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IMDbPro

Glen or Glenda

  • 1953
  • Tous publics
  • 1h 5min
NOTE IMDb
4,3/10
9,5 k
MA NOTE
Edward D. Wood Jr., Timothy Farrell, and Dolores Fuller in Glen or Glenda (1953)
A psychiatrist tells the stories of a transvestite (Glen or Glenda) and a pseudohermaphrodite (Alan or Anne).
Lire trailer2:56
1 Video
75 photos
DrameHorreur

Un psychiatre raconte les histoires d'un travesti (Glen ou Glenda) et d'un pseudohermaphrodite (Alan ou Anne).Un psychiatre raconte les histoires d'un travesti (Glen ou Glenda) et d'un pseudohermaphrodite (Alan ou Anne).Un psychiatre raconte les histoires d'un travesti (Glen ou Glenda) et d'un pseudohermaphrodite (Alan ou Anne).

  • Réalisation
    • Edward D. Wood Jr.
  • Scénario
    • Edward D. Wood Jr.
  • Casting principal
    • Edward D. Wood Jr.
    • Bela Lugosi
    • Lyle Talbot
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,3/10
    9,5 k
    MA NOTE
    • Réalisation
      • Edward D. Wood Jr.
    • Scénario
      • Edward D. Wood Jr.
    • Casting principal
      • Edward D. Wood Jr.
      • Bela Lugosi
      • Lyle Talbot
    • 150avis d'utilisateurs
    • 44avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:56
    Trailer

    Photos74

    Voir l'affiche
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    + 68
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    Rôles principaux20

    Modifier
    Edward D. Wood Jr.
    Edward D. Wood Jr.
    • Glen
    • (as Daniel Davis)
    • …
    Bela Lugosi
    Bela Lugosi
    • Scientist
    Lyle Talbot
    Lyle Talbot
    • Inspector
    Timothy Farrell
    • Psychiatrist
    Dolores Fuller
    Dolores Fuller
    • Barbara
    'Tommy' Haynes
    • Alan…
    Charlie Crafts
    • Johnny
    • (as Charles Crafts)
    Conrad Brooks
    Conrad Brooks
    • Banker
    • (as Connie Brooks)
    • …
    Henry Bederski
    • Man with Hat and Receding Hairline
    • (non crédité)
    Carol Daugherty
    • Woman in Nightmare
    • (non crédité)
    Captain DeZita
    • The Devil
    • (non crédité)
    • …
    Helen Miles
      Bruce Spencer
      • Homosexual
      • (non crédité)
      Shirley Speril
      • Miss Stevens
      • (non crédité)
      Amzie Strickland
      Amzie Strickland
      • Minor Role
      • (non crédité)
      Harry Thomas
      • Man in Nightmare
      • (non crédité)
      William C. Thompson
      • Judge
      • (non crédité)
      Mr. Walter
      • Patrick
      • (non crédité)
      • …
      • Réalisation
        • Edward D. Wood Jr.
      • Scénario
        • Edward D. Wood Jr.
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs150

      4,39.5K
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      Avis à la une

      dbdumonteil

      Don't knock on Wood!

      Like in "plan nine outer space" ,Ed Wood tries to put a message across in his film.In his sci-fi flick,he made his E.T. blame the human race for their self-destruction :it was not unlike Robert Wise's "the day the earth stood still" and not more naive than the latter.The main difference lies in the fact that Wood had a shoestring budget with his cardboard flying saucers and his shower curtain in the "plane"

      "Glen or Glenda" is anything but stupid.Just tell me the name of a director (in the USA or elsewhere) who dared to treat such a taboo subject: the transvestites -not necessarily homosexual- and even the transsexuals.His film ,with voice over galore,although dated today of course was a plea for tolerance.The fact that Ed Wood himself used to dress himself as a woman (see Tim Burton's eponymous movie) is proof positive that he knows what he is taking about.

