Tarzan défenseur de la jungle

Tarzan's Savage Fury (1952)

** (out of 4)

Fourth installment in Lex Barker's turn as the legendary ape man. This time out Tarzan and Jane (Dorothy Hart) are fooled by a man pretending to be Tarzan's cousin who claims to be from the Greystoke family. It turns out that the man wants Tarzan to lead him to a valley full of priceless diamonds and the ape man goes along for the ride but soon realizes that he's been lied to. TARZAN'S SAVAGE FURY is another mildly entertaining entry in the series, which was clearly running out of ideas. The one new thing is that this film offered up Tarzan's connection to the riches, which had been left out of the previous three Baxter films as well as all twelve Weissmuller films. Who knows why they decided to bring it up at this point but it does add for some mildly entertaining scenes and especially some early stuff where Tarzan talks about how he ended up being raised by apes. The rest of the film is pretty much "B" movie material as we get your typical action scenes, poor stock footage and even some very sloppy moments here. The sloppy moments happen during a scene where Tarzan is trying to prevent a rhino from charging. Of course, Baxter is in the frame with the rhino thanks to rear projection but take a look at the footage being shown. There are a few seconds were the footage is missing some frame, which gives the rhino these weird movements. Even worse is when the scene is over and the rhino basically disappears right in front of your eyes! Whoever knew Tarzan could do magic? There are some pretty campy moments to be found here including one sequence where some natives are using young boys to lure crocs into the river so that they can be caught. This entire sequence of boys being chased by wooden crocodiles is rather silly and especially how fake the crocs look. Barker is certainly in fine form as the ape man and he manages to get a few good laughs here. The actor was clearly into character and he has some nice chemistry with Hart who was playing Jane for the first and last time. Patrick Knowles (THE WOLF MAN) adds some nice support in his role as does Charles Korvin as another one of the bad guys. Tommy Carlton plays "Joey", a kid Tarzan finds at the croc hunt and who he brings home. He was clearly meant to be a replacement for "Boy" and the actor does a nice job in terms of charm and bringing some life to the material. The action scenes are mainly cheap and there's no question that the budgets kept getting cut down but there's some nice material to be had with some of the campiness including the before mentioned fake crocodiles. TARZAN'S SAVAGE FURY certainly isn't going to make anyone forget CITIZEN KANE but at the same time there's enough cheap charm if you enjoy "B" movies or jungle adventures. At the same time, it's clear that the series was never going to return to those early MGM classics.

Lex Barker`s fourth appearing as Tarzan is one of his most entertaining. He is my all-time-favorite in this role. His Co-stars are very convincing here. Dorothy Hart as Jane remembers on the good old "Maureen O´Sullivan-Days" and she is the most likeable Jane Barker ever had (Barker has a different Jane in any of his five Tarzan-movies). The performer of Rokov (Charles Korvin)is a notable villain and even young Tommy Carlton already is a good actor. The story goes straight ahead and has some quite exciting moments. With his wild jungle-tribes, cannibals, crocodiles and lions this little movie is a pleasure for all Tarzan-worshippers around the world.

TARZAN'S SAVAGE FURY (RKO Radio, 1952), directed by Cyril Enfield, is an acceptable entry to the long running jungle adventure series starring Lex Barker in his fourth go-round as Edgar Rice Burrough's legendary King of the Jungle. Not since the early silent screen adaptations has Tarzan's background ever been depicted, least of all his relation to the Greystoke family of England, how he was orphaned, raised by apes to become jungle man of Africa. Aside from revealing more about Tarzan's family history, this edition makes several attempts in recapturing the fun and excitement to the more popular "Tarzan" MGM editions (1932-1942) starring Johnny Weissmuller, notably its presentation of an orphaned boy as its latest addition. Filling in the void formerly enacted nine times by Johnny Sheffield as Boy, Tommy Carlton gets his screen credit introduction as the latest junior Tarzan. Though not quite a remake or even a rehash to Sheffield's debut of TARZAN FINDS A SON (1939), it starts off that way, then shifting over a different direction taken from TARZAN'S SECRET TREASURE (1941).

With the plot development bearing two separate stories before connecting to a basic formula, the opening first brings forth Lord Oliver Greystoke (Lex Barker) on an expedition locating his long lost cousin, Tarzan. Moments later he is shot and killed by the evil Rokov (Charles Korvin), letting his weakling associate, Edwards (Patric Knowles), to assume Greystoke's identity. Next comes Tarzan (Lex Barker) and his pet chimpanzee, Cheta, on their venture home after six days away from Jane (Dorothy Hart). It's never fully explained where Tarzan has been during that time. Maybe on his vacation from marriage or settling some business deal with Edgar Rice Burroughs. Shortly after-wards Tarzan witnesses abusive native tribes using boys as crocodile bait. As Joey Martin (Tommy Carlton), a white boy, comes close to a crocodile attack, Tarzan swims to his rescue. Learning Joey to be the son of American missionaries, recently killed, Tarzan, an orphan himself, takes Joey along with him. Before returning to the tree house and Jane, Joey, wanting to become jungle man like Tarzan, is shown methods of jungle survival and how to conquer his fear when approached by dangerous animals such as lions. After Joey becomes an established member of the Tarzan family, a safari consisting of Rokov and "Greystoke" enter the scene. Rokov, a magician, gains their confidence showing off some magic tricks while Tarzan's "cousin" presents the diary written by Tarzan's father dating back to 1922-23, explaining how Tarzan's missionary parents lived among the Wazuri tribe when he was a little boy. Because of the tribes richness in diamonds, Rokov wants Tarzan to lead him over to their village so to obtain and use those diamonds for the good of England's military safety. Thanks to Jane's insistence, Tarzan, at the same time tracking down his roots to where he lived as a boy, heads the expedition on a long and prosperous journey through mountains and desert before facing both a deadly tribe and the truth behind Rokov's mission.

