Rapt

Although this movie is nearly fifty years old, it had me on the edge of my seat the whole way through. What was going to happen next? Would the characters escape? I can't say much more, without giving away the story except - "Hunted" was brilliantly plotted and directed. Thumbs up to everyone concerned, including Dirk Bogarde as the wanted man, and Jon Whitely as the little boy whom he first used, and then befriended.

Right from the start this movie settles its direction straight: A bleak and almost unbearable ambiance surrounds Rob and Chris. They both got nothing to lose and so this unequal pair is ready to be on the run. Every scene is beautifully shot and the actors are really going through the motions. The greatest thing about this movie are teaches of the heart. The "bad" killer is a soft and caring guy whose life as a poor sailor dragged him into this mess.

Think about which society you're living in and why people sometimes do what they have to do...

Outstanding movie by all means!

Buy it now!

In the 1950s, Dirk Bogarde played three main sorts of roles in films--sailors or soldiers, the nice Dr. Sparrow in the Doctor movies as well as complete sociopaths. Of these roles, the sociopaths are by far the most interesting to watch. During this time, he often played murderers and crooks on the run. So, when I first started watching "The Stranger in Between", it came as no surprise as he's once again playing a murderer on the run! However, as the film progresses you realize that this seemingly simple film has a lot more depth to it--depth that make it a standout picture.

When the movie begins, a cute little boy is hiding after he'd been playing with matches. He stumbles into the hiding place of Chris (Bogarde)--a guy who is wanted for murder! Chris doesn't want to let the boy go--he could tell people where he's hiding. So he convinces the boy that the police are looking for BOTH of them and they set off together on a cross-country run to avoid capture.

About midway through this movie, you start to notice some things that make it interesting. Chris isn't just a mindless killer--his motivations and what he did exactly aren't quite so black and white. The boy also is not just some scared kid--he's been terribly abused and in some ways he's better off on the run with a killer than staying in his former life! The film also has a few unexpectedly nice moments between the two. Chalk this up to excellent acting, writing and direction. Where is this all going? Well, see the film to find out for yourself.

The name of the English director Charles Crichton is almost automatically associated by many with 'A Fish Called Wanda', the sparkling comedy from 1988. However, that was practically the last fiction film made by the director who was then 78 years old and was at the end of a career in who had directed more than 50 films in various genres from comedies to thrillers and had also put his name on some memorable creations of British television, including episodes of the cult series 'The Avengers' in the 60s. 36 years before this latest success, Crichton had directed a gem of a black-and-white film called 'Hunted' starring Dirk Bogarde, one of his favorite actors, alongside a six-and-a-half-year-old blond boy who filled the screen, like any child actor of great talent. In one hour and 20 minutes, Crichton has created a believable and humane story and captured, better than any documentary of the era, the image of an England struggling to recover from the destruction and human trauma of war.

Alfred Hitchcock emerged in the English film school, but had crossed the ocean over a decade before 1952. I think that he appreciated and would have signed the first few minutes of 'Hunted' without hesitation. It's an exceptional introduction. A boy of about six runs through the streets of London with a teddy bear in his hand. He carelessly crosses the street and is almost run over by a carriage pulled by two stallions. He continues to run and takes refuge in a building in ruins. There he comes across a man smoking a cigarette next to a corpse. We understand that he had just killed another man. The child freezes and drops the toy from his hands. The man takes his hand and the two leave together - the killer and the only witness to the crime.

Chris, the murderous man, had as motive for his crime the infidelity of his wife, who had taken advantage of the long absences due to his profession as a sailor to cheat on him. Robbie, the little boy, had good reasons to run away from home where he was being abused by his adoptive parents. The dependence between the two turns into a relationship of friendship and mutual support. They are fugitives and cross England from south to north, reaching the sea that may open the gate of salvation for them. All is shot with documentary simplicity and authenticity by Eric Cross, one of the best-known and most prolific cinematographers of English pre- and post-WWII films. Italian neorealism is not far away. Jon Whiteley is amazing as the little boy. Child actors usually charm and conquer through naturalness and sincerity, in his case an extraordinary expressiveness is added. Chris and Robbie's relationship never descends into melodrama. 'Hunted' is a simple and moving film, a beautiful combination of film noir and road movie, a gem in black and white.

Britain just after the second world war must have been a grim place indeed. Still looking like a bomb site, with poor living standards, inadequate social services, stifling conformity and tough policing. Amid this bleak social landscape, Bogarde is a hopeless, alienated character fleeing from the police after a crime of momentary passion. He is joined by a scared and emotionally scarred small boy also on the run from a harsh reality. Their journey together is gruelling yet at the same time strangely aimless, as they focus on escaping the past with little idea of their future.

Like all good road movies, the journey changes the characters, as they are affected, enriched and ultimately redeemed by their own striving and by their personal interaction. Any more detail would spoil this story but you can be guaranteed of a fine reward at the end if you can stick with the grinding progress of this particular odyssey.

Filmed in suitably bleak black and white, there's a slightly too earnest quality about the way this movie strives to put everything in the worst possible perspective – but that's when looked at from the comfortable perspective of half a century later when life is a lot softer for many of us. Go the distance with this one and you'll be a better person for it.