      Bela Lugosi's part,on the other hand,gets in the way.Is he a scientist? a puppeteer who plays with humans? or "simply" God Himself?(do not laugh at him!when Agnes Varda ,an intellectual director of the notorious French Nouvelle Vague , films such drivel ("les Creatures",1966) ,the highbrows praise her to the skies )

      Despite ludicrous special effects ,terrible acting and poor lines,Ed Wood's film is anything but derivative.
      thislizard

      Stunningly abstract half-amateur film-making gives unbelievably modern and humane insight into gender issues.

      As probably many other viewers I decided to see "Glen or Glenda" to verify if it's really what was hinted in the brilliant biographical "Ed Wood". And indeed, I stared with my mouth open at Bela Lugosi's recitations and the random buffalo scene. It was all there. Some honestly unintended avant-garde.

      Yet the movie is not half as bad as the legend holds it. The important fact is that it isn't an actual story, it's more of a semi-documentary, party educational picture. Behind the really weird editing the movie tells a lot about transvestitism, transsexualism, relationships, sexual identity and social roles. It's hard to believe that it was made in early 1950s! Not only it was produced significantly before the so called "sexual revolution" of the '60s, but also certain gender issues that were carefully covered in the movie seem to be still beyond the understanding of certain narrow-minded and prejudiced people today.

      I recommend this movie to anyone who wants to get to know Edward Wood and his work and also to people interested in the history of approach to gender studies and the society.
      jwstrand63

      Way ahead of it's time, and was also used as a teaching tool!

      I am a huge fan of Ed, after seeing "Ed Wood", and I have since bought the book "Nightmare of Ecstacy". Also, I bought all of the films that he had made that I could get my hands on.

      Like it or not, "Glen Or Glenda" was a landmark film!

      This particular film was made WAY AHEAD of it's time!! While I was first watching Tim Burton's fantastic film, recreating the making of "Glen Or Glenda", I noticed that there were things in it that seemed rather familiar to me, even after 30+ years have passed, and that is what partly interested me in looking into both the book, and Ed Wood's films. What I discovered was, I had seen this film when I was in GRADE SCHOOL!!

      After viewing the REAL "Glen OR Glenda" film, I realized that I had had seen this exact same film before, although heavily edited!

      It was shown as a part of our sex-ed class!! I can hardly believe it that they showed us this back then, but they did. No

      thanks to the school I went to, and the horribly incompetent teachers, but they did show it!

      Now, fast forward to today, the reason for all of the extra scenes near the end of the film, such as the 'Devil' sequences, and the rest of the rather abstract looking scenes, were not originally part of the screenplay. Those scenes (baffling and dumbfounding), were NOT part of the film as Ed had written. His script left the running time short of what George Weiss had told him he wanted, a 7 reel, 16MM film, which was what he needed to sell it. A 16MM reel runs about 10 minutes, and George needed a 70 minute film (at least), because he pre-sold it in several states as a "Feature", before he actually found out what it really was. He wasn't too pleased with what Ed had made, but he was able to distribute it to his clients, after all of the extraneous material was added at the end. George did eventually make his money back, and he and Ed worked on a couple of other projects, unlike what is shown in the "Ed Wood" film.

      Even today, though, I think that this film was made way before it's time, and Ed Wood should deserve some credit for trying to bring a sense of understanding to what was then a totally misunderstood way of life for a select few.
      TomC-5

      an endearing piece of high weirdness

      Those who have seen Tim Burton's fine tribute film, ED WOOD, know the story behind this; an inexperienced filmmaker named Edward D. Wood, Jr. talked an exploitation movie producer into hiring him to direct what was initially meant to be the story of Christine Jorgenson, the first (and heavily publicized) case of surgically induced transexualism; this project was alternately to be called "The Christine Jorgenson Story," and later (after Jorgenson changed her mind), "I Changed My Sex." Of course, after Ed Wood got his hands on the basic storyline, he altered it so as to tell the story of his own transvestitism and to plead for greater tolerance and understanding; set against the staid morals of the early 1950s, Ed's pleading was actually ahead of its time.

