L'héroïque lieutenant

Taking place just prior to the start of the civil war, Audie Murphy plays a junior army officer who is sympathetic to the plight of the local Navajo Indians and is a good friend of Navajo chief Menquito. A new commanding officer who is from the south is appointed to the post who convinced by Confederate agitators to stir up trouble with the Navajo Indians and send Audie and large column troops out on wild goose chase so the Confederates can gain control of the western territories. Of course Audie gets wind of nefarious plot and prevents further bloodshed.

This film would be an otherwise routine "Indians unjustly forced to go on the warpath by scheming white men" story, had it not been for the Confederate conspiracy angle. Audie Murphy is well... Audie Murphy. If you like Audie Murphy (I do) you will like him here. If you don"t there is no reason why you should like him here. Robert Stirling and Joan Evans are unconvincing as Southerners. Their Southern accents vary through out the film. Film buffs will enjoy seeing many familiar faces in the cast (Bob Steele, Greg Palmer, Russell Johnson, Dennis Weaver and Ray Collins.)

This is a passable western but no extraordinary, a routine cavalry versus Indians yarn with thrills, attacks, treason and fort assaults. A standard Western in which Audie and the US cavalry face off and defeat the enemy. Set 1961, New Mexico, earlier the American civil war with Lt. Jed, Audie Murphy, who really efforts to conciliate his troops and the local war-crazed Navajo tribe commanded by Menquito : miscast Dennis Weaver. But his attempts are undermined by the superior officer, Captain Lee : Robert Sterling and a racist commandant : Ray Collins. Along the way Murphy is sent to command a detachment forming a long column across Indian territory while are assaulted by Indians .There are some Confederate sympathizers who undertake dark machinations to Indians follow a warpath. At the end occurs the last flamingo stand at Fort Union . Against treason and Navajo fury, the US cavalry rides!

This is an acceptable, but nothing special Western in which Indians are coerced to go on war by scheming US commanders who try to gain control Southern territories when next to take place the imminent American Civil War : 1861 to 1865. The picture with various pacing threads was well starred by Audie Murphy, playing in his usual style as an officer who fights to prevent war tensions and quell the impeding battles while has a peculiar love/hate with the heroine . Audie was the most decorated soldier in WWII and performing his self-bigraphy : To hell and back. And he starred a lot of Westerns as Texas Kid, Legend of Sam Guard, Cimarron Kid, Sierra, Legend of Billy Kid, Apache rifles, Night passage, Posse from hell, Arizona raiders, The unforgiven, Red badge of courage, 40 guns to Apache Pass, Guns of Fort Petticoat, among others. Remaining cast formed by nice actors as a tough officer interpreted by Robert Sterling, his beautiful sister played by Joan Evans who falls for Murphy and Ray Collins as cunning commanding who attempts to trigger war between Navajo Indians and cavalry to his command as for the Confederates can gain control of the South territory. And support cast with plenty of familiar faces as Dennis Weaver, Russell Simpson, James Best, Gregg Palmer, Johnny Downs, Ralph Moody, Richard Garland , Bob Steele, Denver Pyle, among others.

It contains a colorful cinematography in Technicolor by Charles P. Boyle, but an allright remastering being extremely necessary. As well as thrilling and atmospheric musical score by uncredited Henry Mancini and Herman Stein. Well produced by Ted Richmond who subsequently to have an important career financing blockbusters as Salomon and queen of Sabah, Villa rides, Red sun, Return of Magnificent Seven and Papillon. The motion picture was professionally directed by Frederick De Cordoba, though with no originality. Cordoba was a craftsman who made all kinds of genres with penchant for comedy, musican and adventure, in films as Buccaner's girl, For the love of Mary, Bedtime for Bonzo, Frankie and Johnny, I'll take Sweden, He come the Nelsons. Rating 5.5/10. Passable and acceptable.

