Ajouter une intrigue dans votre langueIn an idyllic setting, a likable but dangerously volatile twelve-year-old boy tries to settle a score with his disagreeable, mysterious neighbor.In an idyllic setting, a likable but dangerously volatile twelve-year-old boy tries to settle a score with his disagreeable, mysterious neighbor.In an idyllic setting, a likable but dangerously volatile twelve-year-old boy tries to settle a score with his disagreeable, mysterious neighbor.
- Réalisation
- Scénario
- Casting principal
Nancy Reagan
- Marge Fontaine
- (as Nancy Davis)
Stanley Andrews
- Mr. Wetzell - Orange Grower
- (non crédité)
Margaret Bert
- Woman
- (voix)
- (non crédité)
Ed Cassidy
- Soloway
- (non crédité)
Wayne A. Farlow
- Twin Boy
- (non crédité)
Virginia Farmer
- Mrs. Campbell
- (non crédité)
Kathleen Freeman
- Rosa - Grocery Clerk
- (non crédité)
Jon Gardner
- Boy
- (non crédité)
Donald Gordon
- Boy
- (non crédité)
Harry Hines
- Talmadge
- (non crédité)
Teddy Infuhr
- Gregory - Boy in San Sala
- (non crédité)
Charles La Torre
- Batastini - Grocer
- (non crédité)
Harry Lauter
- Clarence the Bookkeeper
- (non crédité)
Avis à la une
"Talk About a Stranger" is a much, much better film that you might expect. Despite the credits order, it stars Billy Gray (as Robert "Bud" Fontaine Jr.). Mr. Gray would, later, become best known as another "Bud", on the TV series "Father Knows Best". In this film, he plays a boy who adopts a stray dog, which he names "Boy"; then, he finds the dog has been poisoned. Gray suspects a mysterious new arrival in town, Kurt Kasznar (as Matlock). Mr. Kasznar acts, and looks, very much like an outsider; and, he seems to dislike "Boy", and children
Gray does a fine job in a difficult role; he has to play the boy as both unlikeable, and likable. The character "Bud" is redeemed (or, made sympathetic) by his caring for his dead "Dog"; and, the film effectively captivates, with its plot developments. Kasznar is great, as usual; he keeps the performance from going in a direction not in tune with the film's ending. Top billed George Murphy and Nancy Davis (as parents Robert and Marge Fontaine) are ordinary; undoubtedly, they are better appreciated in other films. Later, Ms. Davis was, of course, wonderfully cast as the second Mrs. Ronald Reagan. The film's weaknesses might have been arrested by strengthening the "Fontaine" family.
The other players in "Talk About a Stranger" are terrific. Lewis Stone is at least as "fatherly" as Mr. Murphy; he plays the newspaperman (William J. Wardlaw) Gray runs to for help. Teddy Infuhr has a great little part as a boy who lives near a "Haunted House" Gray visits; watch for their scene in the "San Sala" house. The film is full of weird scenes; and, Gray's trip to "San Sala" is one. Note, also, that Gray is picked up hitchhiking by motorcycling sailor Alvy Moore, who immediately asks Gray if he has a sister! Mr. Moore will, later, become best known as "Hank Kimball" on the TV series "Green Acres". You also get to see Kathleen Freeman, Burt Mustin, and some others
Cinematographer John Alton is the film's most valuable player. Mr. Alton, David Bradley (director), Cedric Gibbons (art director), and Eddie Imazu (art director) make "Talk About a Stranger" a great looking film. For this, and its cast, "Talk About a Stranger" is well worth watching.
******** Talk About a Stranger (1952) David Bradley ~ Billy Gray, Kurt Kasznar, Lewis Stone
Gray does a fine job in a difficult role; he has to play the boy as both unlikeable, and likable. The character "Bud" is redeemed (or, made sympathetic) by his caring for his dead "Dog"; and, the film effectively captivates, with its plot developments. Kasznar is great, as usual; he keeps the performance from going in a direction not in tune with the film's ending. Top billed George Murphy and Nancy Davis (as parents Robert and Marge Fontaine) are ordinary; undoubtedly, they are better appreciated in other films. Later, Ms. Davis was, of course, wonderfully cast as the second Mrs. Ronald Reagan. The film's weaknesses might have been arrested by strengthening the "Fontaine" family.
The other players in "Talk About a Stranger" are terrific. Lewis Stone is at least as "fatherly" as Mr. Murphy; he plays the newspaperman (William J. Wardlaw) Gray runs to for help. Teddy Infuhr has a great little part as a boy who lives near a "Haunted House" Gray visits; watch for their scene in the "San Sala" house. The film is full of weird scenes; and, Gray's trip to "San Sala" is one. Note, also, that Gray is picked up hitchhiking by motorcycling sailor Alvy Moore, who immediately asks Gray if he has a sister! Mr. Moore will, later, become best known as "Hank Kimball" on the TV series "Green Acres". You also get to see Kathleen Freeman, Burt Mustin, and some others
Cinematographer John Alton is the film's most valuable player. Mr. Alton, David Bradley (director), Cedric Gibbons (art director), and Eddie Imazu (art director) make "Talk About a Stranger" a great looking film. For this, and its cast, "Talk About a Stranger" is well worth watching.
