM and director George Sidney. Formerly married stage stars Fred Graham (Howard Keel) and Lilli Vanessi (Kathryn Grayson) agree to star in the new musical from Cole Porter (Ron Randell), a variation on Shakespeare's The Taming of the Shrew. Fred hopes to win back Lilli, while Fred's "protege", showgirl Lois Lane (Ann Miller), who also has a part in the show, drives Lilli to distraction. This complicated romantic dynamic plays on multiple levels as they struggle to get through the opening night show and its various obstacles.

I liked this rather complex production, with fun performances and excellent dance scenes. Ann Miller has the best dance sequences, although I also liked the amateurish number with Keenan Wynn and James Whitmore as two hoods singing and dancing. I enjoyed seeing Bob Fosse in an acting role. The movie was Oscar nominated for Best Score (Andre Previn & Saul Chaplin).

Great adaptation of the Broadway musical with a wonderful Cole Porter score. Yes the plot is just an excuse (though not a flimsy one) to put the numbers together, but so what? Kathryn Grayson and Howard Keel are very good as battling exes who are destined to be together, in the best tradition of Scarlett and Rhett, with a dash of His Girl Friday thrown in. Plus, it's all acted out amidst Shakespeare's Taming of the Shrew, which provides for some great comic moments. Keenan Wynn and James Whitmore as the two gangsters are hilarious in the classic "Brush Up Your Shakespeare." Bob Fosse, who plays Bianca's blond suitor in the "Shrew" play-within-a-play, electrifies the screen with Carol Haney in their short but spectacular dance during the "From This Moment On" number. But it is Ann Miller who steals the show with her tradmark perkiness, charm and dynamite dancing skills, demonstrated memorably in another classic, "Too Darn Hot," and her numbers with Tommy Rall. Definitly recommended if you want a laugh, a tune to hum and a great show to see.

Total delight from start to finish, this witty, musical version of The Taming of the Shrew. This show within a show is bright and splashy and boasts terrific performances, songs, dancing, and costumes. Howard Keel plays the egotistic Fred Graham who us mounting this new musical with ex-wife Lilli Vanessi (Kathryn Grayson) as his leading lady. The battling couple mirrors the battling couple in the play. All very clever.

As good as Grayson and Keel as however, Ann Miller totally steals the show as Lois Lane, the brassy chorus girl Fred has given a part (the younger sister) in the play. Miller is fantastic as she sings and dances her way through some great numbers: It's Too Darn Hot, From This Moment On, Always True to You, and Tom, Dick or Harry. Her opening number of Too Darn Hot is astounding as she swirls and taps around Cole Porter's living room and across his table tops. The skin tight tassled red outfit is probably the sexiest outfit Miller ever wore and she looks great. She was always denied the starring roles in MGM musicals which is a shame. MGM preferred the more demure types like Grayson or Judy Garland, Jane Powell, Debbie Reynolds for starring roles and Miller always got stuck playing the flashy friend or other woman.

Also good in this great musical are Keenan Wynn and James Whitmore as the thugs who get to sing Brush Up Your Shakespeare. Bob Fosse, Bobby Van, and Tommy Rall are the three dancers. Carol Haney and Jeanne Coyne show up for the From This Moment On number with Miller and the Boys. Ann Codee is the maid, Claud Allister is the butler, Willard Parker is Tex, Dave O'Brien is the stage manager, Kurt Kaznar is the stage father, and Ron Randell plays Cole Porter.

Originally done in 3-D, Kiss Me Kate is shock full of great songs and some of the best lyrics ever heard. For those of us growing up in the 50s, most of the songs from this musical are familiar hits, including Wunderbar, From This Moment On, Always True to You, and So In Love.

Kiss Me Kate is a textbook musical that works on all levels. Keel and Grayson were never better, Miller is outstanding, Whitmore and Wynn are fun, and Tommy Rall gets a couple of dance numbers (Why Can't You Behave) that prove him to be one of the best dancers of his generation. The short dance solo with Fosse and Haney also presages much of Fosse's later groundbreaking choreography.

Not a false step in this film, which ranks as one of the great musicals.

This is my favorite musical, not for the dancing alone, but it is the best. The dancers, not just Ann Miller and Rall, but Bob Fosse, Bobby Van, and Carol Haney!! What more could any dance fan want? There is always something new to see, no matter how many times you have watched it. The lyrics are magnificent, tricky and intriguing. When Howard Keel, dressed in those gorgeous tights, sings about all the women he has known, he's a knockout. Grayson is not my favorite actress, but she can sing, and she and Keel make a wonderful pair. I will admit that the music is great, but folks, catch the dancing!! The final dance number with the six dancers is superb, but how can you watch all six at once? You have to watch it several times, particularly the pair of Carol Haney and Bob Fosse.

What great stars! Keel and Grayson are excellent in this, with the lovely song So In Love, among many others. Tommy Rall is underused. He was in the same amount of numbers as the marvelous Ann Miller, but got minimum screen time, with the exception of Why Can't You Behave. Ann Miller was nothing short of awesome, with four numbers and ample attention in all of them. Too Darn Hot, Tom Dick or Harry, Why Can't You Behave, Always True To You In My Fashion, and From This Moment On (to a lesser degree) belong to her. A perfect movie for her fans. I urge you, run, don't walk to the nearest video store and pray that they have KISS ME KATE!