      Now, in wanting to tell this story, but in being constrained by both a shoestring budget and some rather bizarrely unusual filmaking instincts, Ed's efforts went sharply astray. This is, without question, one of the loopiest productions ever put on celluloid, chock full of nonsensical dialogue, amateurishly wooden acting (in fact, Ed's hammy attempt at acting was something out of a 1930s B movie), illogically inserted stock footage (gotta love the stampeding buffalo), and various leaps of logic and good taste. In spite, or perhaps because, of these elements, GLEN OR GLENDA is a thoroughly entertaining and endearing piece of high weirdness. The first time you see it, you won't believe what you are seeing.

      Long live the Ed Wood cult! Pull the strings!
      6minastrate

      Surprisingly watchable and even touching.

      Now don't get me wrong; this film is truly loaded with all sorts of hilarious moments owing to Wood's bizarre and inept filmmaking. Moments including; baffling dialogue, poor acting, disjointed editing, hella stock footage, confusing sequences, and times where I'm really not sure what's happening at all.

      But, after watching "Plan 9" first and being kinda bored at some points, I was surprised to find this was not the case at all with "Glen Or Glenda". I was engaged throughout the entire film and also found it to be a much funnier experience than I my first time watching "Plan 9".

      Also, at more than one point through the runtime, I genuinely felt empathy for Wood himself and his plight regarding his own transvestism as depicted in the film. It was genuinely touching and I honestly look forward to seeing this film again.

      I dare say this could potentially become a kind of favourite of mine in a way. But for reasons unlike any for any other film I would consider a favourite. It's safe to say I would actually recommend this film, whereas I wouldn't as readily recommend "Plan 9".

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Surrealist filmmaker David Lynch called this one of his favorite films. He used the "howling wind" sound effect in Eraserhead (1977).
      • Gaffes
        The text accompanying the close-up of a newspaper story headlined "Man Nabbed Dressed As Girl" is a hodge-podge of unrelated paragraphs lifted from stories about tax reform, a prison injury, and faith healing.
      • Citations

        Narrator: Give this man satin undies, a dress, a sweater and a skirt, or even the lounging outfit he has on, and he's the happiest individual in the world. He can work better, think better, he can play better, and he can be more of a credit to his community and his government because he is happy.

      • Crédits fous
        Card at beginning: In the making of this film, which deals with a strange and curious subject, no punches have been pulled-- no easy way out has been taken. Many of the smaller parts are portrayed by persons who actually are, in real life, the character they portray on the screen. This is a picture of stark realism-- taking no sides -- but giving you the facts -- ALL the facts -- as they are today... YOU ARE SOCIETY -- JUDGE YE NOT...
      • Versions alternatives
        At least one VHS release (Bizarre Video's) ends the film with a fade out at the end of Anne's story, thus amputating the final few minutes of the film, so we never learn how Glen's story was resolved.
      • Connexions
        Edited into Sleazemania Strikes Back (1985)
      • Bandes originales
        Czardas
        (uncredited)

        Music by Vittorio Monti

        [plays during the bondage portion of the dream sequence]

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      FAQ76

      • How long is Glen or Glenda?Alimenté par Alexa
      • What is 'Glen or Glenda' about?
      • Why is this movie famous?
      • What does the introductory title card say?

      Détails

      Modifier
      • Date de sortie
        • 30 août 1995 (France)
      • Pays d’origine
        • États-Unis
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • Louis ou Louise
      • Lieux de tournage
        • Hollywood, Los Angeles, Californie, États-Unis
      • Société de production
        • Screen Classics (II)
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

      Modifier
      • Budget
        • 20 000 $US (estimé)
      • Montant brut aux États-Unis et au Canada
        • 10 158 $US
      • Montant brut mondial
        • 10 158 $US
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 5min(65 min)
      • Couleur
        • Black and White
      • Mixage
        • Mono
      • Rapport de forme
        • 1.37 : 1

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