Hondo, l'homme du désert

This exciting Western was released in three dimensional (3-D with some gimmickry) in the 50's, a highly topical exhibition mean , nowadays being successfully going back and including polarized glasses. It was the time when introduced Cinemascope and 3-D to compete with TV and attract people to movie theaters . It deals with Hondo Lane (John Wayne) , a scout for the US cavalry, he meets Angie Lowe (Geraldine Page)and falls in love with her , in this typical and entertaining western of the the 50's . The drumbeats of the Apaches sound a grim warning to a woman living in an isolated farm with her son . Hondo Lane becomes stubborn guard Angie Lowe (Geraldine Page in her first movie character) alarmed about the pending Indian uprising and then he turns into a figure father to her son named Johnny. The homesteader Angie, decided to await the return of his gruff husband, refuses to leave his property in spite of the imminent danger from a nearby Indian tribes. The woman living in the wilderness presumes she is safe because the Apaches (led by Michael Pate and Rodolfo Acosta) , under their leader Vittorio, have always left them alone. Later Lane has a run-in with Angie's reprobate husband (Leo Gordon) and is forced to murder in self-defense, not knowing who he is. Vittorio (Michael Pate) captures Lane and to save his life, Angie tells the Apache chief that Lane is her husband, unaware that Lane has murdered her real husband. In order to protect her from a forced marriage with one of the Apache, Lane reluctantly goes along with the lie and both of them fend off the violent Indians .

This classic western contains thrills , action , fights , brawls , impressive battles and spectacular scenarios . Wayne interpretation is the major plus , he's frankly sensational and awesome. This picture, being filmed in 3-D scenery and that it more attractive and impressive look for the legendary John Wayne whom was a novelty the shooting in this system. Interesting screenplay by James Edward Grant , Western's usual writer , though results to be a variation on ¨Shane¨. The film is a well-made Western with a fine result, a colorful photograph and an enjoyable love story . Furthermore , it shows a human view of the Indians and their relations to the American west settlers. This apparently unknown western was nominated for two Academy Awards, a nomination prize for the magnificent acting by Geraldine Page (her first nomination in her long career), and another for Louis L'Amour, well-known writer of novels set on the wild west. Glamorous and glimmer cinematography in superb Technicolor by Robert Burks (Hitchcock's ordinary) and Archie Stout . Lively and sensible musical score by Hugo Friedhofer . The motion picture is compellingly directed by John Farrow (Big clock , Wake Island , Copper cannon ,Captain Jones , among others) . The film was restored by the John Wayne Society for re-release in 1995 and todays is considered as the Duke at his best . Followed by a short-lived TV series . Rating : Above average .Worthwhile watching and a John Wayne's favourite .

Leonard Maltin proudly does the intro for the DVD special edition of Hondo, his regard for the film is obvious. Maltin, who also provides a commentary track for the film, muses on the importance of Hondo in light of the 50s tonal shift in the Western genre. A time when the Western cast off its one dimensional approach of cowboy/cavalry heroes slaughtering the enemy (Indians) purely as an entertainment medium. But is Hondo any good? And is it also worthy of being mentioned in the same breath as Delmer Daves'-Broken Arrow (Maltin again) which ushered in the 50s with a bold and poignant crack of the whip? The answer to both questions possibly depends on how much you enjoy John Wayne movies in the first place. Here The Duke, playing a half bred Indian it should be noted, is wonderfully framed amongst the Camargo, Chihuahua (Mexico) location. The plot (starting off like Shane, released the same year) follows an interesting course, requiring Hondo to ultimately protect those he has fell in for, while simultaneously understanding his enemy since his blood contains the very same. Also of interest is that Hondo has very much become a solitary man of the wilderness, so when his emotions lean towards love and fatherly instincts, it makes for a nice bit of in character confliction. Something that Wayne delivers with much conviction.

Geraldine Page was Oscar nominated for her role as Angie, and rightly so as well. Strong-willed and waiting out of loyalty for her thuggish husband Ed (Leo Gordon) to return to the family home. Angie herself is conflicted by her regard for the Apache and the stirrings brought about by Hondo's considerable masculine presence. Especially when a revelation later in the piece calls for her to decide her life course. All of which gives Page the license to feed off Wayne's presence, to which it provides great interplay that makes the film a potent and intriguing character piece. Stock players such as Ward Bond and James Arness aren't given much to do, and due to the film having originally being shot in 3D, the thrusts at the screen by various weapons are more quirky than impacting. But still, backed up by a fine score from Hugo Friedhofer and containing a rousing battle laden finale (apparently filmed by John Ford as director John Farrow had been called elsewhere), Hondo is a cinematic treat for like minded individuals. It's not as important as Maltin and many others would have us believe, but that doesn't stop it being an essential watch for fans of Wayne, Page and particularly those into Westerns in general. 7/10

This exciting and colorful 3D film was released 50 years ago this week and remains an enjoyable action adventure today. With its distinctive peppermint-striped titles, the movie is one of John Wayne's best westerns and he happens upon a young woman at her isolated ranch and warns her of the threat of Indian uprisings. There is tension between the dispatch rider and the woman at first but she also knows that her son enjoys the man's presence on their ranch. Ward Bond and James Arness are the best-known cast members, and Geraldine Page, in her first movie, received an Academy Award nomination for her work in this film. The battle scenes are exciting, a series of hit-and-run cavalry-Indian fighting under bright blue skies and thick, fluffy clouds. The sound effects during the battles, of bullets and arrows hitting home are realistic and superb. The movie was filmed in Camargo, Mexico, an arid desert country studded with isolated, cone-shaped mesas. The music score by Hugo Friedhofer is among his best work.