Often dismissed as a lesser entry to the Lex Barker entries, mainly due to some slow pacing by the midway point, TARZAN'S SAVAGE FURY does resume its usual doses of action and adventure through the stock footage and/or rear projection screening of wild animals, cannibal attacks, the traditional good versus evil theme and the climatic Tarzan yell. Charles Korvin, the accented talking villain, is one not to reckon and stops at nothing to get what he wants. After killing a tribal leader and doing away with "Greystoke," Korvin's Rokov manages to trap Tarzan to where he lies helpless with heavy rock resting on his back while only a few feet above a pit of hungry lions below. As for Jane and Joey, they face dangers of their own as they are held prisoners of an angry tribe some distance away.

Lex Barker resumes his role in the usual manner, with an added bonus briefly playing Lord Greystoke for its prologue. One notable drawback to the Barker series is its constant changing of actresses playing Jane. Dorothy Hart ranks one of the finer and prettier substitutes thus far. Featured in one piece jungle attire and dark hair down to her shoulders, looking very much the way Maureen O'Sullivan was presented in the MGM days, Hart speaks softly in the manner of Donna Reed, but most importantly, not impossible to dislike. With prior screen roles to her credit, this was Hart's only venture as Tarzan's mate. Tommy Carlton, age 10 or so, in fine physical build and hair always perfectly in place, acquires enough camera close-ups to assure enough attention as Tarzan's newest "boy." Interestingly, his character would not return in future installments, thus, adding further contradictions to this series. With such a promising start of the hero worshiping youngster alongside the legendary Tarzan, Carlton's character is suddenly reduced to limited viewing, seen mostly in the background before reminding viewers of his existence before the film's fadeout.

TARZAN'S SAVAGE FURY, along with others in the series that played on commercial television as part of "Tarzan Theater," did get cable TV exposure in later years, first on American Movie Classics (1997-2000) and later on Turner Classic Movies (TCM premiere, July 23, 2011). Never distributed to video cassette, this and other Lex Barker editions were later placed onto DVD by the TCM Archive Collection. Regardless of pros and cons, TARZAN'S SAVAGE FURY should make satisfying viewing for fans of the series. Next installment: TARZAN AND THE SHE-DEVIL. (**1/2)

A good Tarzan adventure film, another of the Lex Barker films that were made with decent budgets and not just cheap knock-offs. Barker does a great job as big hunk Tarzan (its definitely a role that requires more action than acting). First-class actress Dorothy Hart is lovely as Jane and does most of the real acting in this Tarzan household. She was a truly gifted actress who soon quit movies for roles in prestigious television productions and other activities that utilized her worthwhile abilities. There is also a little boy character well played by a lad named Tommy Carleton, although this character seems superfluous to me and was subsequently dropped from the Tarzan series. Former leading man Patrick Knowles does a great job as a vacuous baddie, a weak willed character whose actions are essential to the plot.

The overall story of "Tarzan's Savage Fury" is wholly inconsequential but the movie is directed at a nice crisp pace. It is definitely above average for a b-movie adventure flick. I can recommend this film for the action and physicality that Barker brings to the Tarzan role, and for Dorothy Hart's luminous presence and fine acting.

By the fourth Lex Barker entry into the Tarzan series things were more or less established, and though the new adventures had become almost routine, the efficiency evidenced in the previous films was still maintained. The new additions here are a surrogate for Boy called Joey, played very well by a kid whose only film this was; and a fourth actress playing Jane, pretty Dorothy Hart. The Cold War shadow is still present in this production, with a Russian villain named Rokov (Austrian-born actor Charles Korvin), who wants to get hold of the diamonds of an African tribe. As in "Tarzan's Peril" a murder happens in the first minutes, leading to the impersonation of Lord Greystoke, Tarzan's cousin, by the villain's weak colleague (Patrick Knowles), and Jane convincing Tarzan to help them. Here Cheetah's compulsive stealing is also a main ingredient of the plot, and little Joey also plays a key role in the proceedings. Considered by some specialists as one of the best Tarzan movies, it was directed by Cy Endfield, an American left-wing filmmaker who had a promising career but when blacklisted by the House Un-American Activities Committee, he went to England in 1951, where he made television, advertisement and a few good films as "Mysterious Island", "Sands of the Kalahari" and "Zulu" before retiring and inventing the Microwriter. Possibly it was Endfield who introduced several "sleight-of-hand routines", performed on screen by Rokov, who uses them to trick gullible natives. Known as a "master of the art of micro magic", Endfield had worked in Orson Welles' Mercury Theatre. Last but not least, this is probably the only Tarzan movie to include two black-listed film professionals: Endfield and Korvin.