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Le monde lui appartient

Titre original : The World in His Arms
  • 1952
  • Approved
  • 1h 44min
NOTE IMDb
6,8/10
2,5 k
MA NOTE
Gregory Peck and Ann Blyth in Le monde lui appartient (1952)
ActionAventureL'histoireRomance

Ajouter une intrigue dans votre langueIn 1850 San Francisco, a Russian Countess runs away from an arranged marriage to a Russian Prince and falls into the arms of an American sea captain who occasionally poaches seals in Russian... Tout lireIn 1850 San Francisco, a Russian Countess runs away from an arranged marriage to a Russian Prince and falls into the arms of an American sea captain who occasionally poaches seals in Russian Alaska.In 1850 San Francisco, a Russian Countess runs away from an arranged marriage to a Russian Prince and falls into the arms of an American sea captain who occasionally poaches seals in Russian Alaska.

  • Réalisation
    • Raoul Walsh
  • Scénario
    • Borden Chase
    • Horace McCoy
    • Rex Beach
  • Casting principal
    • Gregory Peck
    • Ann Blyth
    • Anthony Quinn
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    2,5 k
    MA NOTE
    • Réalisation
      • Raoul Walsh
    • Scénario
      • Borden Chase
      • Horace McCoy
      • Rex Beach
    • Casting principal
      • Gregory Peck
      • Ann Blyth
      • Anthony Quinn
    • 26avis d'utilisateurs
    • 16avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos44

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    Rôles principaux54

    Modifier
    Gregory Peck
    Gregory Peck
    • Capt. Jonathan Clark
    Ann Blyth
    Ann Blyth
    • Countess Marina Selanova
    Anthony Quinn
    Anthony Quinn
    • Portugee
    John McIntire
    John McIntire
    • Deacon Greathouse
    Carl Esmond
    Carl Esmond
    • Prince Semyon
    Andrea King
    Andrea King
    • Mamie
    Eugenie Leontovich
    Eugenie Leontovich
    • Anna Selanova
    Hans Conried
    Hans Conried
    • Eustace - Hotel Clerk
    Rhys Williams
    Rhys Williams
    • Eben Cleggett
    Sig Ruman
    Sig Ruman
    • General Ivan Vorashilov
    Gregory Gaye
    Gregory Gaye
    • Colonel Paul Shushaldin
    • (as Gregory Gay)
    Bill Radovich
    • Ogeechuk
    Bryan Forbes
    Bryan Forbes
    • William Cleggett
    Henry Kulky
    Henry Kulky
    • Peter, Russian Servant
    Carl Andre
    • Seaman
    • (non crédité)
    Roman Arnoldoff
    • Captain Feodor
    • (non crédité)
    Suzan Ball
    Suzan Ball
      Gregg Barton
      Gregg Barton
      • Seaman
      • (non crédité)
      • Réalisation
        • Raoul Walsh
      • Scénario
        • Borden Chase
        • Horace McCoy
        • Rex Beach
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs26

      6,82.4K
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      Avis à la une

      8planktonrules

      A throwback to a style of film made years ago...

      THE WORLD IN HIS ARMS is the sort of film Hollywood made in the 1930s and early 40s and might have starred John Wayne, Errol Flynn, James Cagney or Edward G. Robinson--it's very easy to imagine any of these men in such a formulaic programmer. By the 1950s, such adventure films were practically gone--replaced with more realistic films about more contemporary topics. Now I am NOT complaining about this film--I happen to like these old fashioned films. Sure, the characters and situations were unrealistic, but this sort of escapism is something many will enjoy.

      As for the choice of Gregory Peck, he wasn't bad--even though he isn't generally the "type" to play this sort of macho role. Now this isn't to say that Peck wasn't manly enough, but seeing him as a guy who loves loose women, fighting and chaos is certainly a departure from his typical film! Even such seafaring films as CAPTAIN HORATIO HORNBLOWER and MOBY DICK feature Peck in a much more somber, intellectual and dependable sort of man than the slightly crazy Captain Clark in THE WORLD IN HIS ARMS. Again, I am not complaining--just pointing out that this role is a departure for Peck.

      Peck's love interest in the film is Ann Blyth, who is quite lovely but also appears too young for Peck. This is due to Blyth looking much younger than she was (24) and because the height difference between them (more than a foot) tended to make her look even younger. She wasn't bad--just an unusual choice.

