La loi du silence

"I Confess" is the most under exposed/appreciated/rated of Hitchcock's films. It is as convincing (except for the minimal flashbacks) as "Shadow of a Doubt" in terms of both its art and its reality. Its mise en scene captures Quebec City, its specifically Catholic culture, its history, its moral dramas, and its character types. I think Clift and Baxter are perfectly cast, as are Aherne and Maldon. Keller and Alma truly hit home as Catholic parish staff and carry effectively much of the drama and suspense of this true Hitch sleeper, which is also a memorable romance. (There is indeed a great deal of genuine emotion and deep feeling in this very ordinary and convincing world).

"I Confess" is one of Alfred Hitchcock's least famous films, and it's easy to see why: there is no mystery (we know who the killer is right from the start); there is some suspense but no major set-pieces; there is very little humor (no Cary Grant-type wisecracks here). The movie is a somber psychological drama, and the story of a forbidden love, and perhaps a Christ allegory (the priest has to suffer for another man's sins - he has to bear his own cross). I wouldn't rank it among Hitchcock's best, but it certainly has some of the best acting you can find in a Hitchcock film: Montgomery Clift is superb in a difficult role, Anne Baxter is warm and utterly believable as the woman who is consumed by her love for him, and Karl Malden is perfectly cast as the nosy (no pun intended) inspector on the case. (**1/2)

I Confess is one of those movies that almost reaches the brink of greatness, but just doesn't quite make it. Hitchcock's direction is certainly fine, if not a bit pedestrian. There are no signature scenes that seems to be present in many of his other films (such as the shower scene in Psycho, or the Mount Rushmore chase in North By Northwest). There is a flashback sequence, showing Clift before his character was a priest, that starts off beautifully....the camera is slightly cock-eyed, and Anne Baxter descends the staircase in slow motion, almost flowing down the stairs. However, the rest of the flashback just doesn't live up to the potential established in that first shot. Karl Malden is good as usual. Clift does an okay job in the role of the priest who hears the confession of the murderer. Anne Baxter is very good, and the supporting cast is certainly fine. I have also had a problem with the musical score of this film. Seems that Jack Warner had a standing rule at WB studios, of filling nearly every second of a film's soundtrack with background music. I'm sure Hitchcock and Tiomkin both cringed at this insane policy. Tiomkin DOES provide the film with a beautiful love theme of sorts. I recommend this film, but I don't guarantee that you'll be watching a classic. *** out of ****.

Much like "The Wrong Man", another Alfred Hitchcock gem, "I Confess" is a classic "what if?" scenario, this time involving a Catholic priest and a confession that completely changes his life.

For a basic plot summary, "I Confess" sees Father Michael Logan (Montgomery Clift) hear the confession of murderer Otto Keller (O.E. Hasse). Sworn to secrecy by the tradition of the confessional, however, Father Logan must grapple with his devotion to the cloth when outing Otto would mean saving himself and the woman he loves.

This is a simple little film (nothing grandeur or over-the-top about it), but at the same time it works very well on a number of different levels. The acting is superb (also including Anne Baxter in a key role), the plot is classic Hitchcock character-driven suspense, and the narrative keeps progressing forward in such a way that it continues to build upon itself. In other words, the pressure only continues to mount on Logan as each new development in the murder case comes to light.

Overall, "I Confess" is a solid Hitch effort that, while maybe not in "Top Ten" status for the famous director, is most certainly worth a viewing for the emotional characters and progressive drama.

An Alfred Hitchcock film with very little action or suspense, this moral issue- drama still maintains interest for the most part. Montgomery Clift is intriguing as "Father William Logan," a Catholic priest from Quebec who hears a murder confession, is charged with the crime himself, and never wavers from his vow to keep confessions private.

The question Hitchcock apparently poses with this is is, "Is that still morally right when it means you leave a killer out on the loose?"

Complicating the matter is an old girlfriend, played by Anne Baxter, who still loves the priest. However, once again the cleric remains true to his vows and doesn't get involved with her.

Karl Malden, meanwhile, plays a gung-ho cop out to solve the crime.

This movie could use a little more suspense and action, plus a bit of the old Hitchcock humor, but still is more than passable.