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Le fils de visage pâle

Titre original : Son of Paleface
  • 1952
  • Tous publics
  • 1h 35min
NOTE IMDb
6,8/10
2,6 k
MA NOTE
Jane Russell, Bob Hope, Roy Rogers, and Trigger in Le fils de visage pâle (1952)
Official Trailer
Lire trailer1:54
1 Video
40 photos
Western classiqueComédieOccidental

Ajouter une intrigue dans votre langueJunior Potter returns to claim his father's gold, which is nowhere to be found. "Mike" is the luscious head of a gang of thieves, and Roy Barton is the federal marshal hot on her trail.Junior Potter returns to claim his father's gold, which is nowhere to be found. "Mike" is the luscious head of a gang of thieves, and Roy Barton is the federal marshal hot on her trail.Junior Potter returns to claim his father's gold, which is nowhere to be found. "Mike" is the luscious head of a gang of thieves, and Roy Barton is the federal marshal hot on her trail.

  • Réalisation
    • Frank Tashlin
  • Scénario
    • Frank Tashlin
    • Robert L. Welch
    • Joseph Quillan
  • Casting principal
    • Bob Hope
    • Jane Russell
    • Roy Rogers
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    2,6 k
    MA NOTE
    • Réalisation
      • Frank Tashlin
    • Scénario
      • Frank Tashlin
      • Robert L. Welch
      • Joseph Quillan
    • Casting principal
      • Bob Hope
      • Jane Russell
      • Roy Rogers
    • 34avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 nomination au total

    Vidéos1

    Son of Paleface
    Trailer 1:54
    Son of Paleface

    Photos40

    Voir l'affiche
    Voir l'affiche
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    + 33
    Voir l'affiche

    Rôles principaux79

    Modifier
    Bob Hope
    Bob Hope
    • Peter Potter Jr.
    Jane Russell
    Jane Russell
    • Mike 'The Torch' Delroy
    Roy Rogers
    Roy Rogers
    • Roy Barton
    Trigger
    Trigger
    • Trigger, Roy Barton's Horse
    • (as Trigger Smartest Horse in the Movies)
    Bill Williams
    Bill Williams
    • Kirk
    Lloyd Corrigan
    Lloyd Corrigan
    • Doc Lovejoy
    Paul E. Burns
    Paul E. Burns
    • Ebenezer Hawkins
    Douglass Dumbrille
    Douglass Dumbrille
    • Sheriff McIntyre
    Harry von Zell
    Harry von Zell
    • Mr. Stoner
    • (as Harry Von Zell)
    Iron Eyes Cody
    Iron Eyes Cody
    • Chief Yellow Cloud
    William 'Wee Willie' Davis
    William 'Wee Willie' Davis
    • Blacksmith
    • (as Wee Willie Davis)
    Charles Cooley
    • Charley
    • (as Charley Cooley)
    Carl Andre
    • Pedro
    • (non crédité)
    Gordon Armitage
    • Townsman
    • (non crédité)
    Oliver Blake
    Oliver Blake
    • Telegraph Clerk
    • (non crédité)
    Phil Bloom
    Phil Bloom
    • Townsman
    • (non crédité)
    Wally Boyle
    • Perkins
    • (non crédité)
    Hazel Boyne
    • Old Lady
    • (non crédité)
    • Réalisation
      • Frank Tashlin
    • Scénario
      • Frank Tashlin
      • Robert L. Welch
      • Joseph Quillan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs34

    6,82.6K
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    10

    Avis à la une

    Sargebri

    A Worthy Sequel

    This was a worthy successor to the original Paleface. This one was just as good and had even a few more funnier moments including the scenes with Trigger, the fight with the Indians and, of course, the climatic chase scene. Also, this film shows Roy Rogers flair for comedy as he has some great comedic moments with Hope. This film will always a perfect sequel.
    8bkoganbing

    Another Trip West for Old Scoop Nose

    Federal Agent Roy Rogers is on the trail of a mysterious bandit known as The Torch and little does he suspect at first that The Torch is that powerful piece of pulchritude, Jane Russell.

    Of course gumming up his investigation is tenderfoot Bob Hope, who is the son of famous frontier scout Paleface Potter. Hope's not inherited much from his father's side. Therein lies a lot of the comedy in Son of Paleface.

    The original Paleface film had the Academy Award winning song Buttons and Bows. This one has a whole load of musical numbers in it, better to utilize the talents of the three stars. One of them, Am I in Love was nominated for the Academy Award that year, but lost to Three Coins in the Fountain.