      The film begins in San Francisco. Peck and his crew have just arrived with a ship filled with seal furs. They are rich and in a mood to celebrate. However, an envoy from a Russian Princess (Blyth) tries to engage the ship to take her to safety (she is running from an arranged marriage). Peck refuses outright--he just wants to unwind and have fun. In an odd move, Blyth herself meets Peck and doesn't identify who she is. Peck is taken with her and makes plans to marry her--at which point the Russian husband she is supposed to marry shows up to claim his bride--leaving Peck disappointed and furious. Will Peck catch up to this Princess? Will she be able to avoid a loveless marriage? Well, tune in for yourself and see.

      The film has a lot of pluses. First, the color print and cinematography are just lovely. It's the sort of 1950s color that is bold and prettier than real life but not as bold and garish as early Technicolor. Combined with a rousing musical score, the film has lovely aesthetics. The film also features some excellent actors. In addition to Peck and Blyth, Anthony Quinn in on hand in a not particularly subtle but enjoyable role as Peck's nemesis as is John McIntire--an under-appreciated but excellent supporting actor (who, in parts of this film, looks like the spitting image of General Sherman).

      Now the film is not without its faults. There is a rather poor use of rear projection in the seal hunting scenes--even by 1950s standards. Also, the story, at times, seems more like comic book or dime novel due to characters who are not exactly believable. It's the sort of film, however, with no pretensions--it's not high art or an Oscar contender and never seemed like it was intended as this.

      Overall, a great adventure film for you to just turn off your brain and enjoy. Great old time fun.

      By the way, much of the film revolves around seal hunting, which wasn't considered such a big deal in 1952. Starting in the 1960s, worldwide opposition to seal harvesting became an issue and so today some might hate this movie. Try to keep it in historical context and enjoy the film for what it is.

      By the way, considering how evil and stupid the Russians are generally shown to be in this film, I wonder if perhaps it was all meant as a metaphor for US-Soviet relations at the time?
      Kirpianuscus

      romantic

      with a lot of senses for this word. because, like each love story, the romanticism is the lead ingredient to define it. but the love story represents only a part for its seduction source. the pure adventure, like in the great films from "50 s, the admirable confrontation between Gregory Peck and Anthony Quinn, the Russian in Alaska and the easy portrait of them in the Cold War period, the title and its meaning, the images and dialogues, Gregory Peck and his great job in a role who seems be, at the first sight, so far by him, all are ingredients of a splendid chain of romanticism nuances who impose this film like a great example of splendid cinema.
      7ma-cortes

      Classic adventure movie about a small group of adventurers facing off mean Russians for Alaska

      History records the Unites States purchase of Alaska on March 30, 1867 . This was the realization of a dream that began many years before , when captain Jonathan Clark anchored his schooner , The Pilgrim of Salem , among a thousand abandoned ships that lay rotting in the harbor of San Francisco , 1850 . There captain Clark (Gregory Peck) romancing women and smuggling pelts from Islas Aleutinas and Alaska , Russia . Along the way he meets and woos a gorgeous Russian countess called Marina (Ann Blyth) in 1850 San Francisco . As it deals with a salty sea captain, a beautiful Russian countess, and the love that would span an ocean . Events separate them, but after a breathtaking sea race to the Pribilof Islands against Portugee (Anthony Quinn) they meet again ; now , both are in risk from the plans of villainous Prince Semyon (Carl Esmond) and General Ivan Vorashilov (Sig Ruman) .

      This exciting as well as entertaining tale packs thrills , noisy action , spectacular struggles and lots of gutsy adventure . The flick relies heavily on a prologue in a San Francisco hotel , its results to be overlong and tiring . Brawling , sprawling , almost primitive action, teeming across the screen and being based on Rex Beach novel . Impressive images when the ships sail across thunderous seas and thrilling final when protagonists and enemies square off in a breathtaking climax . Raoul Walsh demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . Nice acting by Greagory Peck as roistering sea captain Jonathan Clark, who poaches seal pelts . Sympathetic interpretation from Anthony Quinn as rude as well as illiterate skipper . and a beautiful Anne Blyth as a countess who hides her noble origin , she does an enjoyable acting though didn't have a notorious career . Good secondary cast with familiar hearted features as John McIntire , Andrea King , Hans Conried , Rhys Williams , Brian Forbes and Sig Ruman . Thrilling as well as emotive musical score by the classic composer Frank Skinner . Colorful cinematography by Russell Metty , a nice cameraman expert on superproductions such as Spartacus , Sign of the Pagan , The War Lord , Counterpoint and Omega man . The movie was splendidly photographed on natural outdoors , Islands Aleutianas and Alaska through the courtesy of the United States Department of Interior National Park Service.

