Le fils de visage pâle

The original "Paleface" feature was pretty good, but this sequel is actually better, in large part due to the addition of Roy Rogers and Trigger. Rogers and Bob Hope are two of the most likable performers that the movies have seen, and together they seem like old friends who have stopped by for an enjoyable visit. Jane Russell is also back from the original movie, though in a different role.

The story is good fun as long as you don't take it seriously. It's actually rather well-written, in that it accommodates all three stars with material well-suited for them. Hope gets plenty of one-liners and similar gags, and he pulls off even the goofiest of them with energy and aplomb. Rogers gets the chance to do some singing and to have some action sequences, and Trigger gets several good moments. Russell is given a character that allows her to stay within the role of the tough, glowering beauty.

There are enough connections to the first movie to add to the enjoyment if you have seen it, but "Son of Paleface" could also easily stand on its own, and in fact overall it probably is actually a little bit better.

A terrifically funny movie. Bob Hope's wisecracking persona and writer-director Frank Tashlin's cartoon-like gags make a perfect blend. And anyone who enjoys Jane Russell has to check out her opening shot in the movie, in which the camera pans up her gorgeous legs while va-va-voom plays on the soundtrack.

Top-notch comedy in every department

I had seen Trigger steal the scene - and the blanket - from Hope, and finally got to see the whole movie. What a cast! Bob Hope, Jane Russell, and Roy Rogers. The three stars complement each other, and I'd love to have a copy of a still with the three of them singing together! The movie is a great showcase for Trigger, and Paul E. Burns is great in a Gabby Hayes-like role! Of course, it is not a "politically correct" portrayal of American Indians, but it is typical of its period.

This was a worthy successor to the original Paleface. This one was just as good and had even a few more funnier moments including the scenes with Trigger, the fight with the Indians and, of course, the climatic chase scene. Also, this film shows Roy Rogers flair for comedy as he has some great comedic moments with Hope. This film will always a perfect sequel.

Federal Agent Roy Rogers is on the trail of a mysterious bandit known as The Torch and little does he suspect at first that The Torch is that powerful piece of pulchritude, Jane Russell.

Of course gumming up his investigation is tenderfoot Bob Hope, who is the son of famous frontier scout Paleface Potter. Hope's not inherited much from his father's side. Therein lies a lot of the comedy in Son of Paleface.

The original Paleface film had the Academy Award winning song Buttons and Bows. This one has a whole load of musical numbers in it, better to utilize the talents of the three stars. One of them, Am I in Love was nominated for the Academy Award that year, but lost to Three Coins in the Fountain.

Best scenes in Son of Paleface involve the smartest horse in the west, Trigger, constantly outsmarting Hope. Well if Bing Crosby could constantly do it in every Road picture.................