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IMDbPro

The Story of Will Rogers

  • 1952
  • Approved
  • 1h 49min
NOTE IMDb
6,6/10
576
MA NOTE
Will Rogers Jr. and Jane Wyman in The Story of Will Rogers (1952)
BiographieComédieDrameOccidental

Ajouter une intrigue dans votre langueThe homespun humorist and social critic starts as a cowboy and goes on to vaudeville, movies, and radio.The homespun humorist and social critic starts as a cowboy and goes on to vaudeville, movies, and radio.The homespun humorist and social critic starts as a cowboy and goes on to vaudeville, movies, and radio.

  • Réalisation
    • Michael Curtiz
  • Scénario
    • Frank Davis
    • Stanley Roberts
    • Jack Moffitt
  • Casting principal
    • Will Rogers Jr.
    • Jane Wyman
    • Carl Benton Reid
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    576
    MA NOTE
    • Réalisation
      • Michael Curtiz
    • Scénario
      • Frank Davis
      • Stanley Roberts
      • Jack Moffitt
    • Casting principal
      • Will Rogers Jr.
      • Jane Wyman
      • Carl Benton Reid
    • 19avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos17

    Voir l'affiche
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    + 11
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Will Rogers Jr.
    Will Rogers Jr.
    • Will Rogers
    Jane Wyman
    Jane Wyman
    • Betty Rogers
    Carl Benton Reid
    Carl Benton Reid
    • Sen. Clem Rogers
    Eve Miller
    Eve Miller
    • Cora Marshall
    James Gleason
    James Gleason
    • Bert Lynn
    Slim Pickens
    Slim Pickens
    • Dusty Donovan
    Noah Beery Jr.
    Noah Beery Jr.
    • Wiley Post
    Mary Wickes
    Mary Wickes
    • Mrs. Foster
    Steve Brodie
    Steve Brodie
    • Dave Marshall
    Pinky Tomlin
    Pinky Tomlin
    • Orville James
    Margaret Field
    • Sally Rogers
    Eddie Cantor
    Eddie Cantor
    • Eddie Cantor
    Frank Bank
    • Young Will Rogers
    Todd Karns
    Todd Karns
    • 1st Mechanic
    • (scènes coupées)
    J. Carrol Naish
    J. Carrol Naish
    • Narrator
    • (voix)
    Dub Taylor
    Dub Taylor
    • Actor
    • (scènes coupées)
    Victor Adamson
    Victor Adamson
    • Townsman Greeting Will
    • (non crédité)
    Leon Alton
    Leon Alton
    • Rodeo Spectator
    • (non crédité)
    • Réalisation
      • Michael Curtiz
    • Scénario
      • Frank Davis
      • Stanley Roberts
      • Jack Moffitt
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    6,6576
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    Avis à la une

    GManfred

    He Never Met A Man He Didn't Like

    This one is now out on DVD in the Warner Archives Collection. I saw this picture when it first came out - I was 11 at the time and I wanted to see if it held up in the ensuing 58 years, and I'm pleased to report it is just as entertaining and absorbing the second time around.

    Such is not always the case. I did the same thing with "The High And The Mighty", and was disappointed at how trite and stagey the picture seemed when I saw it recently. But "Will Rogers" holds up, probably because it is a biography of a very famous American from the early part of the last century. Then as now, I was fascinated by what a dead ringer for his dad Will Rogers, Jr. was. I also think the movie benefited from a superior direction job.

    Can I make one criticism? I didn't think Jane Wyman fit the part of a girlfriend/ wife from Oologah, Okla. She was too sophisticated, like a society chick from Riverside Drive who wouldn't bother with a bumpkin from Oologah. But that's just me.

    In any case, this is worth buying and watching. I don't think it will be on TV any time soon as there are two scenes of Eddie Cantor and Al Jolson performing in blackface. Can't upset the PC crowd, you know.
    9telegonus

    Hollywood's Cowboy

    Both Michael Curtiz and his longtime employer, Warner Brothers, showed a flair for biographies, and this one has been somewhat underrated. The story is the familiar one of the rise of a young man from obscurity to worldwide fame, and there are really no surprises here. Audiences at the time the movie came out (1952) probably knew much about Rogers' life anyway, though he is nowadays an almost forgotten figure. This movie is solid entertainment, nicely photographed in color, and Will Rogers, Jr. gives an excellent, engaging performance as his father. It is basically a series of cliches, which, once once accepts the premise, one can thoroughly delight in, as I did, as the skill with which such material is handled constitutes the pleasure of watching such a predictable movie as this.

