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IMDbPro

Cease Fire!

  • 1953
  • Approved
  • 1h 15min
NOTE IMDb
5,9/10
167
MA NOTE
Cease Fire! (1953)
DocumentaireGuerre

Ajouter une intrigue dans votre langueA real military action during the last year of the Korean War is re-enacted on the spot with real soldiers.A real military action during the last year of the Korean War is re-enacted on the spot with real soldiers.A real military action during the last year of the Korean War is re-enacted on the spot with real soldiers.

  • Réalisation
    • Owen Crump
  • Scénario
    • Owen Crump
    • Walter Doniger
  • Casting principal
    • Roy Thompson Jr.
    • Henry Goszkowski
    • Richard Karl Elliott
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    167
    MA NOTE
    • Réalisation
      • Owen Crump
    • Scénario
      • Owen Crump
      • Walter Doniger
    • Casting principal
      • Roy Thompson Jr.
      • Henry Goszkowski
      • Richard Karl Elliott
    • 9avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

    Voir l'affiche
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    Voir l'affiche

    Rôles principaux17

    Modifier
    Roy Thompson Jr.
    • Self
    • (as Captain Roy Thompson Jr.)
    Henry Goszkowski
    • Self
    • (as Corporal Henry Goszkowski)
    Richard Karl Elliott
    • Self
    • (as Sergeant Richard Karl Elliott)
    Albert Bernard Cook
    • Self
    • (as Sergeant First Class Albert Bernard Cook)
    Johnnie L. Mayes
    • Self
    • (as Private Johnnie L. Mayes)
    Cheong Yul Bak
    • Self - South Korean Soldier
    Howard E. Strait
    • Self
    • (as Sergeant First Class Howard E. Strait)
    Gilbert L. Gazaille
    • Self
    • (as Private First Class Gilbert L. Gazaille)
    Harry L. Hofelich
    • Self
    • (as Private First Class Harry L. Hofelich)
    Charlie W. Owen
    • Self
    • (as Corporal Charlie W. Owen)
    Harold D. English
    • Self
    • (as Corporal Harold D. English)
    Edmund Joseph Pruchniewski
    • Self
    • (as Private First Class Edmund Joseph Pruchniewski)
    Otis Wright
    • Self
    • (as Private Otis Wright)
    Ricardo Carrasco
    • Self
    • (as Private First Class Ricardo Carrasco)
    John Maxwell
    John Maxwell
    • Self - War Correspondent
    Mark W. Clark
    Mark W. Clark
    • Self (introduction)
    Harry Landers
    Harry Landers
    • War correspondent
    • (non crédité)
    • Réalisation
      • Owen Crump
    • Scénario
      • Owen Crump
      • Walter Doniger
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs9

    5,9167
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    Avis à la une

    5Uriah43

    Real Soldiers in an Acting Capacity

    This film begins in the waning days of the Korean War with a squad of American soldiers being told that they need to go on a reconnaissance patrol into possible hostile territory. Naturally, thinking that the war might be over soon, all of the soldiers would rather remain where it is relatively safe--and this is especially true for a Korean soldier named "Kim" (Cheong Yul Bak) who has a wife living nearby and she is due to give birth quite soon. The problem is that his skills as an interpreter are extremely important and, because of that, he realizes that his skills are extremely important to the mission at hand. Now, rather than reveal any more, I will just say that what separated this film from similar pictures of this times, was the fact that actual soldiers were used in key roles. Additionally, it was also filmed where actual battles took place as well. So, in that respect it was quite unique. Unfortunately, the acting abilities of these soldiers was limited to a certain degree and for that reason some of the scenes suffered somewhat as a result. Be that as it may, while this certainly wasn't one of the better films depicting the Korean War, it still managed to pass the time fairly well and for that reason I have rated it accordingly. Average.
    6daoldiges

    Unique but Disappointing

    I was drawn to this film because of the combination 3-D and real life story/actors/war theme but was ultimately disappointed. It was kind of interesting and I do appreciate it for what is was going for but unless you have a specific interest in this type of project it is not required viewing.
    1mjb386

    "Cease Fire" has third rate acting, misrepresents the last days of the Korean war and makes combat troops look like buffoons.

