Ajouter une intrigue dans votre langueHerbert Philbrick's covert life as an FBI spy within the Communist underground, his dual existence fraught with constant peril and the challenge of keeping his espionage activities hidden fr... Tout lireHerbert Philbrick's covert life as an FBI spy within the Communist underground, his dual existence fraught with constant peril and the challenge of keeping his espionage activities hidden from family and friends.Herbert Philbrick's covert life as an FBI spy within the Communist underground, his dual existence fraught with constant peril and the challenge of keeping his espionage activities hidden from family and friends.
- Nommé pour 2 Primetime Emmys
- 2 nominations au total
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I watched this show at first out of curiosity and I laughed just as many of my generation probably have . . .or will. Then I started researching that era and now I know they were deadly serious when they made that series! This was the sort of thing that Americans were truly fearful of, a Communist takeover. This was just as serious in the 50's as a Chinese invasion was in the late 1930's. Okay so maybe they dramatised things but they did that in "Dragnet" too, right? This was American propaganda made to make Mr and Mrs. Average American believe that Commies were around every conner trying to subvert the mentality of Post (Korean) War America. This could have been what led to people building fallout shelters instead of swimming pools and schools teaching kids to "duck and cover".
Okay, so maybe I got a little heavy handed in that last paragraph but watching the adventures of Mr. Philbrick led me to wonder just how much of it was Hollywood and how much was real? A certain Mr. Kruschev did promise "We will bury you without firing a shot!" so I really began to wonder and started watching the episodes with a less cynical eye. The one about vacuum cleaners that were really missile launchers smacked of the gadgetry that proliferated the James Bond movies of the 1960's but then, where did they get that idea? The one about taking over an American newsreel company and making propaganda movies seems unreal too but then, remember wasn't the US Government doing the same thing at the same time too?
Today watching "I Led Three Lives" gives me a chill. Everything they were talking about might really have happened. Perhaps all that paranoia was not unfounded. Mr. Herbert Philbrick, wherever you are, thank you.
Okay, so maybe I got a little heavy handed in that last paragraph but watching the adventures of Mr. Philbrick led me to wonder just how much of it was Hollywood and how much was real? A certain Mr. Kruschev did promise "We will bury you without firing a shot!" so I really began to wonder and started watching the episodes with a less cynical eye. The one about vacuum cleaners that were really missile launchers smacked of the gadgetry that proliferated the James Bond movies of the 1960's but then, where did they get that idea? The one about taking over an American newsreel company and making propaganda movies seems unreal too but then, remember wasn't the US Government doing the same thing at the same time too?
Today watching "I Led Three Lives" gives me a chill. Everything they were talking about might really have happened. Perhaps all that paranoia was not unfounded. Mr. Herbert Philbrick, wherever you are, thank you.
"I Led 3 Lives" Was Lee Harvey Oswald's favorite TV show when he is young boy Living in Forth Worth, Texas. This was confirmed by his older brother during his interview on "Frontline" Lee was immersed in the series during the 1952 Season. After his older brother left to the Marine Corps. Lee was intrigued by the idea of a man creating a new and separate identity. The early Black and White Espionage Television show was based on the true-life exploits of Herbert Philbrick, an FBI agent who worked undercover as a communist sympathizer infiltrating communist cells and suspected subversive groups. His love for the show was also noted in the Warren Commission Report.
It's hard to be objective about a series designed to raise the strongest political emotions. I should say that I haven't seen an episode since the show left the air 50-some years ago. I did, however, grow up with the series and share in its political assumptions. What I couldn't see then, but do see now, is how much a creature of its time it was. I think it's probably telling that the series-- to my knowledge - has never been revived or syndicated since the original showing.
As I recall, the show worked well enough strictly as entertainment. The episodes followed a formula as most series do-Herb (Carlson) would learn of some nefarious red doings, consult with FBI man Dressler (Zaremba), foil the doings, and end the show with an instructional on the many insidious appeals of communism. Drama grew out of thwarting red plans and avoiding exposure since Herb was an undercover FBI informant. I don't know how good the ratings were, but I can see the show being kept on the air regardless of popular ratings.
