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IMDbPro

Le héros du jour

Titre original : Half a Hero
  • 1953
  • Approved
  • 1h 11min
NOTE IMDb
5,6/10
288
MA NOTE
Jean Hagen and Red Skelton in Le héros du jour (1953)
Official Trailer
Lire trailer1:59
1 Video
7 photos
Comédie

Ajouter une intrigue dans votre langueMagazine writer copes with modern life in the suburbs, stressing about the expenses. Then his editor assigns an article calling the suburbs the slums of tomorrow. His research yields interes... Tout lireMagazine writer copes with modern life in the suburbs, stressing about the expenses. Then his editor assigns an article calling the suburbs the slums of tomorrow. His research yields interesting conclusions.Magazine writer copes with modern life in the suburbs, stressing about the expenses. Then his editor assigns an article calling the suburbs the slums of tomorrow. His research yields interesting conclusions.

  • Réalisation
    • Don Weis
  • Scénario
    • Max Shulman
  • Casting principal
    • Red Skelton
    • Jean Hagen
    • Charles Dingle
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    288
    MA NOTE
    • Réalisation
      • Don Weis
    • Scénario
      • Max Shulman
    • Casting principal
      • Red Skelton
      • Jean Hagen
      • Charles Dingle
    • 11avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Half a Hero
    Trailer 1:59
    Half a Hero

    Photos6

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux50

    Modifier
    Red Skelton
    Red Skelton
    • Ben Dobson
    Jean Hagen
    Jean Hagen
    • Martha Dobson
    Charles Dingle
    Charles Dingle
    • Mr. Bascomb
    Willard Waterman
    Willard Waterman
    • Charles McEstway
    Mary Wickes
    Mary Wickes
    • Mrs. Watts
    Frank Cady
    Frank Cady
    • Mr. Watts
    Hugh Corcoran
    • Pete Dobson
    Dorothy Patrick
    Dorothy Patrick
    • Edna Radwell
    King Donovan
    King Donovan
    • Sam Radwell
    Billie Bird
    Billie Bird
    • Ernestine
    Dabbs Greer
    Dabbs Greer
    • George Payson
    Kathleen Freeman
    Kathleen Freeman
    • Welcomer
    Polly Bergen
    Polly Bergen
    • Polly Bergen
    Don Anderson
    Don Anderson
    • Office Worker
    • (non crédité)
    Jessie Arnold
    Jessie Arnold
    • Chambermaid
    • (non crédité)
    Frank Baker
    Frank Baker
    • Nightclub Patron
    • (non crédité)
    Paul Bradley
    Paul Bradley
    • Maitre d'
    • (non crédité)
    Steve Carruthers
    Steve Carruthers
    • Nightclub Patron
    • (non crédité)
    • Réalisation
      • Don Weis
    • Scénario
      • Max Shulman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    5,6288
    1
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    Avis à la une

    6SnoopyStyle

    Red and wife issues

    Ben Dobson (Red Skelton) gets a job at a popular national magazine. He is a little disappointed to be only rewriting other people's work. His wife Martha (Jean Hagen) takes the opportunity to argue for a baby. She claims that it's going to save them money. It is the start of their family life and his professional journey over many years.

    There is some minor humor going on here from time to time. I am surprised with the darker relationship dabbling in a 50's family comedy. I am often taken by my preconceived notions. My big issue is that I don't like Martha and the couple has little chemistry. Maybe we need to see their meet-cute. Anyways, I like Red and that keeps me engaged.
    6rsgallo

    It was good to see Red Skelton

    Half A Hero was a cute bit of fluff. It was a cute story, with the main interest watching Red Skelton perform. He is a real doll to watch. I could relate to his struggles. It was funny, clever, very much the same things we struggle with currently. Tho' I disagreed with his decisions. It was pleasant, but mainly I just enjoyed seeing Red. He is one of the greats that is gone from this world forever, to a much better place I pray.
    6bkoganbing

    My Suburban Heaven

    Those who are expecting some of Red Skelton's more outlandish comedy routines will be somewhat disappointed in Half A Hero. In this film Red essays a role that just post World War II would have been offered to James Stewart. Who's to say this script wasn't seen by Stewart.

