The Farmer Takes a Wife

Typical 1950's Hollywood production. Costumes are not period, zippers, high heeled pumps and pony tails were not part of the 1850's. The men wear dinner jackets with bow ties and everyone's outfit is sparkling clean and starched, despite the fact that they have been working all day plowing, washing and cleaning. Penciled in eyebrows, eyeliner and lipstick a hundred years too early. Betty Grable still looks like a a pin up girl, and Dale Robertson has a pompadour hair style, also why are they using southern accents in Rome NY? This movie is cute but not Betty Grable's best picture by far. Lovely 1950's period piece in long skirts.

"The Farmer Takes a Wife" is so disappointing that it could serve as an example of "the last gasp of the Hollywood musical." It's hard to believe that the marvelous "Seven Brides for Seven Brothers" came out the following year. To start with, none of the songs are memorable, and the production numbers are so stylized and overstuffed with flounces, ruffles and ribbons that they are effectively deadened. Grable herself looks slightly overblown in this context and John Carroll who has a very pleasing voice and good presence, is not allowed to sing at all other than humming a few bars. Dale Robertson, who is not a singer and probably had his singing dubbed, is given one of the best songs to sing while taking a bath in a rain barrel...and is repeatedly shown apparently scrubbing at his crotch while performing the song! Viewers are well advised to skip this one, which is for extreme Grable and/or Carroll fans only. Even they will have a hard time tolerating it.

This film is one of the Hollywood musicals that marked the end of a particular genre-the romantic, comical romp filled with solid songs sung well by stars like Judy Garland, Doris Day, and Alice Faye. Based on a Broadway play and a 1935 nonmusical film, this half-hearted attempt is more insipid than romantic or comical. Betty Grable, whose charms I have always found elusive, is miscast as a cook on a boat on the Erie Canal, with Dale Robertson (not a great musical talent) as the guy she falls for. Although they are written by the great Harold Arlen and Dorothy Fields, the songs are forgettable. The highlight of the film for me was watching an uncredited Gwen Verdon dance with Grable in the splashy tune "We're in Business."

It's sad that The Farmer Takes A Wife was owned by 20th Century Fox instead of Warner Brothers. Had Jack Warner been in charge he had the right person for the female lead in Doris Day. As it is this musical adaption of the Frank Elsner-Marc Connelly play has a most miscast Betty Grable doing a part that had Doris stamped all over it. When Betty says 'Uticky' it doesn't quite come out right.

The original play ran for 104 performances in the 1934-35 season and was the vehicle that made Henry Fonda a star. In fact producer Walter Wanger took the highly unusual step in bringing Fonda to Hollywood to star in the role that made him. Playing the parts that Betty Grable and John Carroll have in this version are Janet Gaynor and Charles Bickford.

Of course with this being changed to a musical and the billing reflecting it, the emphasis was changed from the male to the female lead. Seeing Dale Robertson as Dan Harrow though, he makes an admirable substitute for Fonda.

Too bad that Harold Arlen and Dorothy Fields didn't write anything memorable in the score. And for the life of me I can't figure why John Carroll who does sing well, wasn't given more to do musically.

The story is an old fashioned rustic one set during the final days of the Erie Canal. Everyone but Betty seems to realize the railroad will eventually put the canal out of business as the major venue of transportation. Still she and soft spoken farmer Robertson do eventually come together as Robertson wins her over Carroll who is a real lout in this film. I can readily see Charles Bickford in that part in the first film version.

At the same time Betty was doing this, Doris Day was doing Calamity Jane over at Warner Brothers in a similar role with much better songs. Maybe with a better score, The Farmer Takes A Wife would have been more memorable.

Still I think it would have needed Doris Day.

It's easygoing, middle-of-the-road entertainment so no point taking it too serious or being critical. I happen to like Betty Grable films and this one is a lovely setting for her to shine in, a very photogenic lady.

Dale Robertson, as Daniel, is the farmer who finds work on the canal to pay his way so he can join a ladylove and settle down to farming in future, but plans don't always work out as intended. I feel it's a lesser role for Dale compared to other movies of his I've seen such as Golden Girl (1951) which was a very good role for him to star in.

Thelma Ritter too is a favorite of mine and here she plays the rich widow, Lucy Cashdollar, who plans on having a husband No. 6. She's beautifully dressed in all scenes, more so than I've ever seen her in other films, which of course fits her role here.

There's the usual barroom mêlées or free-for-all fights, songs sung by the lead characters, and romance where as they say, Love always finds a way. It's just charming entertainment meant for a pleasant Saturday afternoon, and is a video I like to have for cheering up when needed.