Deux nigauds contre Dr. Jekyll et Mr. Hyde
Titre original : Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
NOTE IMDb
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MA NOTE
Deux policiers américains maladroits traquent le mystérieux M. Hyde à Londres, en Angleterre.Deux policiers américains maladroits traquent le mystérieux M. Hyde à Londres, en Angleterre.Deux policiers américains maladroits traquent le mystérieux M. Hyde à Londres, en Angleterre.
- Réalisation
- Scénario
- Casting principal
Jimmy Aubrey
- Man Sleeping in Park
- (non crédité)
Walter Bacon
- Observer in Park
- (non crédité)
Wilson Benge
- Stage Doorman
- (non crédité)
Marjorie Bennett
- Militant Woman on Soapbox
- (non crédité)
Judith Brian
- Woman on Bike
- (non crédité)
Noble 'Kid' Chissell
- Mob Member
- (non crédité)
Tom Coleman
- Observer in Park
- (non crédité)
Clyde Cook
- Drunk in Pub
- (non crédité)
Henry Corden
- Actor in Javanese Costume
- (non crédité)
Harry Cording
- Rough Character in Park
- (non crédité)
John Daheim
- Fourth Heckler in Park
- (non crédité)
Avis à la une
Two bumbling American cops (Tubby and Slim) hunt for the mysterious Mr. Hyde (Eddie Parker) in London, England.
For whatever reason, the more popular Abbott and Costello horror films seem to be with them meeting Frankenstein, the Mummy or "the killer". But this one is really exceptional, with great makeup and transformation scenes and plenty of humor. It also happens to be one of the few that could arguably called scary.
I have credit Eddie Parker as Hyde because he should be recognized. With all due respect to Boris Karloff, Parker made the role with his jumping around and acting the part of the monster. Parker was such a huge figure in Hollywood, but no one has ever heard of him. (Somebody please write a book about him.)
For whatever reason, the more popular Abbott and Costello horror films seem to be with them meeting Frankenstein, the Mummy or "the killer". But this one is really exceptional, with great makeup and transformation scenes and plenty of humor. It also happens to be one of the few that could arguably called scary.
I have credit Eddie Parker as Hyde because he should be recognized. With all due respect to Boris Karloff, Parker made the role with his jumping around and acting the part of the monster. Parker was such a huge figure in Hollywood, but no one has ever heard of him. (Somebody please write a book about him.)
Hi Im 13 years old. I love Abbott & Costello! Abbott And Costello Meet Dr Jekyll And Mr Hyde Is A Very Funny Movie! It Is About Abbott And Costello As Cops Tracking Down Mr Hyde All Over London!! Stars Boris Karloff As Dr Jekyll And Mr Hyde! I Have The Movie! Mixed With Comedy And Horror It Is A Good Movie!!!
Abbott and Costello started with Frankenstein in 1948, and then proceeded to meet all the great monsters. In this film, the cowardly, hilarious duo team up with the King of Horror, Boris Karloff, as the misguided, evil Dr. Jekyll and his counterpart as the malicious, psychotic Mr. Hyde. This is the next best horror-comedy film for the duo after Frankenstein. It has wonderful sets, funny moments, and fantastic makeup as various individuals turn into Hyde-like beasts and Lou turns into a giant mouse. Karloff somehow remains his ever so serious self, amidst the slapstick humour. You can all most look in his eyes and see him thinking he is above this, but he turns in a very nice performance nonetheless.
While not quite in the same league as A&C MEET FRANKENSTEIN (the top fright flick in the duo's career), ABBOTT AND COSTELLO MEET DR. JEKYLL AND MR. HYDE does manage to have the stars cavorting in Victorian London while trying to unmask the respectable Dr. Jekyll (BORIS KARLOFF in a delightfully underplayed role) as the mad killer Hyde.
HELEN WESTCOTT and CRAIG STEVENS play the romantic leads in standard fashion but the suffragette sub-plot is really an unnecessary distraction to the overall plot. Some of the sight gags are funny but toward the last segment of the story they're overplayed for whatever laughs can be drawn from the over-the-top situations.
Best segments of the well staged and handsomely mounted film are the scenes involving a wax museum which give the film some of its creepiest moments. The first chimney top chase is well done too and even more effective than the silly final chase which depends so heavily on the comic timing it gets from Stevens, Karloff, Abbott and Costello.
All told, it's got enough plot elements to keep your attention riveted on the story--everything from a sinister laboratory to hidden passages and bookcases that hide Jekyll's sinister experiments. The gaslit Victorian era with fogbound streets is well realized on Universal's studio sets.
Not the best of the A&C comedies, but certainly among the better mirth and fright films they did in the late '40s and early '50s. CRAIG STEVENS plays his role straight, as does Westcott, and together they and Karloff give the story whatever gravitas it has in the realm of boosting the suspenseful elements.
HELEN WESTCOTT and CRAIG STEVENS play the romantic leads in standard fashion but the suffragette sub-plot is really an unnecessary distraction to the overall plot. Some of the sight gags are funny but toward the last segment of the story they're overplayed for whatever laughs can be drawn from the over-the-top situations.
Best segments of the well staged and handsomely mounted film are the scenes involving a wax museum which give the film some of its creepiest moments. The first chimney top chase is well done too and even more effective than the silly final chase which depends so heavily on the comic timing it gets from Stevens, Karloff, Abbott and Costello.
All told, it's got enough plot elements to keep your attention riveted on the story--everything from a sinister laboratory to hidden passages and bookcases that hide Jekyll's sinister experiments. The gaslit Victorian era with fogbound streets is well realized on Universal's studio sets.
Not the best of the A&C comedies, but certainly among the better mirth and fright films they did in the late '40s and early '50s. CRAIG STEVENS plays his role straight, as does Westcott, and together they and Karloff give the story whatever gravitas it has in the realm of boosting the suspenseful elements.
I found this to be Abbott and Costello's last great movie. It's most underrated. The music and sets create a good Victorian atmosphere. Bud and Lou aren't at their funniest but they are highly enjoyable. Karloff is good too. Kids should love this movie though A+C aren't given much screen time in the first quarter of an hour, but the story is well set by then. Great stuff.
Le saviez-vous
- AnecdotesBoris Karloff only really played Dr. Jekyll in this film. Once the makeup transformation scenes were over, stuntman Eddie Parker did every scene as Mr. Hyde. This was even tipped off to audiences through publicity stills for the film, which showed both Karloff and Parker in makeup standing next to each other.
- GaffesIn the Hyde Park sequence, when Abbott and Costello fall through the pothole, the carpet covering the pothole is clearly visible as they try to pull themselves out.
- ConnexionsFeatured in Abbott and Costello Monster Laughathon: Épisode #1.1 (1976)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 616 000 $US
- Durée
- 1h 16min(76 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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