    Still he and Jean Hagen play a decent post war average couple with her doing the June Cleaver home making and Red working as a writer, or should I say rewriter at a magazine owned by Charles Dingle. One of my favorite character actors, Dingle is at his pompous tyrannical best as Skelton's boss who likes the fact that Skelton and Hagen live in a small New York City apartment and within their means. Listening to Dingle prattle on about that subject I could hear Lionel Barrymore as Mr. Potter talking about the merits of a thrifty working class.

    Anyway Skelton and Hagen do move to the suburbs and face the same problems a lot of post World War II young marrieds face, like my parents for instance. Dingle however wants an expose of these people who don't save who will turn the nation into a mass of suburban slums. Skelton tries to give him what he wants, but he's got his own ideas as well.

    The old and young Jimmy Stewart could have phoned in his performance if he had the lead in Half A Hero. Skelton does all right with the part even if it is offbeat casting. Outside of Dingle in the cast, the best performance is by Willard Waterman as a most unctuous real estate salesman.

    It's not typical Red Skelton, but it's more than all right.
    5racliff

    Check out the Post-War view of Marriage

    I saw this movie many years ago, but couldn't remember anything about it. Watching it again, I think I know why. "Half a Hero" is probably enjoyed better as a drama or a view of the world at a certain point in time. Watching Red Skelton is always enjoyable, but wanting this movie to be a comedy can make the viewing almost painful.

    Men working hard is great and women wanting to make house & home is wonderful -- whether it's today or 60 years ago. The pain for me surfaces when this couple are at odds during their financial difficulties, bringing up talks that should precede marriage and not deferred until after getting a mortgage.

    So if you approach this movie from a non-comedy perspective, I think you will enjoy it. Skelton's performance is almost as good as in _The Clown (1953)_ (qv). Jean Hagen demonstrates a wonderful difference from _Singin' in the Rain (1952)_ (qv) where everyone remembers "Lina Lamont". Single scene participants of 'Kathleen Freeman (I)' (qv) and 'Mary Wickes' (qv) made me smile.

    This production made a profit when it was released and then quietly disappeared. If you can find a copy of it, Skelton fans should definitely watch it. Maybe young people getting ready for marriage can learn one or two things as well.
    8planktonrules

    Less a comedy and more social commentary about the post-war era.

    Ben Dobson (Red Skelton) is a newly wed who just got a job working for a very old fashioned and frugal boss. The boss values thrift and expects Ben to do the same. Unfortunately, Ben's wife, Martha (Jean Hagen) is NOT so inclined. She is like many folks in the post-war era...she wants it all. She wants a big house in the country, a car, a television and all the stuff that comes with it. As for Ben, you don't really know how he stands on any of this as he's henpecked and Martha makes all the decisions for them. Eventually, he finally let's it out....they can barely afford this life she's chosen and he thinks they need to move back to the city. Of courses, Martha ignores him and insists they continue living outside their means.

    As for the frugal boss, he doesn't know that Ben's moved to the suburbs and thinks he still lives in the small New York City apartment he was in at the beginning of the film. This leads to a hilarious scene where he takes the boss 'home'....sneaking into his old apartment and pretending the little girl there is his kid...yet, she inexplicably only speaks French!!

    Soon the boss commissions Ben to write an article about life in suburbia...and he wants the article to talk about how folks are over- extending themselves and cannot afford this extravagant lifestyle. Ben decides to do it, after all it IS his job, but doesn't tell his wife about it....and when she learns, she is furious with him. What's next? See the film.

    This is a comedy but I found myself only laughing a bit. Mostly, I found myself wanting to throttle Martha...and fortunately my wife also was watching the movie and agreed with me. She didn't seem to love Ben during most of the movie...just what he could buy for her. Because of this, the film has a very dark undertone and is quite the morality tale about the post-war acquisitiveness that infected many in the States. Now this is NOT a complaint...I actually like that the film was less comedy and more morality tale. It gave the film some depth you rarely see in a Skelton picture.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Red Skelton, ending his association with MGM, which had begun with Flight Command (1940), starred in two films in a row which did not garner contemporary New York Times reviews: this movie, followed by Le vol du diamant bleu (1954).
    • Gaffes
      The boom mic shadow zips across the wall to the left of the curtain (4:03).
    • Connexions
      References Bien faire... et la séduire (1948)
    • Bandes originales
      My Blue Heaven
      Music by Walter Donaldson

      Lyrics by George Whiting

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    Détails

    Modifier
    • Date de sortie
      • 4 septembre 1953 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Half a Hero
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(Studio)
    • Société de production
      • Loew's
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 486 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 11min(71 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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