******** Talk About a Stranger (1952) David Bradley ~ Billy Gray, Kurt Kasznar, Lewis Stone
Enjoyed this story concerning a family who lived in an orange growing community in California. The father was George Murphy, (Robert Fontaine Sr.) and his wife Nancy Davis, (Marge Fontaine) and they had a son Bud Fontaine,Jr. (Billy Gray) who was a bratty kid. Bud Fontaine had a little dog who followed him everywhere he went and one day this dog was found dead by poisoning and Bud immediately accused a stranger in the neighborhood of killing his pet. This man was Paul Mahler,(Kurt Kasgnar) who lived in an old dark looking house that all the children called a haunted house. Bud spreads rumors among the local town about Mr Paul Mahler killing his dog and he is advised by the police to prove what he is saying and to bring them the proof of his accusations. George Murphy moved on in life to become a United States Senator and Nancy Davis married Ronald Regan. Great little film.
Kurt Kaszner who has certainly played his share of villains on the screen has come to settle down in a small California town in the citrus fruit growing area. He's surly, bad tempered, and scares off anyone trying remotely to be friendly to him. Especially young Billy Gray who has a paper route that Kaszner is on. Even Gray's father George Murphy can't get any kind of smile out of him.
In a small town, a fellow like Kaszner is bound to raise eyebrows, but no one outrightly accuses him of anything until a dog that young Mr. Gray has adopted is poisoned.
Of course there's a lot more to the story, but I won't spoil anything by going farther. Talk About A Stranger can be deadly if you don't know the facts and let the worst impulses in your mind start taking control.
Talk About A Stranger is an unpretentious film from MGM's B picture unit which has a simple message and speaks it plainly. Nancy Davis is in this as Gray's mother and Lewis Stone is in this as well in one of his last films.
The film has a nice moral lessons about jumping to conclusions before all the facts are in.
In a small town, a fellow like Kaszner is bound to raise eyebrows, but no one outrightly accuses him of anything until a dog that young Mr. Gray has adopted is poisoned.
Of course there's a lot more to the story, but I won't spoil anything by going farther. Talk About A Stranger can be deadly if you don't know the facts and let the worst impulses in your mind start taking control.
Talk About A Stranger is an unpretentious film from MGM's B picture unit which has a simple message and speaks it plainly. Nancy Davis is in this as Gray's mother and Lewis Stone is in this as well in one of his last films.
The film has a nice moral lessons about jumping to conclusions before all the facts are in.
In the late 1940s and early 1950s, Billy Gray played a horrible little boy in several movies--most notably the Doris Day films "On Moonlight Bay" and "By the Light of the Silvery Moon". This sort of character was quite a bit different from 'Bud' on "Father Knows Best". Here, Gray is up to his typical sort of character of the day...all boy...and all BAD boy!
The film begins with Bobby (Gray) and his friends tossing rocks through the windows of a supposedly abandoned house. Imagine their surprise when they see it's NOT abandoned! Bobby has a VERY active imagination (in other words he lies a lot) and tells his dad that the man inside was mean and attacked him!! Well, Bob Sr. (George Murphy) is mad but level-headed and goes to see what is up. Well, the new neighbor isn't very friendly...and slams the door in their faces.
Later, Bobby comes home with an adorable mutt and the kid loves the thing. However, when the pet dies, Bobby begins imagining that the neighbor poisoned the dog...and he begins telling everyone that he KNOWS this to be true. What's the sad truth? See the film.
This is a very well written slice of life film..nothing great but well done all around. Gray, though playing a brat, played him wonderfully and the film is well worth seeing. I also agree with another review where it pointed out how amazing the camera-work was in the film. It was almost film noir-like...very artsy and amazingly good for a B-movie.
The film begins with Bobby (Gray) and his friends tossing rocks through the windows of a supposedly abandoned house. Imagine their surprise when they see it's NOT abandoned! Bobby has a VERY active imagination (in other words he lies a lot) and tells his dad that the man inside was mean and attacked him!! Well, Bob Sr. (George Murphy) is mad but level-headed and goes to see what is up. Well, the new neighbor isn't very friendly...and slams the door in their faces.
Later, Bobby comes home with an adorable mutt and the kid loves the thing. However, when the pet dies, Bobby begins imagining that the neighbor poisoned the dog...and he begins telling everyone that he KNOWS this to be true. What's the sad truth? See the film.
This is a very well written slice of life film..nothing great but well done all around. Gray, though playing a brat, played him wonderfully and the film is well worth seeing. I also agree with another review where it pointed out how amazing the camera-work was in the film. It was almost film noir-like...very artsy and amazingly good for a B-movie.
Talk about a Stranger had a lot of very good moral implications. I enjoyed the story, and the characters in it, flaws and all. It was a great reminder to look deeper than what we might project onto others or a first impression and the damage it can do. It became somewhat suspenseful in parts. It did not seem dated to me. A good movie with a good moral lesson...wish we could have more movies like this today.
Le saviez-vous
- AnecdotesMade during the height of the Joseph McCarthy era, this film is an allegory of the anti-communist fervor that commanded America's headlines at the time. Ironically, co-star and M-G-M contract player Nancy Reagan (née Davis) previously had her career derailed when she was erroneously branded a communist in one of the many red-baiting publications of the time. She sought dispensation from the then-president of the Screen Actors Guild, Ronald Reagan. This was how they met and they married a month before this film was released.
- GaffesThe boy Robert Jr. talks to in San Sala says Dr. Mahler went missing and in October and that it was now January. However, at the end of the film, Camille speaks as if her early November birthday was very recent (remarking that Robert didn't get her a present).
- ConnexionsFeatured in Noir Alley: Talk About a Stranger (2018)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Enemy
- Lieux de tournage
- Morey Mansion, 190 Terracina Blvd, Redlands, Californie, États-Unis(House of Dr. Paul Mahler, alias Matlock in the film.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 481 000 $US (estimé)
- Durée
- 1h 5min(65 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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