      The motion picture lavishly produced by Aaron Resemberg was well directed by Raoul Walsh . From his starts in the silent cinema he achieved successful films until the 50s and forward , early 60s , when he was less dominant , but is still stayed lots of lusty adventure , stories of comradeship and friendship , and Raoul makes the most of plentiful action scenes . Walsh was an expert director of all kind genres but with penchant in Western as ¨Colorado territory¨ , ¨They died with their boots on¨, ¨Along the great divide¨, ¨Saskatchewan¨, ¨King and four queens¨ , ¨The sheriff of fractured jaw¨, ¨A distant trumpet¨ ; Adventure as ¨Thief of Bagdad¨, ¨Captain Horatio Hornblower¨, ¨World in his hands¨, ¨Blackbeard the pirate¨ , ¨Sea devils¨ ; Warlike as ¨Objetive Burma¨ , ¨Northern pursuit¨, ¨Marines let's go¨ ; and Noir film as ¨White heat¨, ¨High Sierra¨, ¨They drive by night¨, ¨The roaring twenties¨. Rating : Fairly straightforward movie and above average . This interesting adventure and action film makes it of the finest of Raoul Walsh genre entries.
      10hbelova-1

      I like it!

      Fascinating movie! I felt pleasure in this story. Though at first I did not want to watch it. I'm the Russian and I believe Hollywood makes fables about Russia as it had turned out with this movie. There were a trite Russian tavern, cossacks, balalaikas, the plaintive Russian songs, the funny Russian aristocracy. There were some Russian names sounding strange for the Americans. The Americans do not know that the Russians have a name and patronymic. The Russian countess is not too bad, even it was possible to keep noble pallor and some aristocratic manners. The countess' servant was speaking in Russian almost without accent. Though the countess' dresses were in a British manner. But above all it was LOVE. And Alaska, sold to the USA, played not such large role. Certainly, it was impossible for the Russian, Orthodox countess got married with the Catholic American in a church. And Marina Selanova and Prince Semyon wanted to get married into strange place that was absolutely not similar to an orthodox temple. But it did not irritate me. It would be better, if this movie was made in Russia. But sometimes I believed this movie was made in Russia. I believe Gregory Peck was the best choice for this role. The American steadfast captain and the Russian charming countess were beautiful couple. With what other American could the Russian countess fall in love? Jonathan Clark looked very well and manly. He was smart, just, thoughtful and slightly imprudent. The final scene was dazzling beautiful and it had no equal even DiCaprio's Titanic. I saw this scene at picture and decided to watch this movie and I did not regret. I'm so sorry it was not released on DVD. But in Russia it is easy to buy VHS. We like it!
      ebiros2

      Not as grand as the title suggests, but a Good Movie

      Gregory Peck is a pirate that sails his ship all over the northern pacific. He picks up, or gets picked by the Russian countess to extricate her from her fiancé, and take her to Alaska. He winds up in heap of trouble as a result, but during their voyage both fall in love with each other that leads him into even more trouble.

      Very good movie about a daring ship captain, and the romance that goes with it. There's something about a high seas adventure that's both romantic and exciting. Add a romance between a rough sea captain and a noble lady, you have one excellent romantic adventure that appeals to all audiences. I've seen this movie since I was a kid, and always enjoyed it every time I saw it.

      This is one of the best pirate theme movie made in the golden age of Hollywood. It's still entertaining to watch after half a century of time.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        The flogging of Capt. Clark ranks 96th in the book, "Lash! The 100 Great Scenes of Men Being Whipped in the Movies." However, no such flogging occurs in the novel on which this movie is based.
      • Gaffes
        When the Pilgrim is pursuing the Santa Isabella, the ships are shown leaning to port. Shots of Ogeechuk using the telescope show him standing as though the boat deck is flat.
      • Citations

        Portugee: My friend, we don't sail on no tide.

        Paul Shushaldin: Huh?

        Portugee: We got no crew.

        Paul Shushaldin: But you told me you had a crew!

        Portugee: That's for true. This morning I have crew. You see them boys? Best crew in whole world. I steal them from Boston Man. Now, no crew! Boston Man steal them back... I think he is a thief.

      • Connexions
        Referenced in Le retour de Don Camillo (1953)

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      FAQ14

      • How long is The World in His Arms?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 9 octobre 1952 (États-Unis)
      • Pays d’origine
        • États-Unis
      • Langues
        • Anglais
        • Russe
        • Portugais
      • Aussi connu sous le nom de
        • Capitaine téméraire
      • Lieux de tournage
        • Universal Studios - 100 Universal City Plaza, Universal City, Californie, États-Unis(Studio)
      • Société de production
        • Universal International Pictures (UI)
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

      Modifier
      • Montant brut aux États-Unis et au Canada
        • 3 000 000 $US
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 44min(104 min)
      • Rapport de forme
        • 1.37 : 1

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