    Warning: This is a bad review for "Cease Fire" from personal experiences.

    I was in Chorwan Valley, Korea with the 7th Infantry Division Combat Signal Company in 1953. I was a radio repairman and My job was to help keep lines of communication open between combat units when the "Cease Fire" film crew was there to make the film. In the military the service creed is your a rifle man first and everything else is second. I don't mind telling you it enraged us tremendously that people in USA thought the Korean war was such a cake walk to make the first true to life combat film. Lots of G.I.'s were still getting killed and some from our unit.

    The movie was not shot on the front lines ( MLR Main Line of resistance) as some people might have thought. Today it is the demilitarize zone between North Korea and South Korea. They wanted to shoot there but the North Koreans and Chinese were not a fan of theirs and threw some live rounds their way so they took themselves way back to the rear areas where there was no war.

    The 7th division's military campaign at the end of the war was to keep the enemy out of Chorwan valley and the Chinese communist job was get into Chorwan valley in mass with their tanks that were rendered obsolete in mountain country.

    They tried very hard but didn't make it but a few times they almost did. Pork Chop hill was one of the many hills that was smack dab in the way. Some of the famous hills along side were Old Baldy white horse, alligator, castle rock were near where a lot of major assaults took place before the war ended. Castle rock was the highest point so from the top a person could look down and scan the war zones for miles. Sometimes it was so quiet it was scary. It must have been the lull of the war at times and the ideal spot where the film crew reconnoitered but the war would flair up like a roman candle and people were getting killed near there.

    A North Korea/Chinese assault usually came at night with loud speakers blaring, thousand of enemy screaming and careening across no mans land,artillery blasting each other, night flares lighting the skies like daytime, machine gun fire, search lights scanning, and all of us shooting at the onslaught that sometimes turned into hand to hand combat. I was spared some of the combat because if it got to hot we could take our communication repair truck back to a safer area.

    The worst artillery exchange in the whole stale mate came hours before the cease fire agreement at ten o:clock. Both sides had to turn in all their ammo by noon time the next day. Nobody wanted to repackage loose artillery rounds so they shot them all off. That night was second to my longest night ever spent. My longest night ever spent was the next night when we didn't have any ammo and didn't trust the enemy. I could almost hear ants crawling all night. Those two nights were almost worse than combat themselves. We had our rifles but no ammo and we were so jumpy the next day after a sleepless night in a fox hole we were running into each other when the sun came up.

    After the war we set up camp in Chorwan Valley about 30 miles south of what became the demilitarize war zone. Life was safer, easier, food was good and we were able to watch movies. One night some body got a hold of that "Cease Fire" film and decided to show it. I never laughed so hard in my whole life at something that was suppose to be serious. The acting was terrible, story line only scratched the surface of the whole cease fire episode, and I took a personal note of the whole thing. We started to boo the movie until they finally shut it down and put something else on.

    I respect the actors but I criticize the producers for making real troops look like morons.The acting was below third rate the story line was not indicative of a squad patrol in the last days of the war. For one,we had patrols in no mans land only which was generally flat terrain. A patrol coming back through our lines had to worry more about trigger happy people than the enemy. We had outposts in no mans land that communicated with patrols, and the list goes on.The only reasons of patrols was to scout what the enemy was doing to reinforce their trenches or getting ready for an assault. Once in a while our patrol would meet an enemy patrol in no mans land and then look out. The location should have been something like world war one with trenches on forward slopes of hilly terrain facing no mans land that varied from 200 to 1000 yards of flat lands between military forces dug in on opposing hill sights. Their scenes missed the most important reasons why we were there by not showing the final desperate Chinese assaults on our trenches trying to get into Chorwan valley before the war ended. We were simply not going to let that happen and they finally got the message. The producers missed the whole point, and as as a matter of fact they were way off just before and after the end of the war.