    Rogers was a huge star in vaudeville on Broadway and in the movies. He was also a newspaper columnist and radio commentator, and hugely popular in his day. His homespun humor has dated badly, but the rough and tumble world he came out of is fascinating to see recreated on screen. There are nice ironies in the movie, among them, Rogers' move from the "real west" (Oklahoma) to the "false west" (Hollywood). I also like the casting of the refined, almost patrician actor, Carl Benton Reid, as Rogers' father. The arrival of barnstorming aviator who lands literally in Rogers' backyard, is stunningly filmed, and one can't help get a lump in one's throat as soon as one learns his name: Wiley Post.
    8bkoganbing

    All He Knew Was What He Read In the Papers

    If The Story Of Will Rogers did not exactly stick close to the facts it certainly captured the spirit of the man who in his time was America's beloved entertainer. Will Rogers was in fact more than an entertainer, he was a shrewd and trenchant observer of the political and social scene. We could use a dose of his wisdom today.

    Will Rogers, Jr., who as a dutiful son was the custodian of his father's legacy plays the role of his father and you'll swear it was the real Will. Of course one can see the real Will Rogers in any number of fine films he made for Fox. The film is based on his widow's memoirs and she is played by Jane Wyman so the Rogers family had a tight control on this one.

    It was quite true that Rogers took a long time to find himself, he was something of a rebellious kid who did not take to school. Clem Rogers, his father is played by Carl Benton Reid and he was a power in the Cherokee Indian councils. All Will wanted to do was be a cowboy, but he had a knack for saying some real funny things off the cuff and eventually parlayed that into a vaudeville act and after that the Ziegfeld Follies and movies. And of course a newspaper column that a collection of will be a really shrewd observation of his times.

    One thing that was a glaring error, Will Rogers was never put in nomination for president even as a favorite son. Governor William H. Murray of Oklahoma was in fact a presidential hopeful in 1932 and he would have been surprised at that turn of events.

    Not to say that he wouldn't have made a good president. There is an underside to the Rogers legacy. The dark mirror image of Will Rogers who never met a man he didn't like is portrayed quite ably on the screen by Andy Griffith in A Face In The Crowd. Lonesome Rhodes would have said he never met a man he couldn't take.

    One of the things that Rogers said that was quoted in this film was that this was the greatest country in the world, but taxes are the privilege you pay for living in it. I wish a lot more people would remember that today.

    The Story Of Will Rogers and the films of Will Rogers provide an enduring legacy to a man who was a national treasure in his day and now.
    6SnoopyStyle

    biopic of legendary name

    It's early 20th century. Humble cowboy Will Rogers (Will Rogers Jr.) returns to Oologah, Oklahoma. Betty (Jane Wyman) takes little notice of another cowboy's arrival but soon the two become a couple. Eventually, he becomes one of the most popular American humorist and home-spun political commentator.

    This is an autobiography of Will Rogers as told by his widow. Will Rogers is well before my time. He comes from another era. I don't know any specifics from his work but I do understand his general tone. It's a call to the old west and America's promise. He's a nice little guy and the little guy can be great in America. This movie taps into that. He's the regular Joe. I have no nostalgia for the man or the era. I do find this movie to give a sense of both. One thing I didn't know is that so much of his work is topical and political. There isn't much drama with this movie but it does what it's supposed to do.
    yahn1953

    This is a very good movie

    I agree with the previous commenter about how good this movie is and would love to see it available on video. This movie was made in 1952 and starred Will Rogers Jr. It showed Will Rogers Jr, as his father, doing some performance on Broadway as well as some of the fund-raisers he did during the depression and more of the movies he made in Hollywood. However this website is showing a picture of a movie made in 1961, narrated by Bob Hope, and it is NOT the same movie that they are describing. The one narrated by Bob Hope, is available on video (dvd), and although it is a good biographical movie of Will Rogers, it is NOT the one starring Will Rogers Jr, or any of the other stars listed on this web site. They need to remove that picture as it can cause some confusion for some people.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The real Eddie Cantor appears as himself in support of Will Rogers, Jr. who portrays his father, a contemporary of Cantor's. The next year Rogers, Jr. would return the favor, again appearing as his father in The Eddie Cantor Story. Both films were made by Warner Brothers.
    • Gaffes
      When Will Rogers is addressing the bankers at 1:17:00 in, there are 2 old style microphones on the table in front of him. The one on the left of the screen, Rogers' right, is missing one of the suspension springs between the mic cartridge and the frame. It also has no wire attached to it, so it couldn't possibly function.
    • Citations

      Will Rogers: Well it looks like the women are finally gonna get the vote. A lot of men say they shouldn't be trusted with it. Seems kind of silly to stop trustin' them now after eatin' their cookin' for 4000 years.

    • Connexions
      Edited from Rhapsodie en bleu (1945)
    • Bandes originales
      Home on the Range
      (uncredited)

      Music by Daniel E. Kelley

      Lyrics by Brewster M. Higley

      Played at the beginning and during the opening credits

      Sung at the Rogers party and used often in the score

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    Détails

    Modifier
    • Date de sortie
      • 26 juillet 1952 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Historia Willa Rogersa
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 49 minutes
    • Rapport de forme
      • 1.37 : 1

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