Two general points are worth noting, neither of which makes specific assumptions about a series I haven't seen for decades. First, the program comes out of a formative Cold War period in which the complex dynamic of Western capitalism vs. Marxist anti-colonialism was reduced in the public mind to the simplistics of good vs. evil. Put briefly, the series functioned as a popular reflection of that McCarthy period in which self-serving stereotype replaced real world complexity.
Ironically, however, it's the same simplistic perception of good vs. evil that underlay much of the trauma of Vietnam ten years later, when the extreme disconnect between American beliefs about the war and the actual realities resulted in a domestic crisis at home and mutiny in the ranks abroad. In short, Americans of the 50's were woefully unprepared for the complex political realities evolving outside their TV sets. A longer-term consequence, I believe, of propaganda products like Three Lives and the simplistics of good vs. evil.
Second, during the three years of series run-time (1953-56), covert arms of the US gov't were directly responsible, we now know, for subverting at least two popular democracies abroad-The elected Arbenz gov't of Guatemala (1954) and the elected Mossadegh gov't of Iran (1953). Rather odd behavior, I believe, for the touted defender of democracy as the McCarthyite period presented our side. I wonder what Philbrick and Dressler would have said about our own sneaky subversives, keeping in mind that in democratic theory the will of the people is sovereign above all else.
These brief points are not intended as an apologetic for Soviet communism. I'm sure they propagandized their own people with similar stereotypes about the West, that is, when they weren't busy crushing dissent in their own part of the world. The too, I expect they had their own version of good vs. evil so as to revile capitalist legitimacy. Instead, these points amount to a way of putting together a more critically realistic perspective than what we're force-fed in the media and by long-ago shows like Philbrick's.
In reflecting back on that time, I think it's important to keep such considerations as these in mind. At any rate, It's too bad the episodes aren't available for viewing even now 60-years later. I think they'd still be as provocative and even relevant in today's world, though maybe not in the way intended.
(In passing-for readers too young to recall context. When Khruschev made his reckless "We'll bury you" remark, he was referring to out-producing the West, not to mass murder. Too bad it's since been retailed out of context, but I guess that's the sort of thing I've been talking about.)
As I recall, the show worked well enough strictly as entertainment. The episodes followed a formula as most series do-Herb (Carlson) would learn of some nefarious red doings, consult with FBI man Dressler (Zaremba), foil the doings, and end the show with an instructional on the many insidious appeals of communism. Drama grew out of thwarting red plans and avoiding exposure since Herb was an undercover FBI informant. I don't know how good the ratings were, but I can see the show being kept on the air regardless of popular ratings.
Two general points are worth noting, neither of which makes specific assumptions about a series I haven't seen for decades. First, the program comes out of a formative Cold War period in which the complex dynamic of Western capitalism vs. Marxist anti-colonialism was reduced in the public mind to the simplistics of good vs. evil. Put briefly, the series functioned as a popular reflection of that McCarthy period in which self-serving stereotype replaced real world complexity.
Ironically, however, it's the same simplistic perception of good vs. evil that underlay much of the trauma of Vietnam ten years later, when the extreme disconnect between American beliefs about the war and the actual realities resulted in a domestic crisis at home and mutiny in the ranks abroad. In short, Americans of the 50's were woefully unprepared for the complex political realities evolving outside their TV sets. A longer-term consequence, I believe, of propaganda products like Three Lives and the simplistics of good vs. evil.
Second, during the three years of series run-time (1953-56), covert arms of the US gov't were directly responsible, we now know, for subverting at least two popular democracies abroad-The elected Arbenz gov't of Guatemala (1954) and the elected Mossadegh gov't of Iran (1953). Rather odd behavior, I believe, for the touted defender of democracy as the McCarthyite period presented our side. I wonder what Philbrick and Dressler would have said about our own sneaky subversives, keeping in mind that in democratic theory the will of the people is sovereign above all else.
These brief points are not intended as an apologetic for Soviet communism. I'm sure they propagandized their own people with similar stereotypes about the West, that is, when they weren't busy crushing dissent in their own part of the world. The too, I expect they had their own version of good vs. evil so as to revile capitalist legitimacy. Instead, these points amount to a way of putting together a more critically realistic perspective than what we're force-fed in the media and by long-ago shows like Philbrick's.
In reflecting back on that time, I think it's important to keep such considerations as these in mind. At any rate, It's too bad the episodes aren't available for viewing even now 60-years later. I think they'd still be as provocative and even relevant in today's world, though maybe not in the way intended.