    A title something like, "Korean Combat Patrol" with real movie stars and not robot acting would have sufficed, and re-enacting scenes wouldn't be important. The producers wouldn't be obligated to show the whole scenario to back up a title "Cease Fire" with strong suggestions it was a real combat movie about the real cease fire conditions in Korea.
    5Theo Robertson

    Soldiers Play Themselves - Badly

    The Korean War 1950-53 was one of the bloodiest conflicts of the 20th Century but quickly became known as " The Forgotten War " Much of this is down to the fact that it took place between the Second World War and The Vietnam War . In the 1950s everyone used the different theaters of conflict of the second world war to make both anti-war and pro-war statements . By the time Robert Altman sussed out black comedy could be used as a theme for the conflict in MASH and that film and its subsequent long running TV series were already seen as metaphors for Vietnam . Indeed it's a common mistake but a popular one that MASH is set during the Vietnam War of the 1960s . The Korean War remains the Forgotten War

    This docudrama entitled CEASE FIRE sets out to show the war as it was and its realism is its selling point and casts real soldiers playing themselves . It's a noble effort but one that's doomed to failure . As my fellow IMDb members on this page who have taken the time and trouble to write a comment both are in agreement that in order to be so convincing it ends up becoming unconvincing . The problem is the actors who aren't actors at all but soldiers playing themselves are unable to put any dramatic emphasis in to their lines and this is a constant distraction to the movie . The war was categorized by if not outright victory being within sight then at least an armistice of sorts , only for another series of bloody battles being fought which became indicative of the conflict . CEASE FIRE tries to emphasise this cruel feature where hopes are quickly dashed but constant stilted and wooden delivery by the cast means much of the drama is lost as is audience involvement . It's a glorious defeat by the film makers but a defeat nevertheless
    6Sevenmercury7

    A vintage curio filmed during the Korean War - brilliant 3D

    Cease Fire! is a noble experiment of a film that succeeds spectacularly on some levels and just flat-out doesn't work on others. Paradoxically, in terms of "authenticity", I'd say the 3-D (that so-called gimmick) is by far the strongest element, while the casting of real soldiers is the weakest. If it had been a documentary, those guys would have been riveting; for me, having them deliver scripted lines undermines the effect the filmmakers were striving for. Throw in a couple of stalwart professional Hollywood actors to anchor the drama and give the guys something to play off and, well, you might have had something. But this plays flat for the most part. The artificiality strangles the reality. On second viewing, I did find myself warming to the whole thing a little more, concentrating on the personalities rather than the script. I have a soft spot for it now, but I still don't think the casting experiment works.

    The 3-D, though, really is superb as a window into this specific period, as is the sound. It's definitely worth watching for the gorgeous stereography and the sheer immersive power of that format unleashed on a real battlefield. In terms of bringing history to life, of evoking the visual feel of a time and place, I can't think of a better way to achieve it (photoreal VR is some way off). I feel like I've had an intimate glimpse of the Korean War, and that's not nothing.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Crédits fous
      The players in this picture are soldiers-- actual fighting men who were in combat in the last hours of bitter conflict. Some have now returned to their homes. Others are still in service. Some were wounded or killed in action. To these soldiers and the men of the United Nations Command, this picture is respectfully dedicated.
    • Connexions
      Referenced in Le Baiser du tueur (1955)
    • Bandes originales
      (We Are) Brothers in Arms
      Music by Dimitri Tiomkin

      Lyrics by Ned Washington

      Sung intermittently by male chorus

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    Détails

    Modifier
    • Date de sortie
      • 8 mars 1954 (Royaume-Uni)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Coréen
    • Aussi connu sous le nom de
      • Die letzte Patrouille
    • Lieux de tournage
      • Chorwon Valley, Corée du Sud
    • Société de production
      • Wallis-Hazen
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 15min(75 min)
    • Couleur
      • Black and White

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