Ajouter une intrigue dans votre langueAn aging actress refuses to admit she is too old to play the ingénue role anymore.An aging actress refuses to admit she is too old to play the ingénue role anymore.An aging actress refuses to admit she is too old to play the ingénue role anymore.
- Récompenses
- 1 victoire au total
Marion Ross
- Patty
- (as Marian Ross)
Brandon Beach
- Diner at Sardi's
- (non crédité)
Paul Bradley
- Actor in Play
- (non crédité)
James Carlisle
- Diner at Sardi's
- (non crédité)
Steve Carruthers
- Theatre Patron
- (non crédité)
Oliver Cross
- Club Patron
- (non crédité)
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesSir James M. Barrie's original play, which is a short piece of less than an hour in length, dates from 1912 and is set in a small rural boarding-house "far from London", where a famous actress has elaborately disguised herself as a dowdy middle-aged type in order to escape from adoring admirers and her frantic celebrity lifestyle in the metropolis. As this indicates, this movie adaptation is a very free one.
- GaffesCrux of plot hinges on efforts of a Broadway producer and playwright to find ideal actresses to star in a play about a troubled mother/daughter relationship. Yet when the pair attends a summer stock production of the play, large poster outside theatre only includes photos of actress playing daughter and two male co-stars - completely ignoring actress who plays crucial mother role that's been talked about throughout entire film.
- Citations
Clara Mootz aka Sally Carver: How many drinks have you had, Mr. Phillips?
E. Harry Phillips: Innumerable. And the fact that I can still say "innumerable" suggests that that's nowhere near enough!
- Crédits fousIn the end credits, Pat Crowley is billed as "A future Paramount star".
- ConnexionsReferenced in Discovering Film: William Holden (2015)
Commentaire à la une
Charming, slight piece of entertainment sold by it top lined stars and almost scuttled by its featured player.
Ginger Rogers and Paul Douglas are most happily matched as the formerly married couple who are still best friends, a great Broadway star and her producer. Their interchanges are expertly played by two pros who are easy in each others company and really seem like they would have been together for years. Her gentle ribbing of him over back alimony is sweet and believable and actually provides a bit of insight into her character. She doesn't really expect to ever get it but neither does she ever plan to write it off either nor does she let get in the way of their relationship.
William Holden's part is secondary to the story although he is prominently featured due to his star status. He is his usual charismatic self making the minor part much better than it is. One ironic note is that in a story about Ginger Roger's character realizing she's too old for the ingénue role in Holden's play they cast an actor who is too old for his part. The playwright the way he is referenced should be in his early twenties, Holden extremely handsome and youthful though he may be is 35 if he's a day. He can't be held responsible for that since contract actors were routinely assigned parts at the studios whim.
Where the picture runs into trouble is the performance of Pat Crowley in what clearly was planned as a star making part. That didn't happen most probably due to the fact that as directed a more annoying, grating, jejune enactment of a character couldn't be possible. As she constantly proclaims that she is a great talent and better than anyone could imagine you want to push her out of the frame. The actress who did go on to some degree of fame, most notably as the star of TV's Please Don't Eat the Daisies, has proved to be an enjoyable presence elsewhere so the direction must be at fault but she really is hammy and unpleasant here.
Many fine character actors, James Gleason, Jesse White, George Reeves, Maidie Norman etc., add nice little touches throughout and hey look in one short scene its the future Mrs. C herself: Marion Ross just starting out.
A good comedy played by experts just ignore the ham-bone on the side of the action.
Ginger Rogers and Paul Douglas are most happily matched as the formerly married couple who are still best friends, a great Broadway star and her producer. Their interchanges are expertly played by two pros who are easy in each others company and really seem like they would have been together for years. Her gentle ribbing of him over back alimony is sweet and believable and actually provides a bit of insight into her character. She doesn't really expect to ever get it but neither does she ever plan to write it off either nor does she let get in the way of their relationship.
William Holden's part is secondary to the story although he is prominently featured due to his star status. He is his usual charismatic self making the minor part much better than it is. One ironic note is that in a story about Ginger Roger's character realizing she's too old for the ingénue role in Holden's play they cast an actor who is too old for his part. The playwright the way he is referenced should be in his early twenties, Holden extremely handsome and youthful though he may be is 35 if he's a day. He can't be held responsible for that since contract actors were routinely assigned parts at the studios whim.
Where the picture runs into trouble is the performance of Pat Crowley in what clearly was planned as a star making part. That didn't happen most probably due to the fact that as directed a more annoying, grating, jejune enactment of a character couldn't be possible. As she constantly proclaims that she is a great talent and better than anyone could imagine you want to push her out of the frame. The actress who did go on to some degree of fame, most notably as the star of TV's Please Don't Eat the Daisies, has proved to be an enjoyable presence elsewhere so the direction must be at fault but she really is hammy and unpleasant here.
Many fine character actors, James Gleason, Jesse White, George Reeves, Maidie Norman etc., add nice little touches throughout and hey look in one short scene its the future Mrs. C herself: Marion Ross just starting out.
A good comedy played by experts just ignore the ham-bone on the side of the action.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Forever Female
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was L'éternel féminin (1953) officially released in India in English?
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