(In passing-for readers too young to recall context. When Khruschev made his reckless "We'll bury you" remark, he was referring to out-producing the West, not to mass murder. Too bad it's since been retailed out of context, but I guess that's the sort of thing I've been talking about.)
In my childhood Richard Carlson was perhaps my favorite actor because of his many appearances in '50s sci-fi movies (Magnetic Monster, It Came from Outer Space, Creature from the Black Lagoon, etc.). In these and similar movies he consistently portrayed a model of calm, intelligent, thoughtful bravery in the face of strange new dangers, and he continued in this vein in the TV series "I Led Three Lives".
As a child I had no reason to disbelieve the show's portrayals of subversive Communist activities in the United States. Later I read Herbert Philbrick's book that served as the source of the name and background for the series, and it too had the ring of truth.
Yet as other comments here about this show reveal, the idea that America was the target of conspiracy and espionage is derided as paranoid. The investigations of the House Un-American Activities Committee are described as a witch hunt, on the implicit premise that since there are no witches, there must not have been Communists either. We still hear laments for the Hollywood writers, directors, etc., who found it difficult to find work after being blacklisted for refusing to admit to their membership in the Communist Party.
Well, folks, the cat is out of the bag. As if the world was not already full of enough evidence of the evil of Communism, the fall of the Soviet Union led to the opening of the KGB archives in Moscow to researchers, and guess what... At the direction of the Soviet Union, there were Communist agents and sympathizers in the US Army, the Manhattan Project, the State Department, many labor unions, and other strategic targets. The archives show that the Communist Party USA received millions of dollars each year from the Soviet Union for purposes of undermining America, with Hollywood being specifically targeted for infiltration.
In that atmosphere I think it is remarkable that "I Led Three Lives" ever got produced. I whole-heartedly hope that this show does get re-released. However much it may have been dramatized, "I Led Three Lives" shows how America was in fact endangered by its enemies, foreign and domestic.
As a child I had no reason to disbelieve the show's portrayals of subversive Communist activities in the United States. Later I read Herbert Philbrick's book that served as the source of the name and background for the series, and it too had the ring of truth.
Yet as other comments here about this show reveal, the idea that America was the target of conspiracy and espionage is derided as paranoid. The investigations of the House Un-American Activities Committee are described as a witch hunt, on the implicit premise that since there are no witches, there must not have been Communists either. We still hear laments for the Hollywood writers, directors, etc., who found it difficult to find work after being blacklisted for refusing to admit to their membership in the Communist Party.
Well, folks, the cat is out of the bag. As if the world was not already full of enough evidence of the evil of Communism, the fall of the Soviet Union led to the opening of the KGB archives in Moscow to researchers, and guess what... At the direction of the Soviet Union, there were Communist agents and sympathizers in the US Army, the Manhattan Project, the State Department, many labor unions, and other strategic targets. The archives show that the Communist Party USA received millions of dollars each year from the Soviet Union for purposes of undermining America, with Hollywood being specifically targeted for infiltration.
In that atmosphere I think it is remarkable that "I Led Three Lives" ever got produced. I whole-heartedly hope that this show does get re-released. However much it may have been dramatized, "I Led Three Lives" shows how America was in fact endangered by its enemies, foreign and domestic.
Supposedly Lee Harvey Oswald's favorite show, which raises many interesting questions not the least of which is : Was Oswald living out the main character of the show for real? Another question: If so, was that how Oswald was set up as a patsy on 11/22/1963, as he maintained on TV (recording still exists - search YouTube) while being dragged down a hallway of the Dallas police station past TV and print reporters?
Le saviez-vous
- AnecdotesAccording to the PBS special Who Was Lee Harvey Oswald? (1993), this was Lee Harvey Oswald's favorite TV show.
- ConnexionsFeatured in Frontline: Who Was Lee Harvey Oswald? (1993)
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- How many seasons does I Led 3 Lives have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Yo viví tres vidas
- Lieux de tournage
- 858 S. Westchester Pl., Los Angeles, Californie, États-Unis(exteriors: Herbert A. Philbrick's home)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée30 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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By what name was I Led 3 Lives (1953) officially released in Canada in English?
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