I do not know much about Director Frederick de Cordova but his oversight of COLUMN SOUTH failed to impress me: pedestrian cinematography, plot with a McGuffin (a letter from the fort commander apparently meant to remove the US forces from the fort and allow Navajo Indians to take over... uh?!) and a cast of then unknowns like Dennis Weaver as Menguito, the Navajo leader, and a rather plain-faced Joan Evans.

Thankfully, Audie Murphy saves the film with yet another spirited performance: while kissing Evans, he hears a snake (sounded like a rattlesnake but turned out to be some black reptile that looked suspiciously rubbery), kills it with with a handbag (!), out of which drops the McGuffin letter given by the fort commander. Murphy then has an inkling that that letter might carry dangerous tidings but he does not hesitate to risk court martial by opening and reading it, thereby confirming his worst suspicions.

At that point Murphy's resourcefulness emerges as he goes into the fort's arms depot tunnel, attaches fuses to dynamite and proceeds to blow the occupying Indians to bits - he really puts his shoulder to the wheel and thinks faster than anyone else!

Once the dust settled on the happy ending, I wondered whether I'll remember this film for any length of time (doubt it). 6/10.

An Audie Murphy Western from 1953. Murphy plays a cavalry officer stationed at a fort just before the outset of the Civil War. He is adept w/dealing w/the Navajos particularly the leader named Menguito, played by Dennis Weaver of TV's McCloud fame, but he continues to butt heads w/his superior officer, a transplant from the old South who has recently been joined by his self-righteous sister who has an axe to grind w/any natives (a telling episode occurs when the scout of the base is seen at her window & she raises holy hell). The noose is tightened when a shipment of rifles goes missing & the military higher-ups suspect the Navajos of the theft so Murphy dejectedly conducts an investigation, finds the missing arms & orders Menguito & his tribe to a reservation but Murphy suspects foul play & as his suspicions are deepened, a more insidious plot asserts itself putting all parties on the road to an inevitable clash. More heft is given to this particular story-line then the majority of Murphy's oater output & this one ranks as one of his best which deftly fuses action, drama & racism in a well told package. Along for the ride are Russell Johnson & James Best as Murphy's subordinates & a special mention should go to Joan Evans who's portrayal of an uptight bigot who changes her ways is very vivid & telling.

Column South is directed by Frederick de Cordova and written by William Sackheim. It stars Audie Murphy, Joan Evans, Robert Sterling, Dennis Weaver and Ray Collins. Music is scored by Joseph Gershenson and photography by Charles P. Boyle.

The Breach Between The North And South Was Rapidly Widening. A Grim Spectre Of Civil War Hovered Over The Land. It Was A Time of Crisis. . .A Time For Choosing Sides.

Story essentially involves Jed Sayre (Murphy), a friend to the local Navajo Indians, relinquishing his command of Fort Union to Captain Lee Whitlock (Sterling), who after arriving with his sister Marcy (Evans), demands changes to how the Fort is run and expects Jed to end his friendship with the Navajo. When a prospector is discovered murdered it is presumed the Navajo are the guilty party, so setting in wheels in motion for Jed to try and quell the impending war with the Indians and thus having to fight his friend Menguito (Weaver) In the mixer is the impending Civil War, with deserters, traitors and political shenanigans at HQ also taking a hand in proceedings. While Jed and Marcy dance around the inevitable with their love/hate relationship.

In spite of dangling some interesting narrative threads, Column South sadly doesn't rise above being a routine Cavalry Vs Indians Western. But it's never dull and Murphy fans get the usual committed performance. What is of most interest here is the location for the shoot, shot in Apple Valley, California, it's an appealing Oater location with its surrounding hills and craggy rocks that are formed down in the valley. To my knowledge, Apple Valley was only used in one other Western film, Richard Carlson's Four Guns to the Border in 1954, which is a shame because as I say, it's both a looker and carries a harsh edge that some of the great Western movie photographers really could have done great work with.

As it is, Column South is better than average, and certainly an easy film to while away the time with. But the running time doesn't allow the interesting factors in the story to get expanded, thus leaving the film with unfulfilled potential. 6/10