"Hondo" was originally filmed in the then popular 3-D process which explains the emphasis on foreground shots and a few "comin' at ya" 3-D process shots. By the time the film was released at the end of 1953, the 3-D craze was over and it was on to CinemaScope.

The film has been unavailable for viewing for about 15 years. For its DVD release it has been beautifully restored to its original brilliance. The colors are rich and vibrant including the many Mexican blue sky shots.

The story has a tired and horseless army scout Hondo Lane (John Wayne) coming upon an isolated ranch where he meets Mrs. Lowe (Geraldine Fitzgerald) and her young son Johnny (Lee Aaker). They have apparently been deserted by the husband and father, the brutish Ed Lowe (Leo Gordon).

Hondo befriends the pair and stays around helping with the long neglected chores. Naturally an attraction develops between him and Mrs. Lowe. Finally Hondo leaves for the army post. Shortly thereafter, Mrs. Lowe and Johnny are visited by a warring Apache chief, Vittorio (Michael Pate) and his warriors. Vittorio is impressed with the bravery of young Johnny and makes him a blood brother.

Meanwhile back at the post, Hondo meets up with his old pal Buffalo Baker (Ward Bond). In the saloon they are confronted by Lowe and a brawl ensues. When Hondo leaves to return the horse he borrowed from Mrs. Lowe, he is followed by Lowe and his partner (Frank McGrath). Hondo and the two are ambushed by the Apaches. Following the confrontation, Hondo is forced to kill Lowe in self-defence.

As Hondo rides toward the Lowe ranch, he is captured by Vittorio and his warriors. When Vittorio discovers Lowe's picture of young Johnny on Hondo he spares his life. Vittorio's sadistic chief Silva (Rodolfo Acosta) objects and Hondo is forced into a knife fight with the Indian.

Hondo eventually arrives at the ranch where he continues to romance Mrs. Lowe. Vittorio believing that Hondo is Mrs. Lowe's husband, respects his bravery.

Later Buffalo and another scout Lennie (James Arness) arrive with a cavalry troop sent out to bring any settlers into the army post for their safety. We learn that Vittorio has been killed and that the Apaches are now being led by Silva. Without Vittorio's protection, Hondo and the Lowes are forced to leave with the troops. Along the way they are attacked by the Apache and..................

This was one of John Wayne's better westerns however one can't help but compare certain aspects of the story with that of "Shane" released the same year. Geraldine Page received an academy award nomination as best supporting actress for this her first starring role. Long time Wayne crony Bond delivers a colorful performance as the grizzled scout Buffalo. Lee Aaker is probably best remembered for his role as "Rusty" in the TV show "The Adventures of Rin Tin Tin".

James Arness who was under contract to Wayne at the time would achieve lasting fame as Marshal Matt Dillon in TV's long running "Gunsmoke". Leo Gordon who was typecast as a villain went on to write several screenplays for Roger Corman in the 60s. Wayne's pal Paul Fix appears briefly as Major Sherry.

John Ford directed the final battle sequence when Director John Farrow had to leave to fulfill other contractual obligations.

The DVD release has an excellent commentary by Leonard Maltin (who also serves as host for the variopus segments), film historian Frank Thompson and Lee Aaker. There is a behind the scenes featurette and tributes to Ward Bond and Wayne screenwriter James Edward Grant are also included.

Great action.

This film was the most faithful, to the book, of any I have ever seen. It is based on one of Louis L'amour's early western novels, and the first to be made into a film. Aside from Vittorio wearing war paint all the time, the only part which was not really faithful to the book was the final battle where the stereotypical Hollywood Indian battle was substituted for the manner in which Apaches actually fought.

Louis L'amour was the most successful western novelist in history, having sold more than a quarter of a billion books before his death in 1988. Reading the book, Hondo, I often suspected it had been written with John Wayne in mind as Hondo Lane. I cannot picture Glenn Ford as Hondo, as was originally planed.

Much of the dialog was taken directly from the book although much was omitted, and every significant character made it from the book to the film. The only significant negatives were: 1) the fact that the story was condensed into 83 minutes instead of the 100 to 120 minutes, which would have permitted development of some of the minor characters; and 2) the apparent absence of a competent director. Think how much better it might have been if John Ford had directed it. Actually, both my complaints probably boil down to the same thing.