Ajouter une intrigue dans votre langueDisputes over a dead man's property escalate into a bloody range war.Disputes over a dead man's property escalate into a bloody range war.Disputes over a dead man's property escalate into a bloody range war.
- Réalisation
- Scénario
- Casting principal
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"Ride the man down" is a pleasant fast paced western about a ranch war with lot of characters played by a great casting (Jim Davis, Brian Donlevy, Forrest Tucker, ... and the punchy Ella Raines) with tough Rod Cameron as the defender of the purchased ranch. Always great photography by Jack Marta, especially at night. And Ella Raines character, as tough as a man, is the best (but I love her in every of her movies), don't miss her fight.
Rod Cameron was for Republic Pictures and Joseph Kane in particular the equivalent of Randolph Scott was for Andre De Toth, Edwin Marin or Budd Boetticher. And here, Rod Cameron has his usual and faithful pal Forrest Tucker. They often played together, with also the usual villain Jim Davis, a long time before he became famous as Ewing family patriarch in DALLAS series. So this Republic western is above many of others because it is not a cabaret western, as was for instance JUBILEE TRAIL and many other of this kind, taking place in San Francisco with many music hall, Burlesque sequences and songs, often starring Vera Ralston, Herbert J Yates' s - Republic Pictures mogul - wife. So this one belongs to the list of westerns over ninety minutes made for Republic during the fifties, in Trucolor and full of excitment.
This western from Republic has a very good cast. While few A-list names, a lot of familiar and accomplished actors appear in it, including Brian Donlevy, Rod Cameron, Forrest Tucker, Ella Raines, Paul Fix, Chill Wills, and J. Carrol Naish. Sadly, however, the print I found on YouTube was severely yellowed and the color is less than stellar.
When the story begins, the tough boss of the Hatchet Ranch has died unexpectedly. Now there's a new boss, a lady, and the future of the place is in doubt...especially since Bide Marriner (Donlevy) vows to take what he wants! Can the ranchhands of Hatchet Ranch manage to hold onto what they've worked for all these years? Or, is it time for everyone to tear the ranch apart and take the cattle?
This was a difficult movie to watch only because so many people seemed to have their own agenda and figuring out who were the good guys wasn't too easy! Still, with so many good B-list actors (far more than you'd usually expect in a film), you can't go wrong with this one.
When the story begins, the tough boss of the Hatchet Ranch has died unexpectedly. Now there's a new boss, a lady, and the future of the place is in doubt...especially since Bide Marriner (Donlevy) vows to take what he wants! Can the ranchhands of Hatchet Ranch manage to hold onto what they've worked for all these years? Or, is it time for everyone to tear the ranch apart and take the cattle?
This was a difficult movie to watch only because so many people seemed to have their own agenda and figuring out who were the good guys wasn't too easy! Still, with so many good B-list actors (far more than you'd usually expect in a film), you can't go wrong with this one.
Several offerings of this film are available on YouTube, and I'm surprised that so far there are only two reviews here on IMDB - and these sum up RTMD very well indeed.
The cast includes many well-known and not so-well-known actors from 1950s Westerns, all of whom acquit themselves well.
As has been suggested, there was a lot of plot crammed into 90 minutes, and the number of characters' names was such that I had to concentrate to work out who was who. And there were quite a few localities named.
The fight between Rod Cameron and Forrest Tucker was one of the most impressive I've seen in films of this period, and Ella Raines as Celia Evarts acquitted herself very well against the roughs who invaded her home.
The final shoot-out in the dark seemed short, almost to the point of being anticlimactic.
But overall a good Western.
The cast includes many well-known and not so-well-known actors from 1950s Westerns, all of whom acquit themselves well.
As has been suggested, there was a lot of plot crammed into 90 minutes, and the number of characters' names was such that I had to concentrate to work out who was who. And there were quite a few localities named.
The fight between Rod Cameron and Forrest Tucker was one of the most impressive I've seen in films of this period, and Ella Raines as Celia Evarts acquitted herself very well against the roughs who invaded her home.
The final shoot-out in the dark seemed short, almost to the point of being anticlimactic.
But overall a good Western.
In 1892, a foreman of a huge ranch in southern Utah (Rod Cameron) tries to stave off land grabbers (Brian Donlevy) and rustlers (Jim Davis) after the death of the patriarch. Curiously, the fiancé (Forrest Tucker) of the heir of the ranch (Ella Raines) seems to oppose the foreman's efforts.
Based on the Luke Short novel, "Ride the Man Down" (1952) starts out convoluted with a dozen key characters introduced in the first act. They tend to speak in that rat-a-tat-tat way which was in vogue back then. The flick needed another 30 more minutes of runtime to breath. If you pay attention, however, you'll eventually figure out who's who and the details thereof.
More than that, you'll discover a great little old Western that's undeservedly obscure. You can't beat the awesome Southwest locations in living color and Cameron makes for a stalwart, noble protagonist. Raines works well as the heroine and I enjoyed the human interest of the romantic possibilities with quality dialogues/acting.
If you appreciate old Westerns like "Albuquerque," "Whispering Smith," The Sundowners" (1950), "Shane" and "The Hangman," this is just as worthwhile in its unique way.
It runs 1 hour, 29 minutes, and was shot in Kanab, Utah, which is in the southwest region of the state by the border of Arizona.
GRADE: B+/A-
Based on the Luke Short novel, "Ride the Man Down" (1952) starts out convoluted with a dozen key characters introduced in the first act. They tend to speak in that rat-a-tat-tat way which was in vogue back then. The flick needed another 30 more minutes of runtime to breath. If you pay attention, however, you'll eventually figure out who's who and the details thereof.
More than that, you'll discover a great little old Western that's undeservedly obscure. You can't beat the awesome Southwest locations in living color and Cameron makes for a stalwart, noble protagonist. Raines works well as the heroine and I enjoyed the human interest of the romantic possibilities with quality dialogues/acting.
If you appreciate old Westerns like "Albuquerque," "Whispering Smith," The Sundowners" (1950), "Shane" and "The Hangman," this is just as worthwhile in its unique way.
It runs 1 hour, 29 minutes, and was shot in Kanab, Utah, which is in the southwest region of the state by the border of Arizona.
GRADE: B+/A-
Le saviez-vous
- AnecdotesScreenwriter Mary C. McCall Jr. said of this film, "From the outset this was as happy a spell of work as occurs but rarely in a screenwriter's life. [Director Joseph Kane] is an admirer of Luke Short's work. I loved the novel. In transferring the story to the visual medium we didn't have any problems."
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Ride the Man Down
- Lieux de tournage
- Kanab, Utah, États-Unis(location shooting)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 30min(90 min)
- Rapport de forme
- 1.37 : 1
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