    Best scenes in Son of Paleface involve the smartest horse in the west, Trigger, constantly outsmarting Hope. Well if Bing Crosby could constantly do it in every Road picture.................
    Snow Leopard

    Good Fun With Good Friends

    The original "Paleface" feature was pretty good, but this sequel is actually better, in large part due to the addition of Roy Rogers and Trigger. Rogers and Bob Hope are two of the most likable performers that the movies have seen, and together they seem like old friends who have stopped by for an enjoyable visit. Jane Russell is also back from the original movie, though in a different role.

    The story is good fun as long as you don't take it seriously. It's actually rather well-written, in that it accommodates all three stars with material well-suited for them. Hope gets plenty of one-liners and similar gags, and he pulls off even the goofiest of them with energy and aplomb. Rogers gets the chance to do some singing and to have some action sequences, and Trigger gets several good moments. Russell is given a character that allows her to stay within the role of the tough, glowering beauty.

    There are enough connections to the first movie to add to the enjoyment if you have seen it, but "Son of Paleface" could also easily stand on its own, and in fact overall it probably is actually a little bit better.
    10hitchcockthelegend

    No cliché is left unturned in masterful showcase for Hope's talent.

    For me this is one of the rare occasions where a sequel trumps the first and previous instalment, comedy as we all know his very varied and we all see different things that make us laugh, and until now I have only given the highest rating I can to a handful of comedies, but this film is just flawless comedic entertainment to me, a laugh riot indeed.

    Here Bob Hope plays the son of Painless Peter Potter from the first film, and the plot involves him going West to claim his Fathers inheritance. Naturally he gets involved in a number of shenanigans that sees him being hounded by the whole town for his Fathers debts. He gets embroiled in the midst of a wanted gang of robbers, and of course he has the sizzling Jane Russell making his heart go giddy up. On and on it goes as the film delivers for laughs every cliché from the Western genre, lynch mobs, Indians on the attack, ghost town, hidden gold, sexy gals, heroes and villains, it's all in there for a laugh a minute satirical piece of work. Added bonus here is we get Roy Rogers and the irrepressible Trigger joining in the fun, in fact Trigger steals a scene of Hope and himself in bed,! yes it's that sort of film. The gags are faster than the rifles on show and the film only pauses for breath for us to sample some quite wonderful tunes; California Rose, Wing-Ding Tonight, What A Dirty Shame, Four Legged Friend, Am I In Love and a brilliant reworking of Buttons & Bows from the first film, it's as good a 95 minutes entertainment I could wish to have from a film, 10/10 for me always.

    Bobe Hope, RIP legend.
    7willrams

    funny

    Bob Hope plays Potter, returning to claim his father's gold, but it can't be found. Mike, played by Jane Russell, is a leader of a gang of thieves, and Roy Rogers as a federal marshal hot on the trail of thieves. It is very funny and lots of gimmicks, and the musical numbers are very good. I never realized that Roy Rogers had such a good singing voice. Jane Russell and Bob Hope do their own songs which are enjoyable, but not as memorable as "Buttons & Bows" from the original. One of the funniest scenes is with Trigger, Roy Roger's horse sleeping with Hope. 7/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Frank Tashlin wanted to direct this film because he disliked Norman Z. McLeod's direction of Visage pâle (1948) for which he wrote the script.
    • Gaffes
      After Roy Rogers completes his visit with the governor on the stage coach, Roy climbs out on top the coach and catches a limb from a tree. As he is hanging there he whistles for Trigger. When Trigger comes out from behind a bush, you can see the leg's of a person who was holding Trigger behind the bush until Roy called.
    • Citations

      Peter 'Junior' Potter Jr.: [Potter is talking to Mike in the saloon]

      Peter 'Junior' Potter Jr.: Now about that cellar...

      Roy Barton: Excuse me.

      Peter 'Junior' Potter Jr.: You're excused.

      Roy Barton: I'm talking to the lady.

      Peter 'Junior' Potter Jr.: Who do you think I'm talking to, a duck?

      Mike 'The Torch' Delroy: Let the man talk.

      Peter 'Junior' Potter Jr.: We don't need him.

    • Crédits fous
      8 Beautiful Girlies 8, count 'em! as The Dirty Shame Rockettes.
    • Connexions
      Edited into Your Afternoon Movie: The Son of Paleface (2023)
    • Bandes originales
      Buttons and Bows
      by Jay Livingston and Ray Evans

      Sung by Bob Hope, Roy Rogers and Jane Russell (uncredited)

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    FAQ15

    • How long is Son of Paleface?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 octobre 1952 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Son of Paleface
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Hope Enterprises
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 35min(95 min)
    • Rapport de forme
      